you have a truly engaging voice,  Bailey.   it kinda wraps you in soft cotton clouds.  you are a lullaby.  beautiful

cool tune! just added it to my Dream POP (2021) playlist: https://soundcloud.com/bonespop/sets/dream-pop-2021-playlist-by

Pre Order: http://firetalkrecs.com/shop/monteagle

Monteagle is the solo moniker of Justin Giles Wilcox - best know as chief songwriter in Nassau and now defunct Tennessee band Moonlight Bride. The later of which had some early looks, collapsing just on the brink of break out success. Paste Magazine calling Wilcox’s delivery in a “Best of What’s Next” feature “tremulous, bare-souled vocals, which are as haunted and alluring as the caves that riddle the rocky hills of the band’s hometown.”  Monteagle, named for a mountain inside those hills marks a re-birth for the now well seasoned indie rock vet. Expanding on the more ethereal, dreamy inclinations of past work into something closer to the history of those hills. 

Midnight Noon is the project’s first full length album and embodies a collection of songs written about growing up in rural Tennessee, moving to New York City and looking back at the once discarded landscape with a deeper understanding and appreciation of rural America's hidden beauty. The album envelops a slow focus, working in honest observations and simple truths. It's an origin story sonically toying with Americana and Folk and placing it in a more urban, textural context. 

The aim here was to get back to Justin’s roots, to take all of those past experiences and channel them into something both nostalgic and modern. On the album’s title track Wilcox croons “I still can’t erase anything I’ve seen”, and that line speaks to the truths he’s getting at here. We all work hard to grow past our particular upbringing, but sometimes it’s worth reflecting to get at who we truly are in the modern American landscape and to better understand our place in the world. 

The album was written recorded and produced by Justin Giles Wilcox and members of the Monteagle live band in a old church in upstate New York, mixed in Justin’s home studio in Brooklyn and mastered by Doug Van Sloun (Bright Eyes, Songs: Ohia, M. Ward) in Omaha Nebraska. Midnight Noon will see release on November 30th 2018 on Fire Talk Records.

Midnight Noon_3

Monteagle - East LA

Corey Cunningham's Business of Dreams is all about emotional catharsis. When his father passed away a few years ago, Cunningham took leave from his long-running Bay Area/LA musical partnerships Magic Bullets and Terry Malts to return to his home state of Tennessee to grieve and confront his past.

Making music to cope with this loss resulted in Business of Dreams' lovely eponymous debut album, an unexpected pop pleasure that wound up on Bandcamp's and Raven Sings The Blues' year-end lists for 2017. Soon the live version of Business Of Dreams took shape as Cunningham opened for Rogue Wave on a national tour and played scores of local shows with Frankie Rose, Real Estate and many others.

With his new album "Ripe For Anarchy," Cunningham has honed the songwriting with an eye towards regret, existence, and perseverance. "When I’m gone you won’t cry for me, focus on the moment, be free," he sings on "Chasing That Feeling." And that’s the mantra here: it’s time to let go. "The album is about living in the moment, shedding neurosis, and the desire to discard the general societal malaise we’ve been roped into."

"Ripe For Anarchy" is a through-and-through ode to indie pop, in the historic definition of the genre. "My Old Town" and "N.R.E.A.M." could be album cuts on a Grant McLennan solo album, "Don’t Let Our Time Expire" and "Naive Scenes" could be The Smiths, the Sparklehorse cover "The Hatchet Song" bears an uncanny resemblance to Australian pop pioneers Even As We Speak, and "I Feel Dread" has the unmistakable earmarks of The Field Mice.

And while he may be more noted for playing guitar in Terry Malts, Smokescreens, and Merge Records' Mike Krol's backing band, Cunningham is most at home making soft sounds extolling the wounded and mournful. "I think music is the most personal of mediums. You can work and listen, you can run and listen, you can drive and listen. And I think I’m a misfit. If I can make the most personal music for misfits, then I’m satisfied."

Ripe For Anarchy

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Business of Dreams - Keep The Blues Away

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NOVA ONE - violet dreams

Berdnturtle - 01 Cold Gate

From Fran's debut album out 11/15 on Fire Talk.

