Un beau titre sombre et tranquille avec un très belle envolée vers la 4eme minute (super doubles voix), bravo à tout les deux

Sounds ..vocal.. really good! …🌍☮︎👍🐞🍀2024

Le riff orientale se marie à merveille avec le rock

Je recommente à nouveau, addict à ce titre, osmose, bravo à vous !

Dead Island

Music by Kontra Sz & Val Akey.
- Kontra Sz: plays rythm guitars, lead guitars;
- Val Akey: drums-, bass- and keys programming (mixing and mastering) + cover art.
Many thanks Kontra Sz for the fantastic guitar play! https://soundcloud.com/kontra-sz

Release date:
12 January 2024

Captive Of Time (Kontra Sz & Val Akey collab)

A sentimental country-ish ballad with a big sad finish.
Dedicated to anyone suffering from memory loss. Thanks for listening.
Lyrics:
I can still remember
Felicia in December
Outside in the cold
Smoking Swisher Sweet Cigarettes
But she would always forget
If you're gonna inhale that shit
You know she always got sick
She'd chewed down the tip

It's like I told you on the phone
My mind is not all my own
All my memories are dissolving
Our nights in Arroyo Park
Out feeling that spark
That Datsun that would never start
My bad Cure haircut (disaster!)
My heart was beating faster
A sketch of a love scene
Painted behind
A gothic old master

I was selfish with my time
And now I seem to lead my life
Conducting orchestras in my mind
Oh, I don't know how this sounds
But sometimes I listen to the ground
To hear and feel the rumblings
I think that you're coming around

All my memories are dissolving
Soon, I'll have no memories of this world
I'll have no memories of this world
So let's go out tonight
And shoot out the lights!
Let's break our hearts tonight
I'll have no memories of this world

I wanted to drop you this line
To thank you for the time
And thank you for being in my life
Thank you for being my life

Let's Break Our Hearts Tonight

Cast of Characters:

~Mark F-- @mark_fosella -- bass guitar, composition
Llanpsych -- @llanpsych -- Tez – first screaming electric guitar
TexMex Shaman–@texmex-shaman –Stephen– second psychedelic electric guitar, production, and mix
J.J. Terrell–@j-j-terrell –electric piano 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and percussion

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-organ
This song is the first The Eclectic Collective has done with Mark, and we all had a great time making it with him. This song started with Mark, who is a bass player's bass player, giving his raw bass track to Ken, who brought it to the group. Ken laid down his exciting drums to match Mark's bass line before anything else happened, though. Once we had a rhythm section, JJ laid down his dancing electric piano. Once that was in place, Josh laid down the organ. Then it was time for the guitars, played electrifyingly by both Tez and Stephen. Tez plays throughout most of the song, and Stephen added his part towards the end. Stephen also mixed this for us expertly, as always. If you have a beverage in your hands, you might want to set it down. We hope you enjoy listening to this as much as we enjoyed making it.

Esophagus Metamorphosis- - The Eclectic Collective

I see it now here in front of me 
Dead birds in  a burning  tree 
Where is the life ?
Where are the laughts ?
Is it to late to dream another day  

Children die in poor makeshift boats
In a sad sea where the shreds of hope float
Where is the life
Where are the laughts
Is it to late to dream a better day  

refrain : Oh nights
I can't see the light
Oh days 
Ican't fight  the blight
Evil and hell  are in closed eyes
We can’t  stop the sun dimise
Prayers and spells lost in noises 
Nothing can stop, nothing can stop  the dark tide rise


Blood and tears dry in the heat of the desert
Fear and hate rot in the depths of hearts
Where is the life
Where are the laughts
Is it to late to dream another day  

Neither skin nor breath resists the blind fire
Of the souls  remains only a dull ire
Where is the life
Where are the  laughts
Is it to late to dream a better  day

Dream A Better Day ?

PS Perkins: Guitars, bass, lyre, vocals
Ron Thomas: Autoharps, Drums

Production notes:
---------------------------------------------
Very early on we wanted to use autoharps on this song to create a sort of swirling backdrop, reminiscent of the harps in Indian/Bollywood soundtrack songs of the seventies.

