chill

SPRING TUNES

July 2019

cloud time

"Stupid" is the first single from Gomina's upcoming album "Prints".
It's available on a 7" blue vinyl here : http://gomina.bigcartel.com
Check the video on: https://www.youtube.com/watch?v=0ZuO2HbODxw

Stupid

Con061:
MOSHIC - Till The End(Original [inc C-Jay remix & Relief Remix]

Like us:
https://www.facebook.com/pages/Moshic/21635238640?ref=hl

MOSHIC - Till The End(Original

Released on NX Records 29/09/17
www.nxrecords.co.uk/

Rocheman

Windmill

MOSHIC LIVE- 6 - 2018 (MOMO MINGLING NOON PARTY)

MOSHIC LIVE- June episode - 2018 (MOMO MINGLING NOON PARTY)

Khalab - Black Noise (Afrikan Sciences Remix)

From an artist in their seventies, you probably wouldn’t expect to hear an album like this. But Brazilian drumming legend Ivan ‘Mamão’ Conti has been experimenting and innovating for the last half a century. As one third of cult Rio jazz-funk trio Azymuth, Mamão was at the root of the group’s ‘samba doido’ (crazy samba) philosophy, which warped the traditional samba compass with jazz influences and space age electronics. Even with his lesser known jovem guardua group The Youngsters, Mamão was experimenting with tapes and delays to create unique, ahead-of-its-time sounds, way back in the sixties. More recently Mamão recorded an album with hip-hop royalty Madlib under the shared moniker ‘Jackson Conti’.

With his first album in over twenty years, and the first to be released on vinyl since his 1984 classic The Human Factor, Mamão shares his zany carioca character across eleven tracks of rootsy electronic samba and tripped out jazz, beats and dance music. Featuring Alex Malheiros and Kiko Continentino on a number of tracks, the Azymuth lifeblood runs deep, but venturing into the modern discotheque (as Mamão would call it), Poison Fruit also experiments with sounds more commonly associated with house and techno, with the help of London based producer Daniel Maunick (aka Dokta Venom).

Take a bite of Mamão’s psychoactive Papaya and join the maestro on a weird and wonderful stroll through the Brazilian jungle.

United by a love for the music of Mamão and Azymuth, the CD and digital edition also feature remixes and dubs from some of today’s most forward-thinking producers with a penchant for percussion, including IG Culture, the 22a crew, Max Graef and Glenn Astro.

Vinyl / CD / Digi

Ivan ‘Mamão’ Conti - Bacurau

<a href="https://theartistunion.com/tracks/7ba346" rel="nofollow" target="_blank">Download for free on The Artist Union</a> 

COMPLETE EP "Ditti - Crunched" 
Master by Tzim Tzum
OUT THE 21/03/2019 ON @CURUBA-RECORDS



☼

Free Download

Ditti - Loela (Kirikou Tribute)

From the Brexit Big Band album THE STATE BETWEEN US: matthewherbert.lnk.to/TheStateBetweenUs
released March 29th 2019

The Matthew Herbert Big Band - 'Where's Home?'

♬ Click for more and download ☞ http://trndmusik.de/2019/03/groovige-percussions-fuer-das-original-intiche-und-jksons-version-von-como-quisiera/

⚡ Follow us on YouTube ☞ https://www.youtube.com/c/TrndmusikDe 
🌃 Follow us on Spotify ☞ https://spoti.fi/2jzGmv2

Eine herrliche Bergaussicht und ein Gespräch über Dschungelerlebnisse waren die Inspirationsquelle für einen Edit zu „Como Quisiera“, sagen @intiche und @jkson_music. „Wir waren im Fluss voller schöner grooviger Percussions und intuitiver Kreativität.“ Die Idee, die Vocals zu nehmen, hatte Jkson. „Und ich fand das Keboard sehr groovig, eine raffinierte Trance“, ergänzt Intiche. Aufgenommen wurde ihre Bearbeitung in Zürich. Ihre Version bieten sie via trndmsk zum freien Download an. (...)

🎧 More Music in our Playlists on Spotify ⤵
💃 Dance: https://spoti.fi/2FjcR9k
⚡ Deep House: https://spoti.fi/2JVCgJH
🌃 Disco: https://spoti.fi/2qMavuY
🍍 Downtempo: https://spoti.fi/2K0w7vN
 👯‍♀️ Electronica: https://spoti.fi/2qJt0A9
💥 Tech House: https://spoti.fi/2vrVN0W
🌌 Techno: https://spoti.fi/2qMRUOy 

🐧 trndmsk's weekly Spotify charts: https://spoti.fi/2sgrlms

Free Download ♬

Intiche & Jkson - Como Quisiera [trndmsk]

Original Track by: MiRET & Tuğçe Kurtiş
Original Songwriting and Vocals by: Tuğçe Kurtiş, @tugce-kurtis
Production by: MiRET, @miretmusic
Remixed by: @holedcoin
Cover Art by: Scott Partridge, jevaart.com/ and Santi, @santi-productions 

Lyrics:
Bir gün sen henüz uyurken
Kim bilir hangi düşlerde
Uzun ve sessiz yüzüne baktım
Ve belki masaldır dedim
Belki kıyıya vuran dalga
Belki dalgadaki gemi
Belki gemideki güvercin
Belki güvercinin sesi
Belki şarkımla yeniden doğan güneş
Belki güneşin ötesi
Belki de küçücük bir kıvılcım hayat
Belki bu da bize yeter

English Translation:
One day while you were asleep
Who knows in what dreams
I took a long and quiet look at your face
And said maybe it is a fairytale
Maybe it is the wave that hits the shore
Maybe the ship on that wave
Maybe the pigeon on that ship
Maybe the voice of that pigeon
Maybe the sun that is reborn with my song
Maybe even beyond the sun
Maybe it is a tiny sparkle, this life
Maybe that is sufficient for us

Paloma+Remixes

Paloma

Download/Stream

KYBELE Records - MiRET & Tuğçe Kurtiş - Paloma (Holed Coin Remix)

@mr-to

It was in September 2016 that Basy Tropikalne began operating as a netlabel and the first release came in a form of a Latin American compilation. Following the success of that album – which was featured among others by Indie Hoy, Cassette Blog, Sounds and Colours and tropicalbass.com - now it is time for a second installment which brings as many as eighteen previously unreleased tracks by a mixture of already recognized and rising and promising producers from all over the continent.

This massive compilation starts with Cigarra who has been doing an amazing work promoting female producers from Latin America with her work as the manager of Hystereofônica platform. Her uplifting track is followed by extremely talented Di Laif from Guatamela who came up with a deep and ominous composition called ‘Ominous’. Next up are the wonderful minds of Rafa Caivano and Lisandro Sona for whom this may actually be the last song in a long time under the alias of Klik & Frik as their big comeback with the Frikstailers project is planned for the next month. Right after them there are two fellow Argentinians – Maich presents delicate ‘Verde’ with a Caribbean touch whereas Kaleema turns to Africa and focuses her production on field recordings from Kenya.

Another remix and at the same time the longest track on the release comes from Liman producer Renzo Zong who has tried his chances on ‘Niña Salvaje’ by Jorge Mestanza and María Cristina Simon and changed it into something more profound. Subsequent track belongs to Inti Kunza, Santiago de Chile underground legend and one of the La Chimba Discos founders who jumps in with the hypnotizing ‘Peuma’. ‘Balada de Aventurança’, in turn, is delivered by Brazil’s Projeto Mujique who once again proves his skills in mixing the guitar sounds with electronic music.

Moving on we bump into a magical moment of witnessing the first ever collaboration between some of Costa Rica’s finest artists: producer Nillo and vocalist Javier Arce who created a masterpiece titled ‘Lamento de Aïa’. Then we are treated with back-to-back tracks from Buenos Aires-based acts as hard-hitting Camanchaca duo’s ‘Seneca’ is followed by a decent song from Uruguay-born Xanducero (just listen to this wonderful drums in the second part of ‘Aguilucho en mi Ventana’…).

After that there is the fastest track on the whole album with Ecuador’s Ataw Allpa remixing last year’s ‘Candirú’, the effect of collaboration between himself and Brazilian DJ Nirso who also appears on ‘Basy Tropikalne # 2 (Latin America)’ just few tracks further into the release. Brazil is also where ElPeche hails from and his major contribution to the compilation was not only mastering it but also handing over his own composition called ‘Cuicwah’.

‘Daisukidesu’ is a work by Argentina-born Germany-based Kumbale Records founder Pocho who created a kind of cinematic cumbia song sampling anime – hence its Japanese title. Ore Rüb , the name of the next project, may sound mysterious but the producer behind it is no other than Andreh Torres, previously known as Nacho Libre. It is a great honor to present the debut track of his new alias in the Basy Tropikalne release.

Beautiful and melodic ‘Renjasé’ by Mr. Toé of Konn Recordings perfectly introduces the true gem that is hidden at the very end of the compilation. Colombia's Cerrero and El León Pardo once again reinterpreted one of the Afro-Colombian legendary groups to create a magnificent dub remix of a classic song.

