Artist: https://soundcloud.com/gavelman
Release Title: Lady Justice
Label: @lifeformsrec
Format: Vinyl 7" + download
Release Date: 30.04
Buy: https://lifeformsrec.bandcamp.com/album/lady-justice

100 copies only. Download included.
https://www.instagram.com/gavelman_lifeforms/

LF009

Website

PREMIERE // Gavelman - Conformist Culture [Lifeforms]

Wilted Woman is the primary music alias of Elizabeth L Davis. Over the last decade, she has been active as a performer, composer, and radio artist. Davis regularly collaborates with Silvia Kastel as Shakey, with Christoph de Babalon as Suds, and with Nick Klein.

Her left-field approach to electronic music emerges from an experimentally minded and refreshingly unapologetic attitude, forged in the punk and DIY scenes of the East Coast of the United States. Since 2014, she lives in Berlin, Germany and holds down a monthly slot as DJ Puddle on Cashmere Radio.

Release Date: May 28th 

Buy the Music:
https://antibodylabel.bandcamp.com/album/auto-banished

Support the Artist:
https://soundcloud.com/eelburn

Support the Label:
https://www.instagram.com/raum_antibodylabel/
https://soundcloud.com/raum_antibodylabel

BCCO Premiere: Wilted Woman - I Dont Know You [anti005]

TL Premiere #754 (2021.11.05) : Francois Dillinger - Ergotized [Woodwork Recordings]

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For this 306th Premiere of 2021, we have a track by the Detroit based Electro & Techno producer "Francois Dillinger" titled ‘Ergotized’ from his forthcoming EP "Poison Us" on the Canadian Label operated by Pete Grove : Woodwork Recordings.

"Francois Dillinger - Poison Us" will be available from November 12, 2021 in digital here : https://francoisdillingerwoodwork.bandcamp.com/album/poison-us

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Release Info :

Francois Dillinger - Poison Us [Woodwork Recordings - WOOD105]

Detroit's Francois Dillinger delivers a powerhouse dark, rolling electro EP on Woodwork with an absolutely stacked roundup of remixers. Known for judicious use of subliminal elements, Francois Dillinger's tracks invoke suspended animation and visions of steamy psychedelic haze blurring a backdrop of neon street lights.

'Poison Us' opens the set with a laid back spacious vibe. Stuttering kicks and claps keep the track pumping under gutteral resonant bass echoes and mysterious atmospheric swells.

'Black or Blue' hastens the operation with determined breaks and huge ominous synth accents. Cyclical arps drag the mood into the gutter, setting up a satisfying reboot of the full groove with some added punch.

'Replicant' exemplifies expert use of hit placement. A steady rocking break and percussive pulses push relentlessly behind vocoder echoes and dark minimal melodic pads. By this point any listener should be absolutely entranced and assimilated.

'Ergotized' amalgamates raw synth barks and drones with textured minimal breaks. This number serves up a menacing slab of repetitive elements, working well as a meditative ambient cut, or an atmospheric mix layer.

Fleck E.S.C. steps in with a freaky version of 'Poison Us'. A spooky suffocating barrage of dissonant string pads slices across Fleck's abstract beats... bass and kick creating a narrative with synth layer highlights that jangle, sparkle, and bounce through the syncopated punchy vibe. His added vocal phrases introduce a contextual twist.

Pip Williams tackles 'Black or Blue' with his signature pump and punch. Restrained 303 acid through an external filter provides an infectious hook, backed up by a set of techy stabs and spacious shifting fx that bring us in and out of transitions brilliantly.

At the summit of this monster EP, Jensen Interceptor puts 'Ergotized' on total blast with industrial and EBM elements crossing paths with heavy mid tempo breaks, dressed in modular clicks and analog drum hits. He adds some envious high wave hooks and pushes the dissonant strings one notch higher for a deeply effective powerhouse version.

Each remixer does total justice to the original cuts, maintaining the deep trippy vibe that is essential to the music, while adding subtle but strong character points to the revamped works. 

Tracklist :
1. poison us
2. black or blue
3. replicant
4. ergotized
5. poison us (Fleck E.S.C. remix)
6. black or blue (Pip Williams remix)
7. ergotized (Jensen Interceptor remix)

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Follow Francois Dillinger :
Facebook : www.facebook.com/fdbeardd
Instagram : www.instagram.com/fdbeardd
SoundCloud : www.soundcloud.com/fdbeardd

Follow Woodwork Recordings :
Bandcamp : www.woodworkrecordings.bandcamp.com
Beatport : www.beatport.com/label/woodwork-recordings/75139
Discogs : www.discogs.com/label/8080-Woodwork-Recordings
Facebook : www.facebook.com/woodworkrecordings
Instagram : www.instagram.com/woodworkrecordings
Mixcloud : www.mixcloud.com/woodworkrecordings
SoundCloud : www.soundcloud.com/woodworkrecordings
Twitter : www.twitter.com/woodworkrecords
Website : www.woodworkrecordings.com

