Like any artist making a significant amount of noise in the bass music selections of contemporary times, duo HavocNdeeD discovered a passion for electronic music in the drum & bass areas crammed back in the darkest corners of those massive raves of the 1990’s. A recent collaboration between marquis U.S. disc jockeys (OB-one and J. Paul) drew upon their extensive experience in the largest nightclubs of Los Angeles, Las Vegas, Chicago, and Miami. The years behind drums, synths, guitars, and crate after crate after crate of every genre of music from the last 50 years combined with those fond memories at the foot of giant bass bins to create a sound all their own. Their first single "Bass4YaFace" is a testament to that. Creating a buzz on Beatport and getting regular spins from DJs varying from Z-Trip and Jazzy Jeff to The Next Men and Drop The Lime.
HavocNdeeD has followed-up with numerous well received singles to date. The growing reputation of DJ-synth-drum-guitar-vocal combinations in their live shows secured slots at must-attend events over the last year. This includes the 420 Festival and World of Drum & Bass, and pulled them away from North America for performances in Australia and New Zealand. While the releases don the logo of their newly-forged 119 Sound label, dubstep giant Play Me Records saw their potential early on and was instrumental in their growing exposure. The most recent offerings are remixes for Geoffrey Paris and American Idol star Julissa Veloz. Though it was a video posted by Linkin Park that holds the key for tomorrow's projects.
Drawing upon their love of classic hip-hop, HavocNdeeD felt that NWA's "Dopeman" deserved a dubstep remix. This somehow gained the attention of Linkin Park frontman Mike Shinoda who posted a video of it on his blog doing a live remix session. When looking at possible remixers for the new Linkin Park album the duo came to mind. "Our new record is more beat-driven and electronic than our past efforts, so I thought it would be a good fit", explains Shinoda. "Their remix of "Wretches and Kings" came out incredible... the bridge section is massive!” The remix came full circle when Chuck D from Public Enemy cut an original verse for the track giving it a nice blend between classic and modern. Upon fulfilling expectations for the remix, HavocNdeeD continues to open doors to more opportunities. They have since completed a remix for She Wants Revenge and Cypress Hill & Rusko as well as an original collaboration with reggae legend Cutty Ranks. They look forward to exposing even the most mainstream of music fans to the elements they love about independent dance music... and make those people love it too.

For booking info, contact:

mary@lethaltalent.com

A lifelong creator, forager and aficionado of bass-centered music. My original works as a producer and DJ have been covered in publications such as Big Up, URB and KMag UK, as well as played on radio outlets such as BBC Radio 1, 1Xtra, Rinse FM and Sub.FM. 

My background includes experience as a journalist, radio presenter and discussion panelist on electronic music. Originally from Southern California, I found my passion for music growing up outside of Los Angeles in the 1990’s. Since, I have transplanted to Texas and have been involved with and advocated for events, artists and independent labels. Currently, I reside in San Antonio, Texas.

Inquire: 
@intager_bass
mixcloud.com/intager

d00mscrvll out now 
https://hypeddit.com/diplo/d00mscrvll

https://drop-music.bandcamp.com/

DJ’s, Producers and label owners, Andy Riley and Laurence Ritchie (AKA Inland Knights) have created a brand name that most House heads have heard of.  Whether you like it deep , tech or more funky – when you think about Drop Music or Inland Knights a certain style of House comes to mind that is uniquely their own. Andy and Laurence’s reach is global, and their label’s continue to produce some of the finest House music 15 years after they started back in the UK, within Nottingham's party scene.

Andy and Laurence  met in ’93 and cut their teeth Dj’ing for Smokescreen, the renegade sound system from which they drew their early inspiration. Smokescreen consisted of dj’s, lighting people, sound people, a truck, a P.A, a generator and general helpers. Old warehouses, woodland, fields, quarries and houses were utilized with the sole intention of having a good time…. for free! By the mid 90’s smokescreen could guarantee a crowd of hundreds in attendance at their parties(which were most weekends), and their club nights became local institutions that ran for years with packed dancefloors. Into their 21st year, Smokescreen are still going strong and are still hosting quality club nights and parties in and around the Midlands.