Mr. Toé - Renjasé

@a_cigarra

It was in September 2016 that Basy Tropikalne began operating as a netlabel and the first release came in a form of a Latin American compilation. Following the success of that album – which was featured among others by Indie Hoy, Cassette Blog, Sounds and Colours and tropicalbass.com - now it is time for a second installment which brings as many as eighteen previously unreleased tracks by a mixture of already recognized and rising and promising producers from all over the continent.

This massive compilation starts with Cigarra who has been doing an amazing work promoting female producers from Latin America with her work as the manager of Hystereofônica platform. Her uplifting track is followed by extremely talented Di Laif from Guatamela who came up with a deep and ominous composition called ‘Ominous’. Next up are the wonderful minds of Rafa Caivano and Lisandro Sona for whom this may actually be the last song in a long time under the alias of Klik & Frik as their big comeback with the Frikstailers project is planned for the next month. Right after them there are two fellow Argentinians – Maich presents delicate ‘Verde’ with a Caribbean touch whereas Kaleema turns to Africa and focuses her production on field recordings from Kenya.

Another remix and at the same time the longest track on the release comes from Liman producer Renzo Zong who has tried his chances on ‘Niña Salvaje’ by Jorge Mestanza and María Cristina Simon and changed it into something more profound. Subsequent track belongs to Inti Kunza, Santiago de Chile underground legend and one of the La Chimba Discos founders who jumps in with the hypnotizing ‘Peuma’. ‘Balada de Aventurança’, in turn, is delivered by Brazil’s Projeto Mujique who once again proves his skills in mixing the guitar sounds with electronic music.

Moving on we bump into a magical moment of witnessing the first ever collaboration between some of Costa Rica’s finest artists: producer Nillo and vocalist Javier Arce who created a masterpiece titled ‘Lamento de Aïa’. Then we are treated with back-to-back tracks from Buenos Aires-based acts as hard-hitting Camanchaca duo’s ‘Seneca’ is followed by a decent song from Uruguay-born Xanducero (just listen to this wonderful drums in the second part of ‘Aguilucho en mi Ventana’…).

After that there is the fastest track on the whole album with Ecuador’s Ataw Allpa remixing last year’s ‘Candirú’, the effect of collaboration between himself and Brazilian DJ Nirso who also appears on ‘Basy Tropikalne # 2 (Latin America)’ just few tracks further into the release. Brazil is also where ElPeche hails from and his major contribution to the compilation was not only mastering it but also handing over his own composition called ‘Cuicwah’.

‘Daisukidesu’ is a work by Argentina-born Germany-based Kumbale Records founder Pocho who created a kind of cinematic cumbia song sampling anime – hence its Japanese title. Ore Rüb , the name of the next project, may sound mysterious but the producer behind it is no other than Andreh Torres, previously known as Nacho Libre. It is a great honor to present the debut track of his new alias in the Basy Tropikalne release.

Beautiful and melodic ‘Renjasé’ by Mr. Toé of Konn Recordings perfectly introduces the true gem that is hidden at the very end of the compilation. Colombia's Cerrero and El León Pardo once again reinterpreted one of the Afro-Colombian legendary groups to create a magnificent dub remix of a classic song.

Cigarra - Dona Gira

"Ice Cold Calculation" LP By Bill Hurst On Cain Germany, 1982 - 👋

Almost four decades since it’s domestic release, Karen Marks’ 1981 single Cold Café has finally reaped it’s deserved international credit to become one of Australia's most recognised minimal wave recordings. Efficient Space now showcases the Melbourne artist’s brief but entire discography, including two previously unheard demos, all produced with experimental synthesist Ash Wednesday (The Metronomes, Modern Jazz, Thealonian Music). 

A rarity in the then male dominated industry, Marks found her footing in music, first through rock journalism and then in band management. Formally of Adelaide, newly arrived synth-punks JAB (Johnny Crash, Ash Wednesday and Bodhan X) approached her for representation, subsequently contributing tracks to seminal 1978 snapshot Lethal Weapons and playing the Crystal Ballroom's opening night. Wednesday and Crash would soon dissolve JAB, enlisting Mark Ferry and Sean Kelly to create Models. Still under Mark's management, Models became one of the fastest rising new bands of the punk movement, playing to full houses of dedicated and frenzied fans everywhere. Sadly, internal frictions forced Wednesday and Marks to leave after two years, with Crash following three months later. 

Her creative relationship with Wednesday fortified with the co-production of his 1980 machine-pop prank Love By Numbers, her swooning chorus uplifting his deadpan count to 100, before the two collaborated on Marks’ own recording persona. Immortalised by the icy Oz wave of Cold Café, her Astor issued 7” also boasted the caffeinated flip Won't Wear It For Long - a should be hit with guitar from future Icehouse member Robert Kretschmer. 

