🎼 The Gentle Breath of Passing Time
From the cycle “The Rose Garden Fantasies”

Like the last ray of sunlight shimmering in the dew upon rose petals, this composition unfolds in the most delicate lines of sound. The melodies drift through the air like silken threads – barely tangible, carried by the wind, fleeting yet woven with memory.

Between shimmering harmonies and filigree motifs, a fine fabric of music emerges – one that does not lament transience, but embraces it tenderly. It is the quiet threshold where summer takes its leave: warmth fades, while the first heralds of autumn glimmer in scattered sparks of sunlight and in the whisper of the wind.

Each tone gently releases itself from silence, dissolves in the breath of time, and leaves behind a trace of light in the shadow of the blossom. The music becomes a soft dialogue between presence and remembrance – like a rose petal drifting away, and a fragrance that lingers.

The Gentle Breath Of Passing Time

“Throughout our lives, we sweat and save for a shallow grave. But I never lived confined within walls. If life consists of borders, then not crossing them is my real grave.”
— Tugay GÜLER

Tugay Güler is a poet, lyricist, and composer who pushes boundaries with the lyrics and compositions born from his poetry.

With his unique style, he transforms deep emotions into powerful and soul-touching melodies.

He is much more than an ordinary person.

In addition to composing all kinds of music with his Turkish and English poems, he also reaches people's souls with his resonant modern symphonies. His stories express silence, resistance, and emotion.

Every word, every note, every breath carries profound meaning.

🎶 Works created with love, performed freely, and resonating beyond borders.

.............

(Tugay Güler is a composer and songwriter officially a member of the US-based BMI (Broadcast Music Inc.). His works are registered with BMI, which oversees and controls copyrights worldwide.)

with Piano No.1 Op.13 Re minor (new version)

This piece moves gently, carrying a subtle sadness, but never sinking into despair. Its mood feels like quiet reflection — tinged with melancholy but also with warmth and dignity.
The music opens with a French horn solo, soft and resonant, its tone suggesting both distance and intimacy, like a voice calling from memory. The horn’s melodic line is simple yet noble, setting the reflective character of the work.
As the clarinet enters, it answers the horn in a lighter, more lyrical voice, bringing a hint of comfort and movement. The bassoon follows with a deeper, more grounded timbre, adding weight and gentle sorrow to the texture. Underneath, the cello provides sustained tones and subtle, pulsing rhythms — not heavy, but steady, anchoring the ensemble.
Through the middle section, the four instruments weave together in a chamber-like conversation: the horn’s phrases stretching long and noble, the clarinet offering sigh-like responses, the bassoon coloring the harmony with a touch of gravity, and the cello carrying a quiet undercurrent of resilience.
The piece gradually thins out near the close, leaving the French horn once again in solitude. The final horn solo mirrors the opening, but softer, as if the memory has faded — not with sorrow, but with acceptance.
The overall impression is of a slightly sad but tender piece, evoking reflection, farewell, or the quiet turning of a page.


Echoes of Tomorrow

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so many years have passed

A collection of tracks that were performed live by the London Philharmonic Orchestra & Choir at the London Abbey Road studios.

All tracks originally composed by Yoko Shimomura. All tracks, in what I have dubbed the 'Final Fantasy XV Collection', were ripped directly from that livesteam.

(c) Square Enix
All rights reserved

Bow Anthology

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