Bloom

Pulling Teeth

I Have A Problem

The Mortal Coil

Lucid

AxAxC — DEATH THEORY

“If humanity falls, what survives — the soul or the sound?”

DEATH THEORY is a cinematic deathcore set in the far future — where humanity wages its final war for survival.
In an era of intergalactic warfare, the Earth burns beneath our own insignia — the AxAxC crest seared across a dying planet as our species drifts through space, fighting to exist among the ashes of our republic.

This album is the war drum of extinction.
From the political collapse of The Republic to the apocalyptic finality of End of the Fucking World, this album chronicles the downfall, defiance, and dark rebirth of humankind.

This is their it’s history. Our Future.
This is their destruction. Our evolution.
Welcome to the future of warfare.
Welcome to DEATH THEORY.

🔥 Track Highlights:

- Abominable — self-destruction turned divine.
- Death Theory — the creed of no return.
- Dismembered Cartilage — pit warfare incarnate.
- Burn Their Banners & An Empire Burns — rebellion forged in our hearts and minds.
- End of the Fucking World — acceptance beyond annihilation.

Core Sound: Christian Rock • Deathcore • Nu-Metal • Postcore • Industrial
Era: Futurism • Intergalactic War • Survival of the Soul

© AxAxC Studios™ — All rights reserved. Distort. Distrust. Destroy.

#Deathcore #Postcore #AXAXC #DeathTheory #Apocalypse #RADUM #DistortDistrustDestroy #EndOfTheWorld #AXAXC #Deathcore #NuMetal #Industrial #Futurism #ConceptAlbum #Apocalypse #IntergalacticWarfare #MetalCommunity #CinematicMetal #NewMusic #HeavyMetal #AxAxCStudios #DistortDistrustDestroy

HATE

Guilty Pleasure

Proving Grounds

Purchase - http://flyt.it/AggressiveiTunes

Beartooth - Burnout

Backbreaker

Homecoming

Witch Hunt

The Way It Ends

Kill the Ache

A HANDFUL OF BANDS PLAY THE “DEVASTATING RIFFS AND CATCHY HOOKS” GAME, BUT FOR BEARTOOTH, THIS MUSIC IS THE DIFFERENCE BETWEEN LIFE AND DEATH. AS EASYGOING, CHARMING, AND OUTGOING AS THESE YOUNG MEN MAY APPEAR, THERE’S AN INNER TURMOIL CHURNING AWAY, ONLY SATIATED BY THE SAVAGE MUSIC THEY PLAY. SUICIDAL IDEATION, EMOTIONAL DESOLATION, AND DESPERATE DARK NIGHTS OF THE SOUL ARE CHEWED UP AND SPAT OUT IN SONG AFTER SONG; CATHARTIC SINGALONG ANTHEMS LIKE “FED UP,” “SICK OF ME,” AND “IN BETWEEN.”

LIKE NINE INCH NAILS OR TAME IMPALA, BEARTOOTH IS A ONE-MAN BAND IN THE STUDIO. IT BEGAN AS MUSICAL EXORCISM, CONCEIVED IN FRONTMAN CALEB SHOMO’S HOME RECORDING SANCTUARY, A MEANS TO TAME THE DEMONS OF DEBILITATING DEPRESSION AND ANXIETY HE’S SUFFERED SINCE CHILDHOOD. BEARTOOTH HARNESS THE SACRED AND PROFANE TO PURGE INNER DARKNESS WITH A DIZZYING LIGHT. BEARTOOTH’S EFFECT ON LISTENERS IS EVIDENT BY THEIR HIGHLY-ENGAGED AUDIENCE; INVITATIONS TO MAJOR FESTIVALS WORLD AND TOURS WITH SLIPKNOT, BRING ME THE HORIZON, AND A DAY TO REMEMBER; AND A RIAA-CERTIFIED GOLD SINGLE.

WHEN ROLLING STONE INTRODUCED BEARTOOTH AS ONE OF 10 NEW ARTISTS YOU NEED TO KNOW, THE SOUND WAS RIGHTLY DESCRIBED AS “LIKE A NERVOUS BREAKDOWN, USUALLY WITH ENOUGH OPTIMISM TO PUSH THROUGH.” AS LONG AS THE DUELING DICHOTOMY OF MENTAL ANGUISH AND CREATIVE CATHARSIS REMAIN BOUND TOGETHER, CALEB SHOMO AND CREW WILL BE HERE TO OVERSEE THE SHOW. SO PLEASE, ENJOY THE RIDE.