dubientech

M E L O T O N I N

Ambient 97

Depths #136

Dub langsam

Danny Scott Lane - Icicle

Taken from the forthcoming album Near A Bridge

Cassette/CD/Digital

Order: 
https://shimmeringmoodsrecords.bandcamp.com/album/near-a-bridge
releases July 5, 2021 

Written and produced by Danny Scott Lane 
Artwork by Uzo Hiramatsu 

Shimmering Moods Records 2021 
SHM 166

Danny Scott Lane - Icicle

In 2018 I had the pleasure of visiting friends on the Isle of Man. The vacation on this island left a deep impression. I am still fascinated by the atmosphere that is inherent in this island and its natural surroundings. On the island there is a background atmosphere that cannot be put into words and that can be felt all the time, something very unique and rustic, mystical, and definitely Celtic. It penetrates through everything and is everywhere, it shows itself in nature, culture and buildings, the environment, and the weather and light. It's like a little world of its own.

According to legend, the Isle of Man (Isle of Man or Mannin) is protected by the Celtic god Manannan, and in times of danger he puts a wall of fog around the island to hide it from attackers, ships or unwanted visitors. The mist takes the form of a thick gray sheet of gray-violet colors that slowly envelops the land until Manannan is sure to raise his cloak again after the unwanted visitors have gone.

I am still very fascinated by it today, and the very own atmosphere of the island still has a firm grip on me, even if the visit was already 3 years ago. I long to go back there. It's like a Celtic spell, a sorcery or voice in my mind that says like I belong there.

That made me yesterday to take up a spontaneous improvisation. In the end, it is always those sudden and quickly inserted recordings that deliver the most beautiful results because they arise quickly and without thinking and free from constraints and too many thoughts. The field recording with the waves of the sea also comes from me, recorded at the southernmost point of the island, the Calf of Man (Calf Sound or The Sound).

For me, this recording hit the nail on the head, especially with the Celtic-looking synthesizer sound and the reverb effect, together with the sound of the sea, which gives a bit of the feeling of distance and looking into the past, as if through a time window . The full piece takes about 7 minutes, and will be released later.

The Cloaked Island (Manannan's Cloak)

Experimental - Dub - Ambient / Only on Bandcamp 

1. Launch 01:31
2. Apollo Mission 04:29
3. Payload 03:24
4. Butterfly Nebula 04:18
5. GN-z11 03:45
6. Terraform Theory 04:48
7. Deep Space Journey 06:59
8. Colonization 03:44

All tracks written, produced and mixed by BDTom
Published and Mastering by bdtommusic
Artwork bdtommusic

02. Apollo Missions

Re-Release of the high acclaimed album “Virtual Outback” (originally released 2000 as part of the strictly limited and long exhausted 5-CD-boxset “Contemporary Works II”).

„Virtual Outback“ was just one single track: the elegiac 65 minute „The Theme: The Rhodes Elegy“, one of the most favorite of many Schulze fans.

The bonus track is from a filling work for the Chinese mass rally „China Millennium“ on the occasion of the turn of millennium  200/2001. After Klaus‘ delivery the Chinese government said: “NO – WAY”! First Klaus used the old Mao song, divided by cutting and transposing, and second he used an ethnic sample from Mongolia. That wasn’t possible too, due to the fact that Mongolians are a minority in China. The Chinese government stated: either you respect all minorities or no one.

The Theme - The Rhodes Elegy

Dubjektiv

Support the artist:
https://melotonin1.bandcamp.com/album/jarl-fotmeijer

Jarl&Fotmeijer - Slow Shape

Out now (Cassette + Digital) - https://naturalexpressions.bandcamp.com/album/distant-dream-of-a-clear-sky

Martin Jarl - Magneto

taken from "Radio Mnemosyne'
due out on CD / DL, April 29th
dronarivm.bandcamp.com

Snufmumriko - Proxima Centauri

Written and Produced by Agustín Mena
Mastered at Artefacts Mastering
Photography by Alexander Kopatz.
www.go70north.com
Faint031 // FaintCD031
Faint / 2022

SVLBRD - The Midnight

*FOOD FOR THE EARS 191* 
un classico progressive-house del 1992  
quella magica voce che fa provare un senso di liberta' totale...bellissimo.

