https://cqqlrecords.bandcamp.com/album/walter-thomas-i-wanna-get-witcha

"I Wanna Get Witcha" is a mid tempo love song, playfully serenading a long-time love interest to elevate their friendship into a romantic endeavor. The flirtatious lyrics and sweet plea in Walter’s voice illustrate a flourishing connection between a man and a woman he has known for quite some time.

Walter Thomas wrote and recorded "I Wanna Get Witcha" in North Chicago, Illinois in 1987, and the track was eventually released in the UK by Bay Breeze records on CD in 2000. In 2008, the tune was pressed up as a small run white label promo 7". We were then introduced to this soulful Chicago dance floor starter at the legendary, San Francisco-based dance party Sweater Funk via the deep crates of veteran Selector DJ Kirk. Our reissue is a re-mixed and re-mastered version, accompanied by its previously unreleased instrumental.

Walter Thomas - A - I Wanna Get Witcha

Azar Azar’s latest album, Cosmic Drops, is a vibrant and explosive package of fiery jazz that ties together many of Sérgio Alves’ external inspirations, from afrobeat and funk to house, broken beat, and electronic music. The album showcases a sound for every type of listener, whether they want to chill out or get up and dance. Among the nine tracks on the album, there is one that particularly stands out: “Subway.”

“Subway,” as Azar Azar explains, “intends to emulate a jam session that could spontaneously occur if you met Moodymann in a subway station. But deep down, it's a jam session that I did with myself and Sam (saxophonist) since I played all the instruments with the exception of the sax!” The track is a perfect example of the unique blend of afro-latin-tinged funk and hip hop that Azar Azar has become known for, made using organic and electronic instruments.

The result is a beautiful and mellow groove that is both subtle and unassuming yet stimulating and intense. The track has a certain aura that feels like the perfect soundtrack for a lazy Sunday afternoon, but also has the potential to get you up and dancing.

Azar Azar has a way of seamlessly blending genres and creating something that is uniquely their own, and “Subway” is a perfect example of this. It’s a jam session that Sérgio did with himself and Sam, but it feels like a collaboration with the listener, inviting them to sit back, relax, and enjoy the ride.

Overall, Cosmic Drops is a snapshot of Azar Azar at the top of their game, and “Subway” is just one of the many gems on this incredible album.

Exclusive Premiere: Azar Azar "Subway" (Forthcoming on Jazzego)

Buy / Stream the album here: https://orcd.co/ragarone

A wonderful album full of Balearic vibes, funky riffs and mellow moments, originally released in 1980.

BBE Music are excited to announce this highly sought after album titled ‘Will & James Ragar One” which will be reissued on Vinyl and CD as well as across digital platforms.

James and Will Ragar hail from Louisiana, where their early education into music began. At a young age they moved to New Orleans - where they heard live Jazz for the first time. This inspiration is demonstrated through their free approach to this album.

Their natural evolution through the Louisiana club scene saw them develop and hone their talents of adding that southern swag to covers they did, almost making them their own.

‘Will and James Ragar One’ is a blend of acoustic and electric tones, carefully and cohesively put together by the brothers.

‘As the Day Grows Tired’ is the first song on the album and one of the first songs James wrote.

The theme for ‘She’s Laughter’ is about returning home to someone you love and features a heavy guitar solo. ‘My Shining Sun’ has an unusual jazz form and is an ode to the joy of playing music. ‘Don’t Wish’ was inspired by a jazz chord progression that was a favourite, James played the solo on a pearwood soprano recorder. Gary Roberts played percussion on the session and also played the flute on ‘Just a Wanderer’.

Will & James Ragar - Melting Pot

Buy/Stream the album here: https://orcd.co/onceagainchildren

Gather together beneath the sun as we journey through the rhythmic sands of time, Paul Hillery, an esteemed collector and vinyl hunter, presents his follow-up to the highly acclaimed ‘We Are The Children Of The Sun‘. Andrew Male of MOJO Magazine calls the album “One of the most emotionally uplifting and hazily beautiful compilations of recent years.”

