Almost finished this one too. Not mastered yet though. Did all except the second verse.
Comments and feedback are great!!! thx! Its hard sounding like an Australian when your Canadian !!

All Hype All Night - Capture The Crown (VOCAL COVER)

Below

Hell of It (Live from the Journey Below)

The Misery Concept

COLD STARE

[Verse 1]
I smell the storm beneath my skin
The fear begins where I’ve been thin
Your voice could calm a hundred sins
But mine just tears the night within

[Pre-Chorus]
I know the change, it drags me down
I hide my face, avoid the town

[Chorus]
Don’t come close when the dusk begins
I run from love at dusk again
These hands remember what they’ve done
And every howl denies the sun

[Verse 2]
Once I tried to live among the kind
They feared the scar, they feared my mind
I saved a friend, but lost my place
Their eyes still burn across my face

[Pre-Chorus]
Each heartbeat warns, the shape returns
The fire fades, the hunger burns

[Chorus]
Don’t come close when the dusk begins
I run from love at dusk again
These hands remember what they’ve done
And every howl denies the sun

[Bridge]
The woods forgive, the town forgets
But I can’t pay that old regret
I sing alone to drown the ache
No song can mend what I might break

[Chorus]
Don’t come close when the dusk begins
I run from love at dusk again
These hands remember what they’ve done
And every howl denies the sun

[Outro]
When morning finds what night concealed
My heart is torn, but never healed

Every Howl Denies the Sun - Werewolf Cookie Song (Cookie Run: Kingdom)

Crown of Ash

Genexus

Battle For Utopia

August Burns Red Presents: Sleddin' Hill, A Holiday Album

Jingle Bells

Enemy of God

When Death Takes Its Dominion

A HANDFUL OF BANDS PLAY THE “DEVASTATING RIFFS AND CATCHY HOOKS” GAME, BUT FOR BEARTOOTH, THIS MUSIC IS THE DIFFERENCE BETWEEN LIFE AND DEATH. AS EASYGOING, CHARMING, AND OUTGOING AS THESE YOUNG MEN MAY APPEAR, THERE’S AN INNER TURMOIL CHURNING AWAY, ONLY SATIATED BY THE SAVAGE MUSIC THEY PLAY. SUICIDAL IDEATION, EMOTIONAL DESOLATION, AND DESPERATE DARK NIGHTS OF THE SOUL ARE CHEWED UP AND SPAT OUT IN SONG AFTER SONG; CATHARTIC SINGALONG ANTHEMS LIKE “FED UP,” “SICK OF ME,” AND “IN BETWEEN.”

LIKE NINE INCH NAILS OR TAME IMPALA, BEARTOOTH IS A ONE-MAN BAND IN THE STUDIO. IT BEGAN AS MUSICAL EXORCISM, CONCEIVED IN FRONTMAN CALEB SHOMO’S HOME RECORDING SANCTUARY, A MEANS TO TAME THE DEMONS OF DEBILITATING DEPRESSION AND ANXIETY HE’S SUFFERED SINCE CHILDHOOD. BEARTOOTH HARNESS THE SACRED AND PROFANE TO PURGE INNER DARKNESS WITH A DIZZYING LIGHT. BEARTOOTH’S EFFECT ON LISTENERS IS EVIDENT BY THEIR HIGHLY-ENGAGED AUDIENCE; INVITATIONS TO MAJOR FESTIVALS WORLD AND TOURS WITH SLIPKNOT, BRING ME THE HORIZON, AND A DAY TO REMEMBER; AND A RIAA-CERTIFIED GOLD SINGLE.

WHEN ROLLING STONE INTRODUCED BEARTOOTH AS ONE OF 10 NEW ARTISTS YOU NEED TO KNOW, THE SOUND WAS RIGHTLY DESCRIBED AS “LIKE A NERVOUS BREAKDOWN, USUALLY WITH ENOUGH OPTIMISM TO PUSH THROUGH.” AS LONG AS THE DUELING DICHOTOMY OF MENTAL ANGUISH AND CREATIVE CATHARSIS REMAIN BOUND TOGETHER, CALEB SHOMO AND CREW WILL BE HERE TO OVERSEE THE SHOW. SO PLEASE, ENJOY THE RIDE.

Hell of It (Live from the Journey Below)

BEARTOOTH

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