Niche Tunes for Niche Ears

The phenomenal compilation 'Yebo!' from BBE, curated by John Armstrong, features a remarkable selection of 80s Mzansi boogie, disco, and bubblegum tunes. Among the standout tracks in the collection is 'Blackout' by the legendary boogie bubblegum duo Tools &
Figs. To add a modern twist to the track, BBE enlisted the expertise of renowned Brisbane-based DJ, producer, Worldwide FM radio host, and The Middle Name Dance Band member Sam Poggioli, also known as Sampology. The result is an extended re-edit that not only
embraces the original's essence but infuses it with a fresh early-2000s South African House/Euro House vibe.

The tune, recorded in 1991 by the On Records crew at Jo'burg's Cottage Recording Studio, has been masterfully reworked by Sampology, who focuses on Ronnie Robot's electrifying bass loop and Lady Thuli aka Figs' multi-layered vocals, resulting in a dynamic remix that's
sure to resonate with listeners.
The tune, recorded in 1991 by the On Records crew at Jo'burg's Cottage Recording Studio, has been masterfully reworked by Sampology, who focuses on Ronnie Robot's electrifying bass loop and Lady Thuli aka Figs' multi-layered vocals, resulting in a dynamic remix that's sure to resonate with listeners.

Tools & Figs Aka Lady Thuli & Mafika - Blackout (Sampology Edit)

Psych-rock bliss from 1967. Sadly, this was the only 45 the band ever put out..

Nobody's Children - Colours & Shapes

Buy / Stream it here: https://orcd.co/brianjacksonmamiwata

"Mami Wata" - A Captivating Journey through West African Rhythms.

Experience the mesmerizing fusion of traditional African sounds and modern Latin house in Brian Jackson's latest single package, "Mami Wata." Drawing inspiration from the depths of West African mythology, this track takes you on a captivating sonic adventure that spans vast regions of the continent.

Brian Jackson's rendition of a traditional African song resonates with the richness and abundance symbolized by the mythical figure of Mami Wata. From the sacred lands of the Dogon in Mali to the vibrant rhythms of Ghana, and even reaching into the heart of Central and Southern Africa, this composition pays homage to the diverse tapestry of African cultures.

To further elevate this masterpiece, Brian has collaborated with the masterful Joe Claussell, who lends his expert touch to craft a remix that intertwines a modern Latin house thread with the African fabric of the original composition. The result is the Sacred Arts Mix, a true testament to the power of music as it effortlessly merges genres and weaves an enchanting spell over the dancefloor.

This single package boasts not just one, but six distinct versions of "Mami Wata," each carefully crafted with its own unique tempo and subtle seasoning. Whether you prefer the rhythmic intensity of the Sacred Rhythm version, the deep dub vibes of the Deep Dub edition, or the extended album version that allows you to fully immerse yourself in the magic of the composition, this release offers a diverse range of musical experiences.

The remix package brings to life Brian’s immersive vocals, flute, kalimba, and organ playing. And for those seeking a slower, introspective groove, the Cosmic Arts Future Instrumental Slow version provides a celestial atmosphere that will make you feel as though you're floating among the stars.

Brian Jackson - Mami Wata (Joaquin's Deep Dub)

Vernon Wray - Underneath The Sycamore Tree (1972)

(Too Tough To Die)

Order the vinyl: https://www.bbemusic.com/downloads/library-archive-cavendish-music/
Other stores & formats: https://bbemusic.lnk.to/TheLibraryArchive
Join two of BBE’s most prolific artists and compilers, Mr Thing & Chris Read on a voyage into the mysterious, strange and wonderful world of Library Music, courtesy of Cavendish Music. Founded in 1937 and originally known as Boosey & Hawkes Recorded Music Library, Cavendish Music is the largest independent Library Music publisher in the UK and also represents a host of music catalogues across the globe.
During the Library Music heyday of the 60s and 70s, thousands of original instrumental tracks were produced across a broad range of genres for companies like Cavendish, who then created vinyl and tape collections, often arranged by theme or mood, for their customers in radio, television and film. Cult British TV shows such as The Sweeney and The Professionals as well as documentaries and feature films relied heavily on these catalogues, and companies like KPM, De Wolfe and Boosey & Hawkes went a long way toward defining the sound of British popular culture at the time.
Never commercially available, music created for these libraries that never made it to the promised land of TV or Radio was destined to languish in Cavendish Music’s vast London vault; only recently unearthed by a new generation of DJs and producers searching for rare gems or a perfect sample.
Mr Thing & Chris Read were first invited to examine the contents of the Cavendish Music archive in 2014 as part of WhoSampled’s ‘Samplethon’ event in which producers created new tracks against the clock using sample material mined from the catalogue. Whilst digging through box upon box of records and tapes looking for interesting sounds, the pair also discovered a host of 70s library music which has not only stood the test of time, but deserves to be heard in its original form.
From dramatic big band numbers reminiscent of Lalo Schifrin’s film scores to atmospheric proto-hip hop instrumentals produced before the genre’s existence, right through to fairly straightforward jazz and funk cuts; this amazing collection of music is sure to inspire and delight DJs and beat-makers the world over.

The Cavendish Orchestra - Funkrund

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Founded in 1996 by Peter Adarkwah, Barely Breaking Even (BBE Music) started life as a London club night, taking its name from the eponymous Disco record by the Universal Robot Band.

The label grew from the vibrant early 90's club scene with its first release, Stop & Listen compiled by Dr Bob Jones in 1996, opening the door to iconic series' such as All Back To Mine & Late Nite Tales.

A tonne of releases followed, ranging from Disco to Funk, Jazz to House. In the year 2000, the label celebrated Masters at Work's 10th Anniversary with a mighty box set that featured near 80 tracks.

A year later BBE Music spawned the Beat Generation Series of artist albums, notably introducing J Dilla (Welcome 2 Detroit) & a young Will.I.Am's first solo outing, alongside DJ Jazzy Jeff, Madlib & DJ Spinna, all of whom contributed to this seminal set of long players.

A quarter of a century and well over 500 titles later, having worked with Mark Ronson, Roy Ayers, Questlove, Hugh Masekela, DJ Premier, Dimitri from Paris, Joey Negro, Kon, RZA, Laurent Garnier, Black Coffee, DJ Shadow, David Rodigan and John Morales among many others, BBE Music looks to the future, celebrating its rich heritage while continuing to release a bounty of fresh titles.

The label’s most recent projects include an expansive reissue series from pioneering Nigerian label Tabansi, new imprint ‘Batakari’ in association with Boddhi Satva and the critically acclaimed ‘J Jazz’ Japanese Jazz multi-album project, not to mention the recent landmark 500th label release: a brand new version of 'Barely Breaking Even', featuring Leroy Burgess, Patrick Adams and Louie Vega.

In 2021 BBE Music is celebrating its 25th anniversary. To mark this milestone, the label is offering up some special projects, from the 20th Anniversary edition of J Dilla’s ‘Welcome 2 Detroit’, through David Bowie tribute album ‘Modern Love’, to a special new ‘Worldwide’ compilation from old friend Gilles Peterson. BBE Music will also be looking to the future with more exciting original artist projects, plus merch collaborations events and more...