Leftfield - Song Of Life (Extended Version)

Download for free or name your price on:
https://melotonin1.bandcamp.com/album/a3022

Nightjah  - C_(_^ea}

this is a collaboration track between my friend  http://soundcloud.com/the-nautilus-project and me.
      i used his synth for some dubby action and created a track between the styles of dubstep and dubtechno, like the artists "2562" or "martyn" would do.
      i sent back my results to him for listening and after that, we decided to do this thing together.

      this here is the "Adaption" of his basic sound ideas.

      mind floating is out now as a free 3 track EP (with 2 versions + 1 additional remix by markus masuhr) on the insectorama netlabel
  [ http://sonicsquirrel.net/get/release/zip/9860 ] ...

      enjoy listening.

The Nautilus Project Vs. Jaymon - Mind Floating [Jaymon Adaption]

David Sylvian - Masahiko Sugimoto - Silver Moon Over Sleeping Steeples 

The Ghost, The Lights And Me (Stranded Fleets Remix By The Nautilus Project)

the nautilus project - arctic islands [kabana dub]

Klaus Schulze about „X“:
Richard Wagner could also have been part of these musical biographies on "X". Wagner is particularly close to me because for me he was the first to create a synthesis of the arts. For instance he demanded for a composition a separate theatre where the orchestra could disappear in the pit. Therein I see an analogy to the synthesizer. Here the actual instrument is also disappearing behind a few buttons – you're hearing very much but you don't see much. But Wagner was a far too tremendous topic because then I would have had to make "X" a triple album. For this reason I had chosen only authors – except Friedemann Bach – who had influenced me very much. Frank Herbert's novel Dune almost was a bible for me at that time! Bavarian king Ludwig II was, of course, no author but his life is a novel itself. "X" also was film music – Barracuda – I had the budget so I could afford an orchestra. However, it was really difficult to master the orchestral score. I can actually write notes – I once took also classical guitar lessons – but to write such a score is a different kind of thing. All that music I could have played within a day but on the score I worked for four weeks long. Cellist Wolfgang Tiepold was a big help since I wasn't that experienced just to say a violin can really play what I had written in the score. In the middle section of "Ludwig II." We had to make a tape loop for those repetitions. The loop reached out across the studio and the kitchen, and then we looped it. Because the musicians dropped their violins when trying to play this passage live for 15 minutes. The tape loop of course was – typical for my compositions! – 20 meters long, haha. The bonus track "Objet d'Louis" is a live verson of "Ludwig II." using a complete orchestra. I did that in 1978 because I wanted to hear how this track sounds live on stage with an orchestra. I was on tour and also performed "Ludwig", and in Belgium there was an opportunity to perform the song in that style. A radio station wanted to broadcast the concert live. So I asked if we can do that with an orchestra. Then Tiepold rehearsed it a little bit with the orchestra, and in the evening we played it and it was broadcasted live. Now you can hear it again on the CD.


