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morales

Tunes

All Wave Dancing Instinct (Soul & Dance)

Olaf Stuut - Siren (Dauwd Remix)

Got It (Together) (J.A.Z.) - Messalina Volume 8

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Artwork by Diverso Group: @diversomusique

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FlicFlac & The Bizarboys - Sometimes

Releasedate: 26.08.2014 
Label: Kittball

Paving the way for the new era of DJs, Lexer’s ascension to deep house superstar has been rapid since turning his hand to production in 2012, with the likes of Bakermat, Oliver Schories, Klangkarussel, Alle Farben and Tom Novy all supporting the German’s signature sound. Joining the dots between Europe’s hottest cities, the promising trailblazer can reminisce back on a packed touring schedule with performances from Amsterdam to Zurich, Berlin to Paris - not to mention plenty of festivals appearances in between. 

Now with his impending release on Kittball, Lexer delivers yet another reason for industry leaders to take heed of his talents. Melodic breakdowns and a pensive hook are the reasoning behind the title of ‘Thoughtful’, a track that emits sunshine and solstice with every lasting note. The rumbling kick drums of ‘Rusty Heart’ make for a heavier number, whilst playful bass stabs, charming melodies and glorious strings make for a testament to Lexer’s rocketing talents as a producer.

First up on remix duties is Kittball favourite in.deed, whose rendition of ‘Rusty Heart’ introduces a fuzzy bass hook and sultry atmospherics to a positively upbeat cut. Pulling apart the original and reconstructing it into a completely different creature, Ron Flatter then ties up the release with a stripped back and understated renovation that saunters along amiably.

Lexer - Thoughtful (Original Mix)

There are literally 7 versions of this song.
This is 1 of roughly a million cuts that didn't make it onto the album "Cupid Deluxe".
Additional vocals by Samantha Urbani
Instrumentation and Production by me.
Mixed by Blue.

Note : percussion borrows heavily from "Ruins" xxx

West Drive (Profit Vocal Dub 2)

Instagram: instagram.com/felixjaehn
Twitter: https://twitter.com/FelixJaehn
Facebook: www.facebook.com/FelixJaehnMuusic
www.felixjaehn.com
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Also check out: https://soundcloud.com/l-c-a-w: http://on.fb.me/1fnRJw5
Mastering by https://soundcloud.com/jam-couche
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Sorry, no download available. - Buy the original: http://bit.ly/19VzXSV
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♥

Say Hi :)

RY X - Berlin (LCAW & Felix Jaehn Remix)

From the original track "Scar Tissue" from Red Hot Chili Peppers.
a little gift for Christmas 2013

N'to - Scar Tissue *FREE DOWNLOAD*

Additional Production and Remix by Justin Strauss and Bryan Mette for Whatever/Whatever productions. Luaka Bop Records. 2013.

William Onyeabor - "Body and Soul" - Whatever/Whatever remix

VINYL: http://bit.ly/1yHqE4k
Beatport: http://btprt.dj/1Av3RXs
ITUNES: http://bit.ly/14AqMpE
Music Video: http://bit.ly/1x1aDza

Wolf + Lamb & John Camp are no strange bedfellows. In 2013 John contributed to tracks on Wolf + Lamb Records, including his remix of Soul Clap's "Need Your Lovin" and his work on  No Regular Play's "Birdfeathers" making him a seminal part of the family. "Make Me Fall" is a timeless tune featuring the haunting vocal work of Patricia Edwards. Driving hi-hats are peppered with jazz saxophone leading the listener through soaring arpeggios that make it easy to fall in love with this track. On the flip Navid Izadi brings his own sound offering a dynamic spin to the original.

CREW DOWNLOAD

Wolf + Lamb - Make Me Fall feat. John Camp & Patricia Edwards

Emily King - Down

Partly cloudy days, sleeping in, dropping off a friend after a wild night, driving home with a chocolate drink,  rainy boardwalks, thigh high stockings that never stay up. a thousand necklaces, cologne that lingers, sequins, puffy duvets, sepia photographs and scratched records

Jazzhole - Free The Robots

Bob Marley -"Soul Shakedown Party (Fort Knox Five Remix)"

Free Download here:
http://www.fortknoxfive.com/2012/02/02/800/


Every February 6th we like to give special respect and thanks to one of our biggest musical influences, Robert Nesta Marley. Born on February 6th, 1945 the birthday of Bob Marley is celebrated by millions of people worldwide and has come to be known as “Bob Marley Day.”

To mark this special day, we would like to offer you an exclusive free download of Fort Knox Five’s remix of “Soul Shakedown Party.” Officially released on Tuff Gong’s 2007 “Roots Rock Remixed” Compilation, this tune is pure fire and we hope you enjoy it. If you do, please spread the love via twitter, facebook, tumblr, blogs, etc. Simply click “Get it Now” below and enter your email address in the blank. Give Thanks &amp; Praise!!!

