Buy / Stream the EP here: https://orcd.co/unselfishdesires

Following comprehensive retrospective collection ‘Nostalgia: Beats of 2008 – 2020’, BBE Music is delighted to share a fresh batch of material from Canadian production powerhouse Beatchild, in the form of his hotly anticipated new EP, ‘Unselfish Desires’.

Unselfish Desires is another perfectly-formed example of the expectedly unexpected sound that has become Beatchild’s signature style, from jazzy, blunted opener ‘Unselfish Desires’ through to 80’s synth-pop inspired, funk-laced closer ‘In My Head’. Scratchy, head-nodding beats combine with original chord progressions and quirky sonic touches, often glued together with the artist’s own mellow vocal tones. A prodigious multi-instrumentalist, Beatchild pays keen attention to the music production process, skillfully combining heterogeneous sounds and beats that combine to lend his music its unique charm.

As for the tracks, let’s have Beatchild, aka Byram Joseph, take us through them one by one:

“One of my personal challenges when creating music that really makes me feel something special is to compose chord progressions that I feel I’ve never heard before. ‘Unselfish Desires’ wrote itself after the Wurlitzer progression was recorded. Everything just fell into place so quickly and naturally. It’s such an incredible feeling when that happens.

‘Adapting’ is a song about false progress. The music is a never ending loop that feels like progression in how it moves from joy to sadness and back again. It’s the perfect paradox musically and I wanted the lyrics to mirror the feeling I got from the music.

Pulling from real life moments has been something I have always shied away from in my writing. I’ve been trying to be more honest and vulnerable and truthfully, I still find it terrifying. In ‘Dance For Love’, I was thinking of when my wife and I force ourselves to dance with each other through difficult moments and exchange our energy when it’s too tense or sad to talk.

‘In My Head’ was pure fun with no specific intention other than to create a feel good experience. My favourite moments when writing music are when I am free to get completely lost in my own head. Songs like this one usually see me jumping around my studio while I compose the lyrics.”

The third volume of Beatchild’s incredible ‘Soul Movement’ album series will be coming on BBE Music soon, but until then, please enjoy this beautifully crafted EP from one of the most unique and dedicated producers out there.

Unselfish Desires

Beatchild - Adapting

Tranquil

Potatohead People's classic tune "What It Feels Like" featuring T3 (Slum Village), Kapok and Illa J gets a remix treatment from in demand bass player and rising star Carrtoons. Switching up the order of the verses, dubbing out the horns and adding in his signature basswork, Carrtoons gets the song into a whole other groove of it's own while retaining the original vibe in a unique way. 

Look out for a 7" coming in Spring of 2023 with the remix and the OG on it!

Pre - Order 7" Here

Potatohead People - What It Feels Like (feat. T3, Illa J & Kapok) [Carrtoons Remix]

Brand new sound for Julyyyy!
Enjoy & Share!
Like my page on Facebook.com/saintard to stay tuned!

Saintard

Keys Zuna - How You Feel (Saintard Edit)

Original Music composed by Daniel Casimir

4. Cable St.

Momma
Released 26/3/2017 © 

Written by - Mali Hayes, RKW (Yvonne Ellis, Myke Wilson)

Momma - Mali Hayes (ft. Jermaine)

Purchase 12" / Digi - https://nick-wisdom.bandcamp.com/album/intimate-strangers

After making waves a few years back via his Potatohead People project (with AstroLogical) and co-producing Illa J’s critically acclaimed self titled LP, Vancouver based playboy & producer Nick Wisdom steps out from behind the boards to deliver his first solo release for Bastard Jazz. 

The “Intimate Strangers” EP mines deep into Nick’s proclivities for disco, hip-hop, and house flavours. “Good Times” kicks things off with a snapping four on the floor, deep Rhodes chords and a rollicking bassline and vocals courtesy of Mr. Wisdom himself. “Feelin’ Alright” heads into outerspace disco territory with cosmic synths, walking bass, and sultry vocals courtesy of Reva Devito (HW&W, Kaytranada). On the flipside “Don’t Tell” brings in some 80s boogie vibes with downlow vocals from San Francisco’s K-Maxx, while “Rock The Cash Bar” is an instrumental party rocking hip-hop jam sounding like a modern day Showbiz & AG.

Intimate Strangers

Nick Wisdom - Rock The Cash Bar

'Oooo Lala' (Feat. Kaidi Akinnibi) taken from Blue Lab Beats' debut album 'Xover'.

Pre-order the album/stream the single here: BlueLabBeats.lnk.to/Xover

Follow Blue Lab Beats:
www.bluelabbeats.com
www.facebook.com/BlueLabBeats
www.twitter.com/bluelabbeats
www.instagram.com/bluelab_beats

Oooo Lala(Feat. Kaidi Akinnibi)

Full stream of @maiasaysdope's dreamy beat-driven pop cut "Motion," from her new EP on @beatsofnonationradio.

More info: https://www.xlr8r.com/news/premiere-hear-a-dreamy-beat-driven-cut-from-ma%C3%AFa

Motion

More info

Premiere: MAÏA - Motion

sometimes things remain a mystery so they can continue to teach us

Mo Koffee

Wanna support? Buy the album here (CD, vinyl, digital): 
http://jakartarecords-label.bandcamp.com/album/ceremony

thanks for you support!

facebook.com/jakartarecords
facebook.com/raashanahmad

03 Raashan Ahmad - Ease On Back feat. Sean LaMarr & Helen Kaiser

Join the BBE Mailing List: http://eepurl.com/yfBFX

Founded in 1996 by Peter Adarkwah, Barely Breaking Even (BBE Music) started life as a London club night, taking its name from the eponymous Disco record by the Universal Robot Band.

The label grew from the vibrant early 90's club scene with its first release, Stop & Listen compiled by Dr Bob Jones in 1996, opening the door to iconic series' such as All Back To Mine & Late Nite Tales.

A tonne of releases followed, ranging from Disco to Funk, Jazz to House. In the year 2000, the label celebrated Masters at Work's 10th Anniversary with a mighty box set that featured near 80 tracks.

A year later BBE Music spawned the Beat Generation Series of artist albums, notably introducing J Dilla (Welcome 2 Detroit) & a young Will.I.Am's first solo outing, alongside DJ Jazzy Jeff, Madlib & DJ Spinna, all of whom contributed to this seminal set of long players.

A quarter of a century and well over 500 titles later, having worked with Mark Ronson, Roy Ayers, Questlove, Hugh Masekela, DJ Premier, Dimitri from Paris, Joey Negro, Kon, RZA, Laurent Garnier, Black Coffee, DJ Shadow, David Rodigan and John Morales among many others, BBE Music looks to the future, celebrating its rich heritage while continuing to release a bounty of fresh titles.

The label’s most recent projects include an expansive reissue series from pioneering Nigerian label Tabansi, new imprint ‘Batakari’ in association with Boddhi Satva and the critically acclaimed ‘J Jazz’ Japanese Jazz multi-album project, not to mention the recent landmark 500th label release: a brand new version of 'Barely Breaking Even', featuring Leroy Burgess, Patrick Adams and Louie Vega.

In 2021 BBE Music is celebrating its 25th anniversary. To mark this milestone, the label is offering up some special projects, from the 20th Anniversary edition of J Dilla’s ‘Welcome 2 Detroit’, through David Bowie tribute album ‘Modern Love’, to a special new ‘Worldwide’ compilation from old friend Gilles Peterson. BBE Music will also be looking to the future with more exciting original artist projects, plus merch collaborations events and more...

Beatchild - Adapting

BBE Music

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