Really cool intrepation of the 7th Symphony. So much emotion for one piece of music.

Working with Soft Ambient Songs

Agnes Obel, Anne Müller, Mika Posen
Live at Polish Radio Trojka-CABLE 13-10-2013
www.polskieradio.pl/9/200/Artykul/946184

Agnes Obel - 01 - Chord Left (Live At Polish Radio)

A WINGED VICTORY FOR THE SULLEN - 'ATOMOS VII'
12"/digital out on Erased Tapes/Kranky (US) on April 28, 2013

PRE-ORDER: 
http://www.erasedtapes.com/store/index/ERATP056 (worldwide excl. North America)
http://www.kranky.net (North America)
http://www.awvfts.com (band shop)

Erased Tapes and Kranky are pleased to announce the release of A Winged Victory for the Sullen's 'ATOMOS VII'. April 28 sees the first installment leading up to the release of the second full length studio album 'ATOMOS', and score for choreographer Wayne McGregor's long form dance piece. 

McGregor was heavily influenced by the duo's 2011 self-titled debut, playing it repeatedly during practices with his core group of dancers. After noticing the group's reaction with the music, he contacted Adam & Dustin to see if they could write the score for his new oeuvre. 

The duo recorded more than sixty minutes of music over a four month period during the summer of 2013 in Brussels, Berlin and Reykjavik with the help of their longtime collaborative sound engineer Francesco Donadello. This EP also sees the involvement of Ben Frost, who composed the music for McGregor's previous work 'Far'.

McGregor, mastermind behind the Random Dance Company and resident choreographer at the Royal Ballet since 2006, is known in popular culture circles for serving as movement director for the film 'Harry Potter and the Goblet of Fire'. He has also choreographed the Radiohead video 'Lotus Flower' and 'Ingenue' by Atoms for Peace.

"While we were re-amping guitars at Greenhouse studios, Ben expressed interest and admiration in the sounds we had created. We were planning for the B-side to be a metamorphosis of part VII, and Ben seemed the obvious choice. With the multi-tracks transformed, it follows a trajectory that we had not felt comfortable with before. But with Ben's involvement and influence, it was a painless entrance to this crooked, distorted world." - Adam Bryanbaum Wiltzie

"We never imagined 2013 would be such an explosively creative year. The first record took us 2 years from start to finish, but in the micro span of time over last summer we were able to change the formula for the way we write, record, and let go. It was incredibly liberating." - Dustin O'Halloran

'A surprisingly emotional score' ★★★★ The Telegraph
'Intense, reflective, occasionally threatening and wholly enveloping' ★★★★ Times

TRACK LISTING:

A1 Atomos VII - taken from the upcoming full length album ATOMOS
A2 Minuet For A Cheap Piano Number One - outtake from debut album sessions
B1 Atomos VII (Greenhouse Re-Interpretation) - with Ben Frost

LIVE DATES:

24.05. KORTRIJK (BE) – Festival van Vlaanderen Kortrijk
29.05. BARCELONA (ES) - Primavera Sound
20.10. LONDON (UK)  - Milton Court (Barbican)
25.10. ANTWERP (BE) – De Roma

awvfts.com · erasedtapes.com · kranky.net

A Winged Victory For The Sullen - Atomos VII

"Au Revoir" reaches #1 on Soundcloud "Classical" Charts
http://www.stereoshockmusic.com/blog/2014/9/14/au-revoir-1-on-soundcloud-trending-chart

<3 On The Hypemachine: http://hypem.com/track/26fad/Stereoshock+-+Au+Revoir

"Au Revoir, my latest Cinematic-Electronic composition, follows an uplifting, emotionally driven soundscape through out the piece. I wanted Au Revoir to contain two distinct environments in the record; one of which is easy to connect to the central theme, while the other being more open to individual interpretation on a larger scale. As the track progresses, I focused on creating a strong degree of contrast through out the arrangement, as to heighten the level of tension between the two worlds which coincide. I hope that while listening to Au Revoir, you can truly feel what I envisioned for this piece, and thank you for taking the time to listen.

Our Streets Will Carry Echoes. Our Silence Will Live On."  

Support: 

Your EDM [With Interview]: http://www.youredm.com/2014/09/09/stereoshock-unleashes-cinematic-masterpiece-interview/

Deadly Music: http://www.feckingdeadly.com/cinematic-soundscapes-stereoshock-au-revoir/

Pray The Music: http://praythemusic.com/2014/09/08/track-stereoshock-au-revoir/

Embrace The Beat: http://embracethebeat.com/the-future-of-electronic-stereoshock-delivers-stadium-sized-au-revoir/

Superbangers: http://www.superbangers.com/?p=37692

Caesar Livin Loud: http://www.caesarlivenloud.com/2014/09/listen-to-au-revoir-stereoshock.html

Hall of Fame: http://www.hofisbetter.com/stereoshock-au-revoir/

Only Chillstep [Youtube Channel]: https://www.youtube.com/watch?v=4TQ7_7DeDU0

Just Chillout: http://chillout-sessions.tumblr.com/post/98044026246/stereoshock-au-revoir

EDM Sauce: http://www.edmsauce.com/2014/09/22/stereoshock-au-revoir/

Free Download

Au Revoir

Download on iTunes: http://bit.ly/SCA_iT
Listen on Spotify: http://bit.ly/SCA_SP
Grab your copy on Beatport: http://bit.ly/SCA_BP

Check out our playlists at: bit.ly/ArmadaMusicRadio

London-based Sizzlebird keeps things simple. Infusing his minimal orchestrations with subtle textures and an organic flow, he’s made ‘Come Around’ a tune worth listening to year round. At 3:30, you’ll be wishing this track kept going on and on...

Connect with Armada Music:
www.armadamusic.com

Come Around

Download

Live at the Great American Music Hall - San Francisco, CA 
June 26, 2011


Zoe Keating performing Beethoven's 7th symphony 2nd movement

La fin de la visite

“The unique combination of Emilyʼs ʻcello and BJʼs Pedal Steel Guitar create orchestral sounds in a new and refreshing context; weaving around one another in a sinuous dance of infectious sound and rhythm”
The Gnossienne Suite - BJ Cole's Pedal Steel and Emily Burridge's cello bring out a lyrical quality in Satie's music that is not possible to express in the standard piano interpretations; and undercurrents of Eastern European music clearly emerge as an influence on Satie's original compositions.
Also, the idea of the individual Gnossiennes as movements in a suite gives added weight and substance to the whole, and allow a new appreciation of Satie's unique musical genius.

BJ Cole & Emily Burridge  arrangement of Gnossienne 2&3 by Eric Satie edit

Angel's arms

J. S. Bach: Cello Suite No.3 (BWV1009): Prelude

Lille - Lisa Hannigan & The Colorist Orchestra

Tu non mi perderai mai

A01 - Dustin O'Halloran - An Ending, A Beginning

JS Bach - Badinerie

Jozef Van Wissem & Jim Jarmusch - Etimasia

Track taken from Dustin O’Halloran's upcoming album 'Lumiere' released via FatCat’s 130701 imprint (a home for the orchestrally/classically aligned composers attached to the label)

Dustin O’Halloran - We Move Lightly

I shoot stills and tape shows
see my stills at www.flickr.com/cody722


Zoe Keating performing Beethoven's 7th symphony 2nd movement

Cody Molica Recording's

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