Right away there were challenges because the song is in B flat and is not wholly diatonic to begin with, utilizing a chord built on the augmented lydian scale in the choruses. So rather than transpose the song to a more amenable key (since the chromatic bits weren't going to work no matter what key we used) we instead re-tuned the autoharp. Moving through the strings one by one we tuned them either up or down a half step where applicable to bring them into key. Where the augmented chord hit in the choruses, we excluded those notes so that the autoharp was filling the diatonic parts of the chords and omitting the accidentals. It took us several tries to get it right. In the end we arrived at a chord progression that could be strummed on the autoharp and the modified chords could be played with existing dampers.

We also tuned the lyre so that the top half of the strings included the chromatic augmented notes while the lower register of the lyre was tuned using the diatonic, so the lyre could play the melody all the way through both parts of the song.

The inspiration for this song was essentially fourfold:
--------------------------------------------------------
First, H.P. Lovecraft's terrifying necromancer Joseph Curwen (from "The Case of Charles Dexter Ward") who masked his true identity in order to thwart suspicion from his fellow townsfolk. He has many secrets lurking in his underground catacombs where he performs acts of necromancy most foul, extracting the "salts" of the dead in order to raise them at will and learn the secrets of ancient eldritch deities.

Second, a poem by Rudyard Kipling titled "En-Dor" which was a warning against the rise of spiritualism and the cost of communion with the dead in the early 20th century.

Third, the biblical Saul who traveled in disguise to visit a witch at the city of Endor in order to summon Samuel from the dead and garner advice on defeating the Philistines, but who only prophesies doom for Saul. Saul dies later the next day in the battle of Gilboa.

Lastly, the story of Odysseus communing with the underworld where he enlists the help of Tiresias to have a chat with the dead and secure for himself a safe journey home.

They all seek communion with the dead for one purpose: to gain knowledge which only those who have crossed over between realms might possess. 

Lyrics:
-------------------------------------
A mask may reveal what it’s meant to conceal
From those who are standing beside us
Armor of pride, so we learn to abide
By the monsters which hide deep inside us
The monsters which lurk deep inside us
Oh, how they scratch and they bite us
The monsters which lurk deep inside us

Only to know what the professor knows

Eating black bread, wearing clothes of the dead
The soil soaked in honey around us
For fear if we failed, leave the ogre unveiled
And it’s back in the grave where they found us
Back in the grave where they found us
Freed from the ties which had bound us
Back in the grave where they found us

Only to know what the professor knows

In the catacomb vaults, we extracted the salts
From cadavers to lengthen our youth
Chanting the names at the edge of the flames
And a mirror to show us the truth
A mirror which speaks only truth
See how it seeks not to soothe
A mirror which speaks only truth

Only to know what the professor knows

In the underworld maze, in the night of no days
Concocting the plan we’re devising
Much to endure on the road to En-Dor
And to snatch from Elohim arising
To snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising

BARDS: Of the Shimmering Seraphs

The Professor

I'm sorry y'all--this is another downer of a song with preachy lyrics but it's an idea that came up and demanded to be completed. 

The only side I take is the human one, but I couldn't have more contempt for the ostensible leaders of both Gaza and Israel who seek their own interests at the cost of so much suffering among innocents. Nothing good comes out of "Let's go kill some people."



You Let This Happen

have you understood that this is the final warning call
abandon hope all those that linger here

you lived the diamond life and could not lend your ears
and now the sand is wet with blood beyond our wildest fears 
how could you let this happen here

we plant the seeds of death beside the seeds of life 
so they can pay the price and have the will to fight

the bloodied face that no one could identify
now here's the news that was a mother's precious baby
how could you let this happen here

so how do you think this story ends
when it begins with the death of innocents
another thousand years of war is in the cards
another generation with daggers in their hearts

and you let it happen

You Let This Happen

2024/2/26

Website

koyomi

A tribute to those friends and famly members no longer with us.

'Tribute'

Why Would I Care What You Think

I miss ya'll every day my friends
You're only pictures on my wall
And the summers are just not the same
Only waiting for the fall

I thank you all for being here
If only for a while
And even on my darkest day
I won't forget to smile

Take me home 
Where the one's I loved are there and I'm no longer alone
Take me high
To a place where I belong in the sky

Take Me Home

Be another :
All voices : Alice Ciacco ( https://soundcloud.com/user-268821845)
All instruments (except when specified)  words, music and sound : François Tamby

be-another.com
https://open.spotify.com/intl-fr/artist/2Dr2hO4mMuknAciKExnxYn

Dream A Better Day ?

bE AnOthEr

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