Welcome to my corner of the internet where I offer journeys through sounds that move your soul.   

A little history....In the 90's I spun at Tracks (DC), March (Atlanta), The Eagle (Atlanta), The Gray Party (Houston) 119 Merrimack (Boston) and once at The Spike (NYC) during Pride.   Playing gigs and working at record stores was not paying the bills so I put the turn tables away, went back to school and got steady work, and benefits, in IT support.   

In 2009 I moved to Hull, MA and in 2013, got involved with Hull Pride (hullpride.net).  Started spinning again digitally at our events a few times a year and loving this little sea side town just outside of Boston.   In the summer of 2021 as we came out of the pandemic, The Alley Bar, Boston, invited me to spin so this presented the opportunity to be more free on what I enjoy playing but still pleasing the crowd with house, disco, EDM, and Tech House.  Will post play dates on Facebook and Instagram: https://www.facebook.com/gscotthelms
https://www.instagram.com/gscotthelms.

The desert was calling and made the move out west.   I'm now settled in Cathedral City (Palm Springs) and loving life here.   I'm working on some live spinning but will post more sets as I'm inspired.

If you to listen and like what you hear, comment, share, re-post and keep on dancing.

Above all, take care of yourself and others that support you and your desires.

With all my love,

DJ Scott Helms

Contact:

nachogarciabooking@gmail.com

Nacho García has become the DJ revelation of the year, according to the clubbers from all parties that Nacho has been so far. Thanks to his professionalism, exquisite musical taste together with his good work in the most important clubs of Madrid and other Spanish cities, has led him to attain the residence in WE Party. His versatility and good energy mixed with the different music styles derived from house do not leave anyone indifferent when he is playing. There is doubt that there are exciting times ahead for this prominent Madrid house DJ, who is gaining recognition among all type of audiences thanks to his inimitable and unique style of House.  He will certainly continue to grow in popularity locally and abroad.



Hablar de Nacho García es hablar del deejay revelación del año, así lo catalogan todas las salas por las que ha pasado en el presente año. Gracias a su profesionalidad y buen hacer en las cabinas más importantes de la capital de España, lo ha llevado a  conseguirla residencia en WE Party. Su polivalencia a los platos junto con la energía que transmite en cabina al igual que su versatilidad con diferentes estilos del House unido a su exquisita selección musical hace que sus sesiones no dejen indiferente a nadie. No cabe la menor duda que para este joven  DJ madrileño,  que está ganando gran reconocimiento a nivel nacional e internacional entre todos tipo de público, gracias a su inimitable estilo, tienen una gran carrera por delante y estaremos escuchando mucho de él.

Matinée Radio Show.... The Radio to listen to wherever you are! 💃🏻🕺

Tune in and dance to the Matinée Group best beats. 🎧

Next Events:

LaLeche! Ice Cream Shop 🍦
Barcelona, Spain · December 6th, 2025

Matinée Easter Weekend 🥚
Barcelona, Spain · April 3rd - 5th, 2026

Circuit Festival Asia 🇹🇭
Pattaya, Thailand · June 19th - 21th, 2026

Circuit Festival 🇪🇸
Barcelona, Spain · 1st - 9th August, 2026

- Matinée World Tour 🌎

More info at: www.matineegroup.com

📍 Bcn | International Dj & Producer | Matinee Group & Circuit Festival Resident dj | Info & Bookings ➡️ivangomezmusic@yahoo.com

The tale of Danny Tenaglia's love affair with music, and the world's subsequent romance with him, is one of the critical veins in the body of dance music. He is every dancer's secret discovery; a random purchase at the record store, a reluctant night out that unexpectedly turned magic. Explosive success came not behind a major label release, or a world tour, or a radio hit remix: It happened when enough people had the private Tenaglia experience for themselves.

The momentum started building in early '70s New York, when a barely 10-year-old Danny first got the feel of vinyl in his hands. Enthralled by the music of artists like Philly Soul's The Trammps, Motown's Marvin Gaye, African trumpeter Hugh Masekela, and disco producer Giorgio Moroder, he started to collect records, plumbing the depths of each one, and frequently finding that he preferred the B-side to the A. It was 1979 when he discovered legendary nightclub Paradise Garage, where DJ Larry Levan's rich, genre-less blend of music seemed to mirror his own "no boundaries" policy. It was here where Danny found the club model he would one day emulate: Levan's bold style, the venue's plain décor, and the party's warmth and inclusiveness.

