I discovered William S. Burroughs’ (WSB) work when I was in high-school. Naked Lunch was all the rage among some of the folks I hung out with at time. When I read it, I was blown away by it’s originality and edginess. It opened the door for me to the Beat Generation and some its writers who I grew to love.

The basis of this track is a reading from WSB on a visualization exercise called “Take Nirvana” ( https://youtu.be/JTcw4RymVy0 ). I’ve always enjoyed Burroughs’ delivery style when narrating his work. I love the creaky texture of his voice. This is my little tribute to WSB, I hope you enjoy it.

A Visualization Exercise Called: Take Nirvana

My goal is to create sonic landscapes that capture the listener and take them to unknown places while building and maintain a secondary (musical) world to keep them immersed and actively engaged within it. Music should be inherently enjoyable to listen to, yet provide enough tension to keep it interesting enough for active listening. I also try to tell an aural story or narrative that blends Electronic Music’s past with its present.

By using real-world environmental samples, I seek to anchor the listener to something that is familiar and immersive. Curiosity compels a deeper level of listening which helps develop, build and sustain the secondary world.

My stronger influences are 70s and 80s electronic and progressive musicians such as Brian Eno, Vangelis, Edger Froese, Klaus Schultze, David Sylvian, Holger Czukay, Popol Vuh and Pink Floyd, as well as more recent artists such as The Orb, Aphex Twin, Future Sound of London, Mathias Grassow, Steven Wilson, Bass Communion, Explosions in the Sky and Godspeed You! Black Emperor. There are unabashed references and homages to these artists and (many more) which is consistent with the post-rock approach to modern music.

I grew up in a home where music was loved and the radio was always on, which gave me early exposure to a variety of genres including jazz, classical, contemporary, pop and rock. Playing musical instruments throughout my early and middle-school years, allowed me to became proficient in several woodwind instruments, the electric bass and manipulation of reel-to-reel tape recordings. The exploration in creating experimental tape effects had a large impact on my current musical expression.

Thank you for visiting my SoundCloud page. Northfield Lenox creates computer / electronic music combining virtual instruments with samples from media archives, radio, and other field & audio recordings.

If you are new to this site - Welcome <3 Click on  "Tracks" to listen to my musiK
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Special thanks to  #hexx9 /www.blvvkgraav.com, @succcast  ,  @AtefBenOthman
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*This is my only profile/account on SoundCloud

Anyone can start again
Not through love but through revenge
Through the fire, we're born again
Peace by vengeance brings the end
                                  -L.D.R.

Multi-Technotic, Soundscapes w/WUB-Liminal OvertoneZ 4 Headphones & Earbuds. Formerly known as: StarSpaceDrive, 84$$, NEODMN & The Bass Facility.  

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Stream my music on Spotify:

https://open.spotify.com/artist/2TJ282XVJoiBCiHsitRLfY

its me, pieps tot, i like sounds and pop and avantgarde and ambient and noise and theatre and music and imagination and my fantasy

WFTR is an electronic, contemporary classical, and dark ambient project highlighting 'in-progress' demo tracks as opposed to final mixes. Feedback is welcome and most appreciated ;o)

Please contact melodyzenithmusic@gmail.com for any professional inquiries

My music is my art.  Your brain is my canvass.

A Visualization Exercise Called: Take Nirvana

Battlemoose