Ludwig II Von Bayern

With "Dig It" I did all the work with the computer for the first time, and in this respect it was my first "digital" album. I played and mixed everything with this G.D.S. A really tremendous gear! The sound was caustically clean. So I told myself: As I already have this gear I will really do everything with it. The drums were the only thing I had to record on a separate track because the G.D.S. had no drum sounds. So I got hold of Fred Severloh to play live drums on "Death Of An Analogue". For this pounding rhythm, I thought, you really need fat drums! But it was – just the same with my vocoder voice which you can hear on this song – only a matter of the right dramaturgy, the right effect. It wasn't my consideration just to bring in another "human" element because I don't make such a distinction. For me electronics are as human and natural as any other instrument. Violins, as I always say, don't grow on trees either! For "Weird Caravan" I had borrowed a loop by Ideal. Usually, I don't borrow anything. I do all loops and samples on my own. But in this case Ideal's drummer [Hans-Joachim Berendt] played something which I found really great. I said: "Do you mind if I cut out 1,5 meters here?" Using two tape machines I glued the tape together and run it as a loop – because, you know: "The looper isn't a hooker." Even when you're repeating yourself you're still no whore, haha. The bonus title, "Esoteric Goody", is a very abstract piece of music. I have again listened to it after a long time now. It reminds a bit of the intro for "Destination Void" from the "Mirage" album [1977]. But then this song featured a real mellotron, the heavy mechanics, not a sample. "Esoteric Goody" originated during the phase of "Dig It", so I think it fits well as a bonus track for the "Dig It" CD. The song shows the experimental side of Schulze. The 'Stahlsinfonie' (Symphony in Steel) on the bonus DVD is a recording of my concert at the "Ars Electronica" in Linz, Austria, back in 1980. On September 8th I had opened this festival following an invitation of the ORF (Astrian Broadcasting Corporation). I have played in the big hall of the Brucknerhaus, and from the outside sounds were transmitted which were made by the steel workers of the steel works VOEST-ALPINE. But I wouldn't want to use their sounds as a playback recording made beforehand – I wanted them to play live! The promoters made it work by using various telephone lines. Along the river Danube there were PA towers erected at a distance of two or three kilometres so really the entire city of Linz could listen to the music. At the end of the concert, the workers joined me on stage.

Esoteric Goody (Bonustrack)

Re-Release of Klaus Schulze’s “Androgyn” (originally released 2002 as part of the strictly limited and long exhausted 5CD Boxset “Contemporary Works II”).

The first track on “Androgyn” has again, like on “Another Green Mile”, the cello of Wolfgang Tiepold and some odd voice samples added to interesting synth sounds. The long second track has Klaus on electric guitar and for good reason it's called "Back To The Future": Klaus plays the guitar with a "Gleiteisen", a piece of iron that he used in the "cosmic slide guitar technique" from old Ash Ra Temple times, 32 years ago. The next four tracks belong together. "There's No Mystery" has a voice and the adequate and efficient cello again...and of course it has Klaus' famous string accord in the back; you already heard it on Another “Green Mile” and can hear it again on further albums. As “Androgyn” comes to it's end it gets more rythmic. For the final title "This House Full Of Shadows" I noticed at first listening: "Will be liked by the people". We hear again Wolfgang Tiepold's expert cello. (KDM, 2002)

The bonus track “A Tiny Violin” is a rare beautiful pearl from the 10thCD “Adds & Edits” of the limited wooden boxset “Contemporary Works I”. On violin: Thomas Kagelmann.
After the successful releases of “U.S.O. Privée” and “Another Green Mile” MIG-Music proudly lifted another nugget of Klaus Schulze. We will continue to discover further gems!

In The Dimness Of Light

Michele Mininni - Rave Oscillations / Vortex Stasi - Released 27/05/17
http://smarturl.it/raveoscillations

RS1707

Michele Mininni - Vortex Stasi

Taken from AMB1801 - Albrecht La'Brooy - Tidal River
Released 02/02/18 - smarturl.it/tidal_river

A1. Daybreak
A2. View from the Peak
A3. Tidal River
B1. Sealers Cove
B2. Darby Saddle
B3. Last Light

Apollo presents a sublime mini album from Melbourne duo Albrecht La’Brooy AKA Sean La'Brooy and Alex Albrecht which will appeal to fans of Suzanne Kraft, Tornado Wallace and Dawn Of Midi.

The release is inspired by a visit to the beautiful Wilson's Promontory, a remote national park on the South East coast of Australia. The tracklisting runs from morning through to nightime and tries to capture the feeling of each snapshot in time.

