Below

In Between (Live from the Journey Below)

Cursed and Crowned is a relentless journey through spiritual battle, redemption, and raw emotion. Inspired by the heaviness of Bullet for My Valentine and the cinematic depth of modern metalcore, it blends crushing breakdowns, soaring clean choruses, and lyrics that confront the darkness head-on while pointing to the light. From the haunting “Graveheart” to the anthemic title track, every song bleeds passion, pain, and the victory found in surrender.



Blood in the Water

Lyrics:

Got a lot of anger, and a lot of spite, but nothing else to lose
Tired of playing nice and letting you run this shitshow of a world
Time for a regime change, they'll pay their dues
No mercy for those who fucked with us, feel the wrath of the underworld
You reap what you sow
Your future, I know

This world is overrated, we've had enough of the hate
The time has come to eliminate
Every last person that thinks they're so great
Now you will be replaced, I can't wait

Total Human Eradication!
The extermination of your world, without reservation
Human life isn't worth preservation!
It's time to kill, the last generation
Total Human Eradication!
We light the match with no hesitation
The total destruction of all creation!
Death and destruction are the only salvation!

We can't save the world anymore, but at least we'll end it with class
It's our final party, and the drinks are all ours
We'll have a good laugh and toast to a world that's glass
Tick, tock, it's the countdown to your final hours

I'm serving up doom, get it while it's hot
Nuclear war, toxic spore, virus in your brain, explosion in your methane
Your misery is what I want to taste, I'm stirring the pot
You think I'm crazy, but this world is insane
Don't worry, I'll take away your pain
Your species has lost the right to complain

Total Human Eradication!
The extermination of your world, without reservation
Human life isn't worth preservation!
It's time to kill, the last generation
Total Human Eradication!
We light the match with no hesitation
The total destruction of all creation!
Death and destruction are the only salvation!

Fuck your flags and creeds, they can't save
Left or right, it's all the same—blind sheep who can't see
All we're good at is sending ourselves to the grave
Every breath you take, is an insult to me
When you're gone, nobody will care
You're not so special, just one big waste of air

No rewind, no encore—this the last song that will ever play
So long homo sapiens, you were fake and gay
The cost was steep, the debt too gray
So let's erase the world—pop the cork and decay

Goodbye

Paranoia

Soak Me In Bleach

A HANDFUL OF BANDS PLAY THE “DEVASTATING RIFFS AND CATCHY HOOKS” GAME, BUT FOR BEