I will find peace in your hands

Visual Vulnerability

Objects & Sounds invites Belgian experimental producer Lilac Pavilion. 

"This mix contains music by projects I have come to love over the years along with some more recent discoveries. Expect some eco watery ambient, hi def sound design, and soothing atmospheres. It also features sounds by Casimir and Anni Nöps with whom I'm performing at Drinks & Sounds on the 25th of March."

🌐 "Outsiders" is our daily show hosted by global independent record labels
📡 Connect with the Outsiders, every day, at 9 am or 9 pm CET
🔗 kioskradio.com

Outsiders: Objects & Sounds w/ Lilac Pavilion @ Kiosk Radio 11.03.2023

zavet - Озон
Blood of Aza - INHUMATION
Ronce - Rage
Molotov - Վայրի Մարդ (Prod. By Monte Molotov)
DIESSA - TRANS FEMME MECHA CULT (TEYA LOGOS PINOYWASH)
Croatian Amor, Varg2™ feat. NikkiH2OP - Numbers Stumbling Falling wont kill a bird
Qoiet & INHUMAN - murderVIBE (feat. ghoolwrld)
Zebra Katz - ZAD DRUMZ
Tzusing - Exascale
Cel Genesis - Angels in The Pit
Deriansky, Altea, Goedi feat. Micheal Mills - basilico
Gargantuan Grief - Be Your Own Martyr
Dizzy x G1ocatore - Igen & Igen (hela låten)
Rickyxsan x Krischvn - HEADBANG
Xiu Xiu - The Real Chaos Cha Cha Cha
Less Distress - Black Parade (Klub Edit)
BLCKK - BUSINESS
bod [包家巷] - why survive
Leech - Confessions
SWAN MEAT + ERISA _ OFFERED U
Lulu Be. - Gimme Dat
Wanton WItch - Sad Th0t Gall3ry
LoLa Dark - Сасайклінг😍
Warmduscher - I Got Friends (Petbrick Remix)
SKORGE - Sam Smith - Unholy (Dubstep Remix)
2x_n & Gyur - Antagonizer
YEN TECH - 진짜 Jincha
Flume - Only Fans (feat. Virgen Maria)
LAC - Neuro Link_8th Coppa (Prod. NOVA)
VORONHIL - 16
Haykal - Sot Ramallah (ZULI Remix)
HAJJ - RAGE OF EMPIRE
JOHNNASCUS - Hypnopompia [δόξα]
KAVARI - Someone Loved It
Sagath, SKABBIBAL - Ненависть

Deconstructed / Rap /  Dubstep / Noise / Hardcore / Techno / Screamo / Experimental / Something

HARDDANCE WITH US w/ mishxn - 12/05/2023

The new guests in our mix series are @soup-snakess
A duo from Bangkok, Soup snakeS have been making their way through the clubs and airwaves of the city with their raw and unconventional selection. Their unique sets bring a playful blend of energetic beats with unusual melodies and rhythms, and often have a tale or two to tell in-between ~

"Beginning with a coalescence of sounds from here in SEA and ending on the opposite side of the world, we’ve put a bit of sugar, spice, and everything nice into this mix for our lovely friends at Beatriz ❤︎♡❤︎" SS

Soup SnakeS – Beatriz mix 009

DJ MA GILLA: @rap1666
https://linktr.ee/djmagilla

Seahorse Dreams Radio w/ DJ MA GILLA

When countries literally vote against the ending of a genocide that is documented live in unprecedented dimensions, it feels like it puts our reality on halt while it just continues at the same time. 

Reliable sources of information and conversations on eye-level are profoundly important in order to sanely navigate through this mess. In our first Interview here on Wave Channel, we had just this with none other than Stas Shärifulla from Siberia, known under his moniker HMOT. 

Stas’ vast knowledge and his way to communicate complex content in a inviting and accessible way is giving ground for endless exchange.  

His ongoing research examines the potential of sonic agency, e.g. how sound and music operate in contexts of political activism and resistance practices, addressing the variation in inequality across authoritarian regimes and unbalanced power dynamics under late capitalism. 

He visited Dream Channel for a deep talk and blessed us with an electrifying live Performance.

www.hmot.club




Further Reading:

Jacques Attali

https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=&ved=2ahUKEwjcpsDX8o6DAxU0xAIHHYMVAqMQFnoECAoQAQ&url=https%3A%2F%2Fmonoskop.org%2Fimages%2F6%2F67%2FAttali_Jacques_Noise_The_Political_Economy_of_Music.pdf&usg=AOvVaw0JiCKsbtWXSly7Mi3StNdE&opi=89978449


Zurkas Tepla

http://zurkastepla.com/

Wave Channel Ep. 13: HMOT (Live)

A new mix for our series was recorded by a producer, singer and DJ from St. Petersburg – @djxvostik, whose track 'Tак Больше Нельзя' was released last summer as part of our compilation 'Garden of Beatriz: Enchanted'.