Their music is a delicate fusion of ambient electronic textures, live instrumentation and field recordings - gauzy guitar melodies, dreamy synth arpeggios and throbbing rthymic pulses that feels equally at home in outdoor amphitheatres as well as dark nightclubs

Alternating between their cosmic/balearic deep house and more laid back introspections, Tidal River's gorgeously lush sounds are remarkably consistent - rich, warm and organic with an emphasis on atmosphere and the transportation of the listener. Each track was the fruit of Albrecht La’Brooy’s long improvised jamming process

Heavily involved in their local scene, the duo co-run the Analogue Attic imprint, "Championing this gentler side of electronic music in Australia” which has proven a fertile incubator for their own development, across a series of ambitious and ear catching EPS, alongside local cohorts such as Sleep D, Rings Around Saturn and Udmo. This involvement also extends to including local players on their recording sessions as well as their cosmic live shows. The Tidal River album includes a quartet of jazz musicians including label-mate Matthew Hayes on bass guitar, guitarist Oliver Paterson, Spanish Cajon courtesy of Joseph Batrouney and night time saxophone debut by Josh Kelly.

With the stunning Tidal River forthcoming on Apollo 2018 looks set to be a very bright year for Albrecht La’Brooy

Albrecht La'Brooy - Last Light

"Buczyna" is a Polish word for beech forest. Grab your copy here: https://rohsrecords.bandcamp.com/album/breast-and-vulture

Docetism - Buczyna (Breast And Vulture)

... released on Entropy Records in November 2012.
... re - released on TNP bandcamp page 2016 .

The Nautilus Project _ Dresden-Neustadt At Night (Jaymon´s Nightflight Remix) SNIPPET

Tlim Shug – Selenicereus grandiflorus (CCTS004)
A1. Deltron X9
A2. Lava U
B1. Nerve Cushion
B2. 2b-UI Tracking Station

Purchase: https://shite-music.lnk.to/CCTS004

🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵

Selenicereus grandiflorus is native to the Greater Antilles, specifically the islands of Jamaica, Cuba, and Haiti. It can also be found growing among trees and rocks in countries across Central and South America, including Mexico, Honduras, and Nicaragua. Colloquially known as the “Queen of the Night”, Selenicereus grandiflorus produces majestic, nocturnally blooming flowers that open once a year before withering. When in annual bloom the flowers reach up to a foot in diameter and emit a fragrant vanilla aroma. The flowers are supported by a tangled mass of spiny stems that grow thicker and stronger with each annual flowering, and are sometimes harvested for use in homeopathic remedies to improve heart health. Due to the uniquely transient beauty of this cactus, Selenicereus grandiflorus is considered a rewarding addition to any collection.

🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵

Our botanists strive to source and produce high-quality specimens to enrich your mind as well as your ears. After many months in the field our team has returned with a diverse selection of sonic seedlings. Following a series of meticulous experiments in our research facility each seedling has been deemed safe for general propagation and cleared for release.

Each physical copy contains seeds of the namesake cactus (Selenicereus grandiflorus) along with instructions for growth & care.

🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵🌵

Cactus Traxx: Home of Succulent Sounds

Plant your seed...

A2. Lava U

ounai

The Begotten is the brainchild of Jürgen De Blonde (Köhn/de portables) and Brecht Ameel (Razen), who initially performed a number of shows and released a CS under the moniker 'Kohier' - gleefully referencing the absurdity of Belgian tax systems and institutions.
On their debut LP "Temidden Laaghangende Wolken" they are joined by percussionist and improv-veteran Dirk Wachtelaer (Pablo's Eye/Vanishing Pictures), who locked with De Blonde and Ameel's post-reality continuum during a recording session at Les Ateliers Claus in Brussels.

In this new trio format, The Begotten weaves a stripped-down set of after-hours, trancey observations on keys, baritone guitar and drums.
Neon-lit bars are named Le Kheops or 60 Moons, streets are soaked in sheets of rain, people are staring at tax sheets and comets pass by unnoticed. Dub with tears; "Temidden Laaghangende Wolken" is the perfect backdrop of a strongly medicated game of Manillen during a 'Derrick' rerun.

Out on Aguirre 22nd of January

The Begotten - Eiland Zonder Oceaan

BDTom, dedicated music collector, producer, remixer, vinyl collector. 
His true love is the Deep House and everything related to it. Soulful, Detroit, Chichago, Tech. His works are highly inspired by old favourites such as Atjazz, Terry Lee Brown Jr. The Timewriter and more! Nowadays he is developing his own Deep n Dub style, that is constantly evolving.