Bob Marley - "Soul Shakedown Party (Fort Knox Five Remix)"

SoulChef - Brazilian Summer

Cheesecake REMIX feat. chelsea reject

Promo Snipptes M+M v3 (these are heavily edited versions)

“The original process of 're-mixing records' was intended to provide an alternative listening experience which had been optimized for people who went out to dance at Discos. John was one of the early pioneers who loved music, understood his craft and HAD RESPECT FOR THE CREATIVE WORK from which his mixes were derived” 

Patrick Adams – Super Producer. Writer of more than 30 Gold and Platinum records and back to back winner of ASCAP Songwriter of the year award 1996/1997

 This compilation is John Morales’ third for BBE. Few can match his contributions to the world of Dance Music be it soul, funk, disco, to today’s house music.

John Morales is considered one of the true legends of the mix. And his work some thirty years later continues to be cutting edge and inspiring. His epic mix of Universal Robot Bands boogie anthem “Barely Breakin Even”  is the source from which BBE Records got its name.

No attempt has ever been made to summarise the pinnacle of Johns work. This third release on BBE continues that history lesson that John has forged in dance music. He formed The M+M Mix with his late partner Sergio Munzibai, in 1982 till 1990 whose output of over 650 mixes will be unmatched today. John continues The M+M legacy.

From the Rolling Stones to Gloria Estefan, The Temptations, Barry White, Marvin Gaye, James Brown, Hall & Oates, Teena Marie, Aretha Franklin to BBE – we have all been molded by Johns everlasting mix influence, love for his work and his Music..  This superb triple CD presents some of John's finest works, and takes the M+M Mix legacy to yet a higher level. CD1 & 2 feature some of the greatest tracks of all time from the Start of CD 1 and Barry White’s “Never, Never Gonna Give You Up” , to the classic rework of Marvin Gaye’s “I Want You”  which closes out CD2, there are no sleepers here. CD3 also features some of the best from the vaults of the Salsoul and West End labels, anthems like Loleatta Holloway’s – “Hit & Run” to legendary Paradise Garage favorite Loose Joints “Is It All Over My Face?”. 

 This is the legacy of the M+M mixes.


      

John Morales
If you grew up in the ‘80s and had even the smallest of passing interest in music, particularly club music, chances are you were very familiar, albeit unwittingly, with the work of John Morales. On the radio, in the record racks and most importantly on the dance floor John’s work (predominantly with studio partner Sergio Munzibai) helped define an era and influence future generations of DJs, producers and artists. 

Born into a hard working Puerto Rican household in the Bronx, New York, at the start of the rock ‘n’ roll era, Morales, like many children of the period was fascinated by this new art-form that was saturating the airwaves and upsetting parents everywhere. So in love with the music he heard, as a 12-year old he persuaded his local record store to give him a part-time job with payment not in dollars, but in 45s. By the time he was old enough to get a full-time job his burgeoning record collection had helped land him one of his first DJ gigs at the influential Stardust Ballroom in the Bronx (his father had earlier owned a bar in Jersey City where John had first got the DJ bug). As his reputation grew Morales was invited downtown to Manhattan to play guest spots at the likes of Pippins, Bentleys, 1018, Limelight and the infamous Studio 54. 

Like many DJs of the ‘70s John ventured into the studio more through need than necessity: “I started to make medleys and remixes because the records in those days were too short, most in the 3 minute range, and being a DJ I needed to get more out of the records I was spinning. I first started to do my edits using the pause button on a Teac Cassette Deck. After many hours of self education I graduated and I purchased a Sony _” reel-to-reel and learned to edit. It was hard work and long hours editing and putting all the little pieces of tape together and making something creative happen. Reflecting now, I realize how important it was to what I would later do. It taught me a lot about what I wanted to do and how to do it, so that by the time I got in a real studio I was virtually a whiz at editing tape much to the amazement of some of the engineers I worked with.” 

His now infamous ‘Deadly Medleys’ and ‘Sunshine Acetate Medleys’ brought him to the attention of New York disco producers Greg Carmichael and Patrick Adams who were impressed by the hunger and desire of the self-taught engineer. “My first credited mix was Inner Life’s ‘Caught Up (In A One Night Love Affair)’, even though I had worked on a few other records before that, but I hadn’t been credited, for acts like the Universal Robot Band and Musique’s ‘In The Bush’.