By ’98 Laurence and Andy had made the inevitable step into production and the same year their fledgling label, Drop Music, was born. With the release of ‘Inland Knights vol 1’ , Riley and Ritchie undertook a busy schedule to write tracks for Drop  (almost all of the early output was Inland knights, despite many monikers). Drop Music has gone on to become one of the most highly regarded House labels in recent years (with 80 plus releases to date), and Inland Knights have gone on to become one of the most respected and prolific production outfits in the House community, carving a unique and distinctive House sound, and regularly taking on remix and Ep duties for fellow labels and producers. Highlights include the acclaimed ‘Mohammed Ali’ remix for Faithless on Cheeky Records, CD compilations and remixes for NRK and Om Records, three Ep's on 2020 Vision, Inland Knights first full length album entitled ‘Creative Spaces’, and more recently, Inland Knights album to mark 10 years of Drop Music entitled ‘Dust till Dawn’, not to mention countless Ep's on other labels over the years and a 30-minute live mix on Radio 1’s ‘Essential Selection’ show. More recently, the pair released 'Inland Bytes', a retrospective look at Inland Knights career so far.

Currently, as well as remix, production and label commitments, the pair maintain a busy international Dj schedule which takes them further and further afield as their reputation grows. Bookings have included regular slots at UK clubbing institutions such as Fabric, The End, The Egg, The Cross, Turnmills, Shindig, Back 2 Basics,  Sanky's, Chibuku Shake Shake, Ministry Of Sound, Cargo, Déjà Vu, The Arches and The Sub Club in Scotland, as well as smaller more intimate venues nationwide. Countless international trips have seen them tour the Globe. Most weekends Inland Knights can be found DJ'ing up and down the UK or Europe with regular international tours a permanent fixture in their Diaries.

Follow Us On:
Soundcloud http://soundcloud.com/inland-knights
Twitter         https://twitter.com/#!/Inland_Knights
Facebook     https://www.facebook.com/inland.knights
Band Camp https://drop-music.bandcamp.com/

For Bookings Please Contact:  
Paul@elitemm.co.uk (Worldwide)
shannon@aptentertainment.com (Americas)

MGMT: lewis@takethereign.co.nz

BOOKINGS:
New Zealand: dave@eccles.co.nz
AUS/Asia bookings: Alex@fatcatmusicgroup.com
EU bookings: Paul@mbartists.co.uk

A champion of global bass music culture, Badbwoy BMC is a presence known throughout American drum and bass, dubstep, dub/steppas and reggae sounds for over 20 years. Musically driven by the positive energy of bass music, his live sets contain technical skills gained only by experience and offer musically diverse selections that appeal to both new school and old school heads. 

(BMC) had played some of the best club nights and promoters America has to offer such as Submission(Denver), Gritsy, Konkrete Jungle (Denver), Frenzi, Texas Dub, Mad Classy, Reload (Austin), Coal Mine Sound, Pomdeya, Blue Vishuda Sound System, King Remo Sound System, Ritual Dubstep (San Fran), Church (New Orleans), Bass Church (Los Angeles) to name a few.