Danny left New York in 1985 and launched a successful DJ-ing career in Miami as a resident at Cheers nightclub. There he schooled the locals in classic New York and Chicago house, but five years later he returned home, tired of only playing other people's music. He started to assemble an impressive roster of remixes, including Right Said Fred's "I'm Too Sexy" (1991), Jamiroquai's "Emergency on Planet Earth" (1993), and Madonna's "Human Nature" (1994). But his first epic was The Daou's "Surrender Yourself" (1993): With the kick in the bass and the underlying rhythm as the foundation, Tenaglia blanketed Vanessa Daou's wispy vocal with grand, thick chords, a combination of classic groove and modern club-ready depth that was, at the time, entirely new. The title of his 1995 debut artist album on New York's Tribal Records described it perfectly: Hard & Soul. But even if the cocktail was his own, Tenaglia never hesitated to declare how heavily his influences weighed in his productions - everyone from Patti LaBelle to Kraftwerk, with countless lesser-known Soul, R&B, Latin, Samba, and Disco artists in between.

In 1996, after a brief stint at New York superclub Roxy, Danny landed a Saturday night residency at white-hot Twilo, a position that upped his profile but didn't satisfy his expanding artistry as a DJ and producer. While New York swooned for big-room diva anthems, Danny was turning his ear toward the more minimal, tech-y grooves originating in European production studios. This period produced solid remixes like Grace's "Not Over Yet" (1996) and Janet Jackson's "The Pleasure Principle" (1996), but by the time he moved to Tunnel in 1998, Danny had already created "Elements," an instant classic that caused the dance scene's collective jaw to drop. With his own warped voice providing the narration, "Elements" (one track off full-length Tourism) walked the listener through the different components of a dance track in real time, going from kick to drum loop to snare hit, letting each layer over the other until the track exploded with dark, drum-heavy energy. Next to ostentatious radio anthems, its simplicity was a revelation. 

It was around this time that the murmurs started to get louder: Who is this Danny Tenaglia, and just what does he do to people? Clubbers reported seemingly inhuman mixing capabilities, booth-to-floor telepathy, and the grittiest "modern yet classic" grooves they had ever heard come out of a speaker. A trio of label compilations - Mix This Pussy (1994) and Can Your Pussy Do The Dog? (1995) for Tribal, and Gag Me With A Tune (1996) for Maxi - were the first Tenaglia sets clued-in clubbers could take home to dissect, but the release of his first installment in the UK-based Global Underground series of DJ mixes, titled Athens (2000), lit the international fire. Athens (meant to reflect the set he played at the Greek capital's club King Size) remains one of the darkest, strangest, sexiest sets ever released, and its tame cover photo of a gentle-looking man in a Yankee cap just didn't seem to fit. DJ dates across Europe dispelled the mystery and started the spread of the infectious Tenaglia fever.

Back in New York, Tenaglia was tiring of the cavernous gloom of Tunnel and longed for a weekly home that better resembled where the DJ bug first bit him - the Paradise Garage. He landed at Vinyl, a black-walled, single-environment, no-liquor club about one-quarter the size of Tunnel. He named the night "Be Yourself," after the self-affirming, heavy-bottomed vocal track he had recently recorded with Chicago's Celeda. And he took the name to heart: Without the pressure of bar minimums or an expectant crowd, Tenaglia spread his DJ wings. Next to new tracks by young producers like Rui Da Silva, Peace Division, and Saeed & Palash, he played the artists of his youth, with nary a beat dropped. If he wanted to launch into a two-hour set of straight-up techno, he did. If he wanted to play old Michael Jackson records, he did. If he wanted to get on the mic and tell the crowd the name of the sound he was about to play, or who next week's guest opening DJ would be, or just give everyone a "verbal handshake" to welcome them to the club, he did. And a city tired of drama embraced the barebones, music-centered night. 