Pre Order / Pre Save: ffm.to/franaprivatepicture

The trick is to make a confession entertaining. A Private Picture, the debut album by Chicago’s Fran, delivers a collection of extremely personal experiences that have been distilled and abstracted to the point that you can see yourself in their imagery, find analogs to your own emotional history in their scenarios –when you hear them, it’s a conversation. It’s therapy, if therapy was allowed to turn you on and make you shake what you got. At its core, Fran’s music is about sharing a truth -–telling it, confessing it, yelling it—in the service of human connection. Or, as Jacobson puts it, “I feel that I am a songwriter for the same reason I wanted to be an actor. I want to tell the truth. I want to challenge myself to get closer and closer to the core of an experience, an emotion- I want to say it, sing it, in a way that says exactly what it is. I cry when I write songs because I am constantly making discoveries, about myself, about the world, about the best way to convey and connect and get closer.”

A Private Picture

Fran - So Surreal

You Fear the Wrong Thing Baby (radio edit)

Just Not Fair

While the track "Calm Down" was about panic attacks in the moment, "Champagne" is about panic attacks in the retrospective. Poor mental health can plague everyday life, and after a while it becomes fatiguing. When you avoid doing things in life for fear it will cause another attack, it becomes a disorder. Your whole life evolves around it, you're always on guard, and you're always taking into consideration how what you're about to do will affect you.

The first verse in "Champagne" talks about seeing random strangers out in the world and wondering what it would be like to trade lives with them. Freaky Friday style. The second verse touches on the same image. "I'm looking over shoulders and seeing everybody fine and how they don't mind" means exactly that. Everybody seems fine. But are they? Are they also dealing with internal demons and seeing me as a random stranger and thinking that I look fine? Is grass always greener on the other side?

In the chorus, "waking up with champagne" is a metaphor for all the blessing I have in my life. Even though I struggle with my own issues, I have to many things to be grateful for. Yet, this line is followed with "are you gonna be afraid every day?" If I have so much to be grateful for, why do I have to worry about struggling with my issues? Can't I just let it go, and enjoy my life? The rest of the chorus says "it comes in numbers. Would you have a life to trade for always?" This asks if it is so bad that I'd really want to permanently trade lives with someone? Again, is grass always greener on the other side?

"Champagne" asks a lot of questions. It's a reflective piece on a very after-the-fact perspective of mental health. Thanks for listening.

Last Looks

Champagne

From Dehd's new album "Flower of Devotion" out July 17th on Fire Talk. 

Buy: https://ffm.to/dehdforever

Flower of Devotion

Dehd - Month

take all the time you need
i am a dog on a leash
the way you called my name
has taught me more than you'll know

sometimes i just wanna go home
going to the park makes me feel so alone
took the pill so i can feel right
dove head first i wanna see the light

will you still hold my name
even if i run away

-

ronnie red on keys
produced by daisy chain
crybaby worldwide

DIVE

I fear you, oh life
Lesson to commend
I would love you to know
Which airline my dog and my wife prefer
Well, I don’t wanna take sides
Otherwise I’ll cry all night
And I don’t think I am ever gonna stop
Abusing TV and wine
Only in Fall time

Sentimentalism’s dead
And I don’t feel that well
Could you hold me in your arms
While I am still shrinking
My lungs are about to collapse
If only I had listened to what
She said
On a cruise, life is a matter of gambling
Fear or wisdom?
Well, I don’t wanna take sides
Otherwise I’ll cry all night
And I don’t think I am ever gonna stop
Abusing TV and wine
Only in Fall time

And when the wind calms down
A wild feeling of despair
I am cruising out tomorrow 
Am I late?

Well, I don’t wanna take sides
Otherwise I’ll cry all night
And I don’t think I am ever gonna stop
Abusing TV and wine
Only in Fall time

Indoords

Fall Time

Bathe Alone is the dream-pop moniker of multi-instrumentalist Bailey Crone. Taking shape in Atlanta, her haunting approach to songwriting and delicate vocal deliveries often draw comparisons to Beach House, Widowspeak, and The xx.

Growing up with a formal background in classical music, Crone first burrowed her way into the Peach State's indie scene as a teenager. She picked up drums, guitar, and bass early on, where she eventually discovered a distinct identity and connection to each instrument. With a drumming vocabulary more akin to the punk world and ambient guitar drenched in delay, the foundations for Bathe Alone were starting to crystallize.

After tinkering and fine tuning her sound even further, Crone enlisted the help of producer Damon Moon — who immediately recognized an untapped potential in the project. Within months they completed what would become Bathe Alone's debut LP, Last Looks. The 2021 album quickly caught fire and received praise from publications like Under The Radar, DittyTV, and more. Recently the team finished her sophomore full-length, Fall With The Lights Down — due out this summer via Kansas City label The Record Machine. With eyes fixed towards the future, Bathe Alone has a lot to look forward to.

Champagne

Bathe Alone

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