If to talk about her own releases, xvostik recently pleased us with the her third album 'Forest Eyes'. We highly ecommend it! 

Her mix combines a skillful fusion of her favorite musical facets - ambient, downtempo and even breakcore🌟💗🦋

xvostik - Beatriz mix 010

Following the aspirations of the first compilation of Bizaarbazaar, #2 is a media experiment that attempts to preserve musical content against the unpredictable mutations of the web. It features the work of over 40 artists responding to the themes: ‘Sonic Fragments,’ and ‘Rhythmic Weaponry.’

While bizaarbazaar #1 was packaged as a zine and double cassette, its successor strays further from conventional music packaging to take the form of a t-shirt tied to a unique download code, and a radio transmission on NTS Radio. To celebrate as well as accompany the release, a listening session of bizaarbazaar #2 is held at Motto Berlin in collaboration with the Swiss magazine zweikommasieben.

https://bizaarbazaar.bandcamp.com/album/bizaarbazaar-02-tshirt

𝓒𝓸𝓶𝓹𝓲𝓵𝓪𝓽𝓲𝓸𝓷 #2

John Object's music has been described as “pop musique concrète”. Within, the strange juxtapositions and the cacophonous and mutant digital textures erect grotesque structures, as if the natural and artificial materials of the collage connoted “the noise and jumbled signals, the unimaginable informational garbage, of the new media society” (F. Jameson). But amidst the dyspeptic case of nausea, vomiting and panting produced by the massive bombardment of data, mysterious, kitsch or naïve melodic passages and hooks erupt, clearly revealing a fascination towards pop. The tense fracture of the two spheres of John Object's music has to do with the sense of musicality insofar as it, as Peter Sloterdijk points out in relation to the field of acoustic anthropology, “assumes that the adult ear can occasionally take a holiday from the trivial work of hearing and be lured away from everyday noise [...] [where predominates] the inescapable chatter of our fellow human beings which the media amplify maximum”. The fragments of the nursing’s cry report the impact of the transformation brought about by the quantum leap to the confrontation from immersion in the fetal world, the memory of a developmental phase where the subject was “into a mode of conflict-free encirclement”. Perhaps it could be said that we are talking about an artist inserted in a kind of updated pulp modernism (see G. Meier, “Reassembling the Pulp Doppelgänger”).

The present mix illuminates aspects of Object's conceptual universe through two main dissociable but inseparable themes. The first is that of internet effects, which, together with mobile telecommunications technology, has “altered the texture of everyday experience beyond all recognition” (M. Fisher). Apart from the phenomena of archivism and the obsession with accumulation in the total flow –explained by means of collage techniques and whose limit is that of sound materials torn from their context to become floating signifiers–, the most striking is that of streaming, its technical repercussions made evident by fluctuations in sound quality in the simulation of the concert. When it seems to work as a substitute for rave/club culture, streaming is the most ruthless element of the Fisher dictum and has decisive operational ontological consequences; bilocation then multiplies to a paroxysm in the form of a simulacrum that conceals “the fact that the real is no longer real” (J. Baudrillard), whose ghost is the myth of an era now retromaniacally taken up again in the form of “Grim and boring beats, endlessly pounding to an audience who felt they were part of an experience but who lacked cohesion and energy” (L. Kirby). Could not only time but also space be out of joint?

The second theme deals with loss and moves based on reference points, pieces held for relatively long periods around which synchronizations, overlaps, duplications and prefigurations occur. After the introduction, the section ranging from “The Game Is Over” to “Cosmia” is dominated by the psychological nostalgia of the 90s and 00s. Then begins a “retraction inward” process that, after “This Country” and “Home”, is confirmed with the beyond-the-grave vocal tessitura of “Sweet Thing”. From this point onwards, a heartbreaking, negative synthesis of the dialectic between community and atomization, artistic advancement and cultural sclerosis is produced. It is as if after the concert, during the subway ride home, the subject, off-centered by the overwhelming bureaucratization, traced on his iPod the cultural artifacts of a trajectory now lost. Memory gives way to hauntological history. The biographical element contains hints of utopia and has political reach: the ubiquitous commodification of culture after the deactivation of soft power, the fragmentation of public space, the vague but caustic political and economic references as parodies of themselves in the face of catastrophe

All tracks have been remixed/edited in some way.

Photography by Geray Mena

Dialektik Podcast #11 – John Object

Music community, label and platform that brings together musicians and selectors from all over the earth... and skies 🕊☁️️

Soup SnakeS – Beatriz mix 009

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