“Once Again We Are The Children Of The Sun” is a shimmering collection of rare finds, reminding us that we have more to connect us than to divide us. The music encompasses a broad range of sounds, starting in Cajun country with Will & James Ragar, their handmade acoustic guitars allowing for soaring vocals. Along with many of the tracks featured on this compilation, “As the Day Grows Tired” is reissued on vinyl for the first time.

Experience the previously unreleased cover of “Milk and Honey” featuring Kat Barnard and Greg Foat, a versatile mainstay of the UK jazz scene. Discover the first-ever vinyl release of “Kayenta Crossing” by William Eaton Ensemble, capturing the austere presence of Monument Valley. Immerse yourself in Wendy Grace’s jazz-folk masterpiece “More Than Hope” and the acoustic ambience of “Golden Hour” by Aria Rostami.

Paul Hillery and BBE present a compilation of styles and genres, fusing together to make private press wants accessible as a springboard for further listening pleasures. “Once Again We Are the Children of the Sun” is an eclectic selection mixing styles, year and tempo, painstakingly gathered and presented with a great deal of love.

Forest - Crazy Days

Will & James Ragar - As The Day Grows Tired

Get Down with Illa J and Amp Fiddler. Introducing Illa J’s second single “Get Down.” This track offers a glimpse into the creative life of John Yancey, a versatile artist known for his skills as both a rapper and singer-songwriter. “Get Down” is from his upcoming album “No Traffic,” which is entirely written and produced by Illa J himself.

On this soulful track, Illa J is joined by Detroit legend Amp Fiddler on the hook. Fiddler’s contributions to the music industry are vast, having worked with some of the biggest names in the business, including Prince, Moodymann, and J Dilla. Speaking of J Dilla, it’s a ‘Fantastic’ fact that Amp Fiddler is credited with introducing Illa J’s older brother to the Akai MPC in the ’90s? That revolutionary moment changed the direction of music forever.

But let’s get back to Illa J’s lyrical prowess. In “Get Down,” John’s playful style and delivery are on full display as he runs through various aliases from JohnClef to JohnDWayne. With this track, Illa J showcases his musical versatility and gives listeners a glimpse into his world and creative processes. As the chorus says: “They Don’t Know,” and this is your chance to find out.

If you’re a fan of Illa J, don’t miss the chance to pre-order “No Traffic,” his first solo album on the iconic label BBE Music. And if you’re new to his music, “Get Down” is the perfect introduction to this talented artist. Finally, you can rest assured that this track is mastered with love by the Carvery Studios. So what are you waiting for? Get down with Illa J and Amp Fiddler today!

Illa J - Get Down (Instrumental)

Marc Brown ran 2 hours of headsy jazz and funk infused brazilica selections this month, with tracks from the likes of Azymuth and James Brown inside.

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Marc Brown - June 2023

On the 3rd anniversary of the mid-pandemic release of Resilience, producer & pianist Jesse Fischer is introducing a remix EP entitled - The Resilience (Recharged). 

MIMS has the pleasure to premiere the first cut on the EP, a remix by Tomoki Sanders of Jesse Fischer's Afrobeat-inspired original jazz composition "Play Date".

The EP is out on August 18th.

Resilience (Recharged) EP

MIMS Premiere: Jesse Fischer "Play Date" (Tomoki Sanders remix)

The Family Tree ’As' is the second single to be taken from the forthcoming compilation, With Love: Volume 2. 

Compiling the follow-up to a very successful first album is always a tricky task, but just 12 months since the release of volume one in the 'With Love' series, miche has excelled himself once again with another glorious, deep dive into the world of rare soul. 15 tracks of independently released music, created by magnificent artists with stories to tell and primed for rediscovery.

‘As’ is a funky gospel version of one of the greatest songs ever written. A Stevie Wonder penned masterpiece! Julius Brockington’s expertly lead The Family Tree band, turn it into a dance floor workout with an undeniable groove. 

A perfect introduction to another wonderful compilation. We will leave the final words to miche, “I'm so happy to have been able to officially license this sublime gospel cover of ‘As' by Julius Brockington and his band, The Family Tree. Many people will automatically think of the Family Tree band that released an eponymous disco anthem, but this is a different Family Tree out of Baltimore, Maryland. I met Julius' daughter last year and we both agreed that this version needed to be a part of the With Love series. I have been playing this on dancefloors across Europe for years, it is tried and tested! Being the last track on 'With Love Volume 2', it reflects how every proper party should end... with Stevie Wonder."

