DJ Bookings: Dave.Blackgrove@teamwass.com (Europe, Asia, Middle East & Australia). 

North & South America: Jschumann@wmeagency.com

Promos/Demos: demos@camelphatmusic.com 
Management: info@camelphatmusic.com

For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


Dj rosco, born in 78 and started mixing vinyl and CDs at a young age in my room . At the beginning of 1996 I worked in Tropicana  a club @ Schendelbeke where i collected the glases 😀 buth i was always passionate by the music and the Dj.  I was sometimes lucky enough to be able to impose a few records as a warm-up and when it was almost closed , The music microbe for dance and house was already present by listening to teknoville at studio Brussels.
Because my parents had a bar I came into my own more and more as an all round DJ . As a result, I was regularly booked at weddings and all kinds of parties in the area. There was created the first I love Iegem party . 
The real love for Trance started in the late years of 90’s because I often went out on Saturdays to La Bush and on Mondays to Extreme  . For me so far the 2 best clubs that played trance that moment . That developed my musical interest in dance music and continue to cherish the love for music in general.

dj pippi
 Legendary Ibiza Dj Pippi as one of the very first Ibiza residents he managed to claim a prominent spot in the global house scene. He truly is one of the creators of that distinct Ibiza sound that is loved and respected worldwide

A musical ambassador and a veteran of acid house, a champion of , a dance music pioneer, label owner, Legend of Ibiza – you name it, Carl's been there and done it, never losing sight of his passions."
www.djpippi.com

Although the club is closed the memories are still alive in parties like "Illusion Re:United" and "Level Classics" and many more.

Vinyl. House. Techno. Electronica.
All mixes - 2 x Technics SL 1200 Mk2,  1 x DJM 600 

For additional mixes check out previous contributions for Avenue Red, EMC, Spillway, A1 Sense Connections, Somewhere Down There, AlwaysSometimes, TTMS, GreenFingers Collective, Healing House, Esencia, Yax Invites, Visitors Podcast, RecThera, audible fotosynthesis, Closer Record Store.....

Franky Kloeck is a Belgian dj who was resident in clubs as Barocci, Cherry Moon, Illusion, Carat, Bel-Air & BBC.

More info: www.facebook.com/djfrankykloeck

Bookings: www.djs.be/franky-kloeck

Everything started at the age of 16 when I Discoverd house music,From That moment i started buying records at a local DJ shop,my first record i bought was komakino - Man On Mars (DJ Jan Remix). 
After a few years of being the promo manager of Real Retro House ,I got the chance to play at Retro noize,Mega Retro night,Retrohouse Invasion & a guest set in My favorite club Illusion Lier.
In 2011 I Became a Resident DJ @ the retro @ reflex party's
Just - k is A Resident Dj @ RetroHouse Invasion,Mega Retro Night,Retro Exclusive,100 % Retro @ Karrewiel 

Played Guestset's @ clubs & festivals like:

✅Beachland 
✅Sunrise Festival 
✅Sunset Festival 
✅Luna Festa 
✅Illusion
✅Reflex 
✅Boccacio Life 
✅Boccaccio (Halen)
✅Delite 
✅Diverso
✅Karrewiel
✅volmolen
✅Dancehall Diest
✅The Zoo (Hasselt) 
✅Place 2B 
✅ Legacy Festival  2025


He's got Retro House in his vains,Real Retro House.....

Dj Rosco is following