Poison Us

Ergotized

TL PREMIERE : Francois Dillinger - Ergotized [Woodwork Recordings]

Temporal Recalibration

ER03 "Policy of Trust"by @couronnedemerde release on april 28th

ENGLISH BELOW
Couronne de Merde a l’habitude de libérer ses frustrations et ses sentiments d’injustice par la création. Son style est un mélange compulsif entre une jeunesse ancrée dans la musique classique, une adolescence emo en quête d’exutoire musical et les cordes sensibles de ses synthétiseurs.

Cette faille temporelle se reflète notamment sur son nouvel album “Policy of Trust”, constitué de morceaux composés au fil des années. Les influences de Depeche Mode ou Christoph de Babalon s’y font sentir, propulsées dans un univers techno aux fréquences saturées.

La recherche de transcendance à travers des atmosphères sonores cinématographiques embarque l’auditeur dans un train de nuit métallique où les paysages s’entrechoquent, entre espoir planant et violence déchirante.

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Couronne de Merde has an habit of releasing his frustrations and feelings of injustice through creation. His style is a compulsive mix between a youth anchored in classical music, an emo adolescence in search of a musical outlet and the sensitive strings of his synthesizers.

This temporal rift is notably reflected on his new album "Policy of Trust", made of tracks composed over the years. The influences of Depeche Mode or Christoph de Babalon can be felt, propelled in a techno universe with saturated frequencies.

The search for transcendence through cinematographic sound atmospheres takes the listener on a metallic night train where landscapes collide, between soaring hope and heartbreaking violence. 

Composed, produced and mixed by Couronne de Merde
Mastered by A-Sim @ HDN Mastering
Artwork by Empty Visuals www.instagram.com/mt.vsl/
Plûme : Manon Roussel

Policy of Trust

No one can know

BANDCAMP

Couronne de Merde - No one can know [ER003]

Building Bridges, Breaking Walls

Dj Frankie & PORNO TV - SUBN0RM4L EN L4 R4V3

TL Premiere #1252 (2023.05.17) : Cellarkalt - Ich meine es doch nur gut [Konglomerat]

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For this 117th Premiere of 2023, we have a track by Electronic music producer and live performer from Germany Benedikt Schmidt aka "Cellarkalt" titled ‘Ich meine es doch nur gut’ from his forthcoming Album "Blaue Stunde, Kleidermann" on the Experimental Music Label based in Berlin : Konglomerat.

▶︎ The Album will be available from June 2,2023 on Limited Edtion Cassette + Digital on Bancamp here : https://konglomerat-muzik.bandcamp.com/album/blaue-stunde-kleidermann

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Release Info : 

Cellarkalt - Blaue Stunde, Kleidermann [Konglomerat 06]

Cellarkalt, that’s the oldest project of Benedikt Schmidt (Snuffo / Snuff Crew). Launched in the late 90s, it’s about creating experimental soundscapes and keeping a DIY and Dada approach.
The latest album
“Blaue Stunde, Kleidermann” was made at Schmidt’s studio in Santanyí (Majorca) in early 2022. All tracks were recorded live.

Tracklist :
01. Wir bewegen uns auf dünnem Eis
02. Zuschiebung
03. Albtraum Manufaktur
04. Das Geheimnis von B
05. Emmy und Lulu
06. Ich meine es doch nur gut
07. Verkehrsanbindung
08. Die Angst und ich
09. Andacht
10. Leitendes Urvertrauen

releases June 2, 2023

W&P Benedikt Schmidt
Artwork Iago Pedreira

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Follow Cellarkalt :
Facebook : www.facebook.com/Cellarkalt
Instagram : www.instagram.com/cellarkalt

Follow Benedikt Schmidt :
Instagram : www.instagram.com/benediktschmidt81
Website : www.benedikt-schmidt.biz

Follow Konglomerat :
Bandcamp : www.konglomerat-muzik.bandcamp.com
Facebook : www.facebook.com/konglomeratmuzik
SoundCloud : www.soundcloud.com/konglomerat-muzik

Blaue Stunde, Kleidermann

Ich meine es doch nur gut

Pre-order

TL PREMIERE : Cellarkalt - Ich meine es doch nur gut [Konglomerat]

A...Ezkt...Oay...Kezt...