Fans know of one more recording - You Bring These Things, a forlorn arrangement of an otherwise unreleased Paul Kelly song, gifted to her by the revered wordsmith. The track only ever appeared on the Astor promotional LP Terra Australis, sinfully alongside Up There Cazaly and Joe Dolce - hard proof that the label grossly misunderstood her talent (Marks recalls their persistent requests to show midriff and cleavage). Locked in a dissatisfying label arrangement and at this stage unwilling to follow her peers to greener pastures overseas, she felt her only way out was to cease all further activities. 

At the 11th hour of preparing this retrospective, two tracks unexpectedly surfaced via two cassettes - a paranoid demo version of her signature tune Cold Café, and a long-lost fourth song Problem Page. Both living room recordings follow Marks and Wednesday’s ingenious framework of minimal lyrics, minimal chord progressions.

Cold Café EP

BUY 12"/DIGI

KAREN MARKS - Cold Café (ES012) OUT NOW

Album Credits:
Original Tracks by: Santi & Tuğçe, @santiandtugce
Cover Art by: Scott Partridge, www.jevaart.com/

Album Description:

Terminal Caribe is the newest album of Santi & Tuğçe who weave timeless, borderless melodies with global, dance floor rhythms. Similar to their previous releases which take listeners on a sonic adventure all the way from the coasts of the Black Sea to the Parana River, Terminal Caribe presents a peculiarly personal, yet undoubtedly universal odyssey exploring the deep interrelations between music, movement, and memory. Named after a bus stop where the duo had the initial inkling for this album, Terminal Caribe serves as the point of departure for an entrancing journey through a wildly varied world of sound. Soulful melodies, captivating harmonies, colorful orchestration, polyrhyhmic percussions and marimbas, and deep bass lines combine with heartwarming vocals and the sounds of sea to tell a tale that is at once epic, melancholic, spacy and irresistibly groovy.

Santi (from Asunción, Paraguay) and Tuğçe (from Istanbul, Turkey) left their homes to follow their dreams of music and have been road companions and musical partners for more than a decade. They collaborated on two full length-albums, four EPs and numerous singles which captivated listeners worldwide. With their 2016 EP El Regreso del Gallito, “Santi & Tuğçe rewrote Paraguayan folklore” (Thump Vice, Brazil) and with their Songs for My Grandmother, selected as one of the best albums from Turkey in 2017 by Beehype, they remade Turkish classics for contemporary audiences. Drawing on their eclectic background and constant pulse for innovation, Santi & Tuğçe once again reinvent an unpredictable and enticing soundscape of the Caribbean and beyond.

Oye! - Lyrics:

Oye, mi ritmo te transforma 
Oye, te mezcla, te desmolda 

Oye mi ritmo te transforma 
Oye, te mezcla, te desdobla, te da sabor 

Te transforma, 
Te desmolda, 
Te desdobla, 
Te da sabor

Oye!

Santi & Tuğçe - Oye!

"Hot recordings strongly inspired by the golden era of the Italian sexy comedy film scene"

A1 Nando de Luca - Kamasultra    
A2 Julie Wilde - Love Tunnel
A3 Tullio De Piscopo - Fastness
A4 Monique Rossi - How Wonderful You Are

B1 Augusto Martelli - Joining Together
B2 Mimesis - Diva Da Strapazzo (Unreleased Instrumental)
B3 Persimfans - ESP  (Extra Sensory Perception)

Order Here

IES - Italian Erotic Sounds Compilation [EAS021]

Welcome back to the discovery channel with exciting news from the animal world. Follow the heavily transcoastal trail on this 12".  A gamble that paid out with just about 4 people having this in their wantlist on discogs when we listed it. Replaced artwork - original has a cheesy black and white portrait of the maker. Watch out this is the only version to get. The other Remix 12" does not have this version here and is not what you want darling

"Trans Africa Train" 12" by Michel Barth - Rare Balearic France only release EMI, 1991 - 👋

'just for fun' edit of this cult track from the rare "One Giant Leap" compilation (UK 1983)

*DM for WAV file

Rajan James - IMPOSSIBLE DREAMS (Hysteric edit)

Clips were recorded from the actual vinyl. To know availability of some titles just message me, post a comment or contact me via IG https://www.instagram.com/beachfreaksrecs.

"Ice Cold Calculation" LP By Bill Hurst On Cain Germany, 1982 - 👋

BEACH FREAKS RECORDS