The world caught up to Tenaglia in 2000. His annual party during Miami's Winter Music Conference outgrew its home at the cramped Groovejet and moved to just-opened superclub Space. DJ giants like Carl Cox danced on top of the speakers with the Deep Dish boys, Fatboy Slim mingled on the patio, and for a day the ego inherent to DJ culture evaporated: Tenaglia was hailed as the undisputed king, the "DJ's DJ." His roof-raising revamp of Green Velvet's "Flash" won "Best Remix" at the UK's Muzik Awards, where he was also awarded the "Best International DJ" prize. 

In the two years that followed, Tenaglia released another Global Underground installment (London); toured the world, took the party island of Ibiza by storm, remixed Billy Nichols' "Give Your Body Up To The Music" (a Garage anthem); got nominated for a Grammy (for his remix of Depeche Mode's "I Feel Loved," also nominated for Best Dance Song); returned to Twilo for two special gigs - a President's Day marathon with Carl Cox that shattered all its attendance records, and the club's sixth anniversary party with John Digweed, which turned out to be even more meaningful than it seemed at the time (Twilo was shut down permanently a week later); graced the cover of every major dance music magazine; and won a Dancestar Lifetime Achievement award... all while keeping Be Yourself buzzing every Friday. 

In 2003, Danny came full circle with the release of Choice: A Collection Of Classics, a two-CD mixed compilation that let him pay direct tribute to many of the artists who had influenced his sound and style. It featured everyone from Blaze to Adeva to Imagination, as well as hefty liner notes explaining the significance of each track, penned by the man himself. He also remixed another Garage classic (Yoko Ono's "Walking On Thin Ice," which became her first Billboard number one ever), opened another Space during Winter Music Conference (the new location down the block), and took another Dancestar award, this time "Best Party" for Be Yourself. 

Be Yourself took the same honor again in 2004, but this time the win was bittersweet. At the time of the ceremony, Vinyl, now called Arc, had already been sold to developers. Danny closed the classic club on Sunday, April 25, 2004, with an emotional set that lasted well into Monday afternoon, and culminated with his mix of Kings Of Tomorrow's paean to unending love, "Finally."

And as in every year since his DJ odyssey began, all across the globe, from Acapulco to Tokyo, more people experienced their first night with Danny Tenaglia, that clubber rite-of-passage that forever changes how you listen to music, go out to nightclubs, and think about DJs. 


For Bookings Contact @ djroland01@gmail.com

Just a house head! I love all genre's! Don't put me in a category! Follow me on my musical journey on instagram @blove212

Tom Stephan is an artist who truly marches to his own drum. The US-born UK-based DJ has been in-demand internationally for well over two decades. Tom has headlined the world's most highly regarded clubs from the Ageha in Tokyo to Zouk in Singapore, parties from Alegria NYC to Urge Miami, and mega- festivals from G Circuit Bangkok to Pervert Barcelona. Tom currently holds residences at Discover Tokyo, Hydrate Chicago, Masterbeat LA, Matinee Barcelona, Pervert San Francisco, Rapido Amsterdam, Roast London, and Urge Miami.
In the studio, he's among the most accomplished, with a discography of original and remix work that includes 20 Billboard Number One’s, and reads like a who's-who of global dance music producers: from Basement Jaxx to Beyoncé, Major Lazer to Missy Elliot. Most well known for his “Superchumbo” moniker, Tom’s sound was born out of the NYC after-hours scene and has now merged with his home base in East London. Reworked versions of his Superchumbo hits "Revolution" and "The Beat Is (All Over My Body)," along with his recent collaboration with David Tort and Lula, "The Music Is With Me," have all reached number one on tech house and techno charts. Additionally, his 2024 remixes of Pet Shop Boys' "Party In The Blitz" and Bronski Beat's iconic "Why" have recently topped the Apple and Beatport charts.
Never one to accept complacency, Tom has embraced the creative advantages of using Traktor as his DJing “instrument”. This full- fledged flexing of technology allows him to create an unrelenting dance-floor experience that is unrivalled in terms of intensity, creativity, and fluidity. Come hear for yourself why Tom Stephan is heralded as one of the best in the game.

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