A meeting at New York’s influential WBLS radio station, where Cuban-born Sergio Munzibai worked as musical director alongside Frankie Crocker  would signal the next chapter in Morales’ career, and resulted in unquestionably the most  prolific remix partnership of the 1980s and 90’s with over 650 mixes  to their name. “We partnered in 1982, when we met at a New York studio called Blank Tapes where I had worked for many years with Bob Blank. Sergio and John’s first record together was Mikki’s ‘Itching For Love’. After that we united and did all our mixes together and the M&M moniker was born.”

Discovering an instant rapport and musical appreciation it translated well into the recording studio where the M&M stamp became synonymous with almost every major dance release of the era. In fact it wasn’t uncommon for the duo to remix upwards of 10 records in any given month. Alongside cult and groundbreaking records for the Fantastic Aleems (‘Get Down Friday Night’), Class Action (‘Weekend’), and of course Jocelyn Brown (‘Somebody Else’s Guy’) they refashioned certified pop smashes for DeBarge (‘Rhythm Of The Night’), Harold Faltermeyer (‘Alex F’), Shakatak (‘Down On The Street’), Miami Sound Machine (‘Dr Beat’), the Temptations (‘Treat Her Like A Lady’) and hundreds more in an eight year period that saw them almost an ever present on the Billboard Dance, R&B or Hot 100 pop charts. Tina Turner, the Rolling Stones, Spandau Ballet, Aretha Franklin, Shalamar, Hall & Oates, Dan Hartman, Candi Staton, Melba Moore, Rose Royce, Billy Ocean, Debbie Gibson, Odyssey, the Commodores and even Peter Schilling and Rod Stewart, in fact just about every major artist of the day was in some way retouched by the hands of Morales & Munzibai. 

“We worked together till around 1988,” John recalls. His solo production projects in the ‘90s included such acts as Debbie Gibson, Brenda K Starr, Denise Lopez, The Thompson Twins, Blow Monkeys, Five Star and Art Of Noise. “Sergio unfortunately passed away in 1991. He was a wonderful person full of life that loved music and was a great people person. Anyone who knew him loved him, and I’m sure wherever he is he’s listening to music.”


BARRY - NEVER GONNA GIVE YOU UP [SNIPPIT]

MAHOGENY - RIDE ON THE RHYTHM [SNIPPIT]

RAW SILK - DO IT TO THE MUSIC [SNIPPIT]

SALSOUL ORCHESTRA - RIGHT SIZE [SNIPPIT]

SKYY - FIRST TIME AROUND [SNIPPIT]

THELMA HOUSTON - YOU USED TO HOLD ME SO TIGHT ( HBB RE HUNCH )

Tiana Freaky Man - RAW(Freaky Gal Remix) (1)

Kings Of Convenience - Rule My World (Velferd Remix)

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Founded in 1996 by Peter Adarkwah, Barely Breaking Even (BBE Music) started life as a London club night, taking its name from the eponymous Disco record by the Universal Robot Band.

The label grew from the vibrant early 90's club scene with its first release, Stop & Listen compiled by Dr Bob Jones in 1996, opening the door to iconic series' such as All Back To Mine & Late Nite Tales.

A tonne of releases followed, ranging from Disco to Funk, Jazz to House. In the year 2000, the label celebrated Masters at Work's 10th Anniversary with a mighty box set that featured near 80 tracks.

A year later BBE Music spawned the Beat Generation Series of artist albums, notably introducing J Dilla (Welcome 2 Detroit) & a young Will.I.Am's first solo outing, alongside DJ Jazzy Jeff, Madlib & DJ Spinna, all of whom contributed to this seminal set of long players.

A quarter of a century and well over 500 titles later, having worked with Mark Ronson, Roy Ayers, Questlove, Hugh Masekela, DJ Premier, Dimitri from Paris, Joey Negro, Kon, RZA, Laurent Garnier, Black Coffee, DJ Shadow, David Rodigan and John Morales among many others, BBE Music looks to the future, celebrating its rich heritage while continuing to release a bounty of fresh titles.

The label’s most recent projects include an expansive reissue series from pioneering Nigerian label Tabansi, new imprint ‘Batakari’ in association with Boddhi Satva and the critically acclaimed ‘J Jazz’ Japanese Jazz multi-album project, not to mention the recent landmark 500th label release: a brand new version of 'Barely Breaking Even', featuring Leroy Burgess, Patrick Adams and Louie Vega.

In 2021 BBE Music is celebrating its 25th anniversary. To mark this milestone, the label is offering up some special projects, from the 20th Anniversary edition of J Dilla’s ‘Welcome 2 Detroit’, through David Bowie tribute album ‘Modern Love’, to a special new ‘Worldwide’ compilation from old friend Gilles Peterson. BBE Music will also be looking to the future with more exciting original artist projects, plus merch collaborations events and more...