BOOKING
nochvser@gmail.com

MANAGEMENT
http://www.soundcloud.com/ZombieEaterIndustries

David Morales is a globally revered American DJ, a Grammy award-winning record producer, songwriter, and businessman. He has produced and remixed over 1000+ records for an all-star roster of multi-platinum artists, including Mariah Carey, U2, Michael Jackson, Aretha Franklin, Madonna, and Whitney Houston. A true legend of house music, the global phenomenon and penetration of dance music into Top 40 radio would not have been possible without him.
More recently, Morales launched DIRIDIM Records in 2018. With this new label, David is signing and developing new talent - and naturally, releasing some of his own music. DIRIDIM celebrates all kinds of dance music, ranging from the classic house music sound Morales is known for to straight-up electronic sonorities. In January 2022, Morales released "Life Is a Song", his first full-length studio album in almost 10 years. Produced during the pandemic lockdown, the album featuring artists, Mr. V., Blakkat, Elle Cato, Michelle Perera, Lea Lorien, Blondewearingblack among others, quickly gained an international following eager to hear more and skyrocketed up Traxsource's album chart to #1 for three weeks. His unquenchable thirst for newness is precisely why this native New Yorker remains at the top of his game into the new decade - “It’s about keeping an open mind,” as Morales says. In 2020, due to the global pandemic and inability to travel, he launched, Sunday Mass, a livestreaming show on Twitch to entertain his fans across the world. The 2021 IMS Business Report based on data, cited him as one of the dance music artists who experienced online success during the pandemic. Into post-pandemic times and with the reopening of clubs all over the world, David continued his legacy as a native New Yorker and trailblazing DJ, constantly gracing the best international stages with recent standout performances such as the Hacienda Warehouse Project in Manchester, Clockwork Orange in London, Stereo Montreal, EDC Vegas, Hi Ibiza, and After Caposile Venice. In 2024, David Morales is holding a residency at the legendary Pikes Hotel in Ibiza during the summer. A pinnacle in his repertoire is also the ongoing success of the Sunday Mass parties in NY, featuring both club nights and legendary boat parties during the summer. These events stand as a testament to Morales's enduring impact as a true legend on the house music scene. On top of this all, David is on the brink of releasing a new LP, 'Sunday Mass Vol. 1', the inaugural installment in a series with more to come in 2024. As we venture into 2024, expect a flurry of news and projects, with the new year expected to be a more than ever prolific one for David Morales.
 
FILM /TV/FASHION/RADIO
David Morales has transcended musical genres to create a global brand. His music productions have appeared in popular films and television shows, including The Devil Wears Prada, Ninja Turtles 2, Don’t Mess With the Zohan, and Star (TV Series). His DIRIDIM radio show can be heard on Ibiza Global Radio and numerous other stations around the world which is streamed to millions of listeners around the world. In 2016, Morales was the lead judge on “Top DJ” a national television series broadcast on Italia 1. When it came time to wear his fashion model hat, Morales appeared in a global advertising campaign for luxury design house, Iceberg. 

HISTORY
David Morales honed his skills as a DJ in the 1980s and 1990s at such legendary clubs as the Ozone Layer, Paradise Garage, Red Zone, Zanzibar, Tunnel and Club USA just to name a few. When the remix and DJ work began taking off, Morales teamed up with house music legend, Frankie Knuckles, and For The Record DJ Pool founder/NYC nightlife impresario, Judy Weinstein, to create Def Mix Productions.
Morales’ prolific production career kicked into high gear in the 1990s with the release of his solo debut album, “The Program” by David Morales & The Bad Yard Club. In the late-1990s, with hundreds of remixes (Mariah Carey’s “Dreamlover,” Janet Jackson’s “Throb,” Alison Limerick’s “Where Love Lives,” CeCe Peniston’s “Finally,” Jamiroquai’s “Space Cowboy”, Jaydee’s “Plastic Dreams,” Robert Owens’ “I’ll Be Your Friend,” under his belt, Morales recorded the groundbreaking house classic, “Needin’ U,” under the alias David Morales Presents The Face. Morales’ second album, “2 Worlds Collide,” arrived in 2005, followed six years later, by his third album, “Changes.” 
David Morales was nominated for his first Grammy Award in 1996 as a Producer on Mariah Carey’s album, ‘Daydream’ for the song ‘Fantasy’. In 1998 he won a Grammy Award for “Remixer of the Year.”
Though Morales’ past is surely one for music’s history books, the DJ-turned-artist always has his eyes firmly focused on the future—on what lies ahead. He keeps an ear to the ground, regularly exploring new music, new artists, and hotly tipped DJs who might inspire him to “go and do my homework.” He happily embraces the new generation of clubgoers. “They don’t care about yesterday”, he says, with a knowing smile.

For further information on David Morales please contact:
Valentina Cecchini @ OMNIVERSE S.r.L. on: +39 335 6810626 or email info@omniverse.sm

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