The Family Tree – As

Step into the musical realm of Khadeeja Grace, a multifaceted artist quietly making her mark in Chicago's vibrant music scene. Influenced by iconic music figures including Stevie Wonder, James Brown, Earth Wind & Fire, Roy Ayers, and more, Khadeeja Grace fuses the elements of neo-soul, R&B, jazz, gospel, and house to create a soundscape that resonates with the spirit of Chicago.

Khadeeja Grace's journey took her to Pressure Point Studios, where she meticulously honed her skills as an assistant engineer, immersing herself in the intricacies of the music world. In this behind-the-scenes role, she refined her craft and cultivated essential connections with established artists and producers, like Donald Lawrence, Darius Brooks, Percy Bady, and PJ Morton, as well as contributing to the soundtrack of "Stand" from 'The Birth of a Nation.'

Her latest single, "SHED," in collaboration with Chicago producer and digital creator, SaraProblem, adds a new layer to her evolving artistry. This track introduces a blend of house, techno, and soul, slated to debut on all major digital and streaming platforms from October 22nd.

Khadeeja Grace's journey is peppered with remarkable collaborations. Notably, she achieved recognition for her successful collaboration on her single "Speak Your Love" alongside the legendary house producer Jamie 3:26. The track achieved planetary consensus, premiering on BBC Radio this year, and even received a remix treatment from Detroit master Theo Parrish. These collaborations have cemented her presence in the music industry.

As "SHED" and the forthcoming EP gain traction, Khadeeja Grace quietly reshapes the narrative of Chicago's music scene, crafting her distinct space within the industry. Her signature melodies and rhythms beckon listeners into a sonic journey that's impossible to resist.

Pre-Save

Exclusive Premiere: Khadeeja Grace "SHED" Feat. SaraProblem (Grace Galaxy)

I Still Want You: LIVE SESSION

Join the BBE Mailing List: http://eepurl.com/yfBFX

Founded in 1996 by Peter Adarkwah, Barely Breaking Even (BBE Music) started life as a London club night, taking its name from the eponymous Disco record by the Universal Robot Band.

The label grew from the vibrant early 90's club scene with its first release, Stop & Listen compiled by Dr Bob Jones in 1996, opening the door to iconic series' such as All Back To Mine & Late Nite Tales.

A tonne of releases followed, ranging from Disco to Funk, Jazz to House. In the year 2000, the label celebrated Masters at Work's 10th Anniversary with a mighty box set that featured near 80 tracks.

A year later BBE Music spawned the Beat Generation Series of artist albums, notably introducing J Dilla (Welcome 2 Detroit) & a young Will.I.Am's first solo outing, alongside DJ Jazzy Jeff, Madlib & DJ Spinna, all of whom contributed to this seminal set of long players.

A quarter of a century and well over 500 titles later, having worked with Mark Ronson, Roy Ayers, Questlove, Hugh Masekela, DJ Premier, Dimitri from Paris, Joey Negro, Kon, RZA, Laurent Garnier, Black Coffee, DJ Shadow, David Rodigan and John Morales among many others, BBE Music looks to the future, celebrating its rich heritage while continuing to release a bounty of fresh titles.

The label’s most recent projects include an expansive reissue series from pioneering Nigerian label Tabansi, new imprint ‘Batakari’ in association with Boddhi Satva and the critically acclaimed ‘J Jazz’ Japanese Jazz multi-album project, not to mention the recent landmark 500th label release: a brand new version of 'Barely Breaking Even', featuring Leroy Burgess, Patrick Adams and Louie Vega.

In 2021 BBE Music is celebrating its 25th anniversary. To mark this milestone, the label is offering up some special projects, from the 20th Anniversary edition of J Dilla’s ‘Welcome 2 Detroit’, through David Bowie tribute album ‘Modern Love’, to a special new ‘Worldwide’ compilation from old friend Gilles Peterson. BBE Music will also be looking to the future with more exciting original artist projects, plus merch collaborations events and more...