Sonidos Subterraneos is pleased to premiere a new track, this time we have the Self Release produced by: systmax with his track called "LFOiled"
"VETRONIX" is the release name!
The album contains 3 electronic music original tracks . ENJOY
Next we leave you the description of the release

Vetronix comprises 3 tracks produced and recorded in a bedroom in Marseille. This EP is a first attempt to bring together influences assimilated as a spectator of Marseilles nightlife and an avid listener of electronic music of all kinds.

Ghostrazor opens the ball with linear, then broken rhythms accompanied by deep bass and saturated synthesiser notes oscillating with ghostly layers.

Lava performs on a basic trap instrumental model comprising simple kicks, bass, snares and hi-hats. A heavily reverberated synthesizer washes over the loop like a powerful hybrid siren.

LFOiled ends the EP on a note of noisy, festive techno, the anarchic synth line found through a random game of real-time composition expressed like an industrial, digital scream. Intended as a closing track, the distortions ring out the dreaded end of the night.

The cover art was created by visual artist and experimental music producer Prima Ballerina (Siana-Leann Douglas) using artificial intelligence and the tracks from this EP.

Big up to Dizonord for the countless influences I received in the writing of this first digital release. 


Artist_ systmax
Title_ VETRONIX
Format_ Digital
Release Date_ August 13, 2023
Buy_ https://systmax.bandcamp.com/album/vetronix


Follow systmax

Instagram_ https://www.instagram.com/systmax/
SoundCloud_ https://soundcloud.com/systmax


Follow Us
linktr.ee/ssubterraneos

| PREMIERE | systmax - LFOiled | [Self-Release]

🛒 Purchase a Lease if you want to use the Beat for Commercial Purposes.

💰  Purchase | Instant Delivery (Untagged): https://bsta.rs/phMYR
🔔 Let's Hit 30k Subscribers: http://bit.ly/SubToBluntChrist
🌐 Website: https://bluntchrist.com/

Note:
● This beat is [FREE] for NON PROFIT use for the subscribers and must give credits in the title (Prod. Blunt Christ).
● Not allowed to Monetize the free version on YouTube, Soundcloud & etc.
● Free version is not available for streaming services like Spotify, iTunes, Apple Music, & etc.
---------------------------------------------

Contacts: 

📧 Email: specialbluntchrist@gmail.com
📸 Instagram: https://www.instagram.com/bluntchrixt
🐦Twitter: https://twitter.com/BluntChrixt
👿 Soundcloud: https://soundcloud.com/bluntchrixt

©Blunt Christ

"GRUESOME" | SXMPRA x GHOSTEMANE TYPE BEAT

Cover by Abdul Qadim Haqq, Bubble Chamber booklet included!

Presale:
https://www.deejay.de/Various_Artists_Bubble_Chamber_2x12_GU002_Vinyl__942894
https://clone.nl/item58566.html
https://www.phonicarecords.com/product/various-artists-bubble-chamber-lp-pre-order-gentrified-underground/164418
https://www.decks.de/track/various_artists-bubble_chamber/cfw-3s

Gentrified Underground presents an interdisciplinary project
tackling the sonic fiction & afrofuturism of Drexciya. 
Thought as an extension to the Bubble Chamber exhibition happening at Mikro & UP STATE Zürich, GU releases a 2x12 vinyl compilation and a booklet with contributions by Abdul Qadim Haqq, Charlie Mills, chukwumaa, Dominiqueh White, Gentrified Underground, Maïté Chéniere and tracks by Xor Gate (Gerald Donald), Shawescape Renegade, DJ Dijital, Plant43, The Exaltics, Kuldaboli, Iko, Tom Ware, Luz1e and Sansibar.

The goal of this compilation is to showcase the reach and influence which Drexciya had through generations of electronic music producers and also link them together with compositorial predecessors from the early 80s. The musical timeline on this compilation starts from 1982 and reaches its contemporary end in 2019.

"More than twenty years after their first release, the sonic
fictions produced by Drexciya, the Detroit based electronic
duo founded by James Stinson and Gerald Donald at the
start of the 1990s, continues to enthral contemporary
cultural practitioners. By reimagining the Transatlantic
Slave Trade as a fiction of enforced mutation, the Drexciya
mythos opened, and continues to open, a speculative space
for the reimagining of the posthuman condition, and for
questions of becoming, origin and mutation in relation
to capitalism, finance and futurity." - Kodwo Eshun

The booklet contains unseen and unreleased Drexcyan drafts by Abdul Qadim Haqq, an interview between him and GU, contemporary art contributions by chukwumaa, Dominiqueh White and Maïté Chéniere and an academic essay by Charlie Mills.

B3 Kuldaboli - Draumur inní heilann þinn

Sharing the world's best, underground electronic music. Curated in Berlin with love.

Have Fun, Stay Safe, Be Kind xx

BCCO Premiere: Wilted Woman - I Dont Know You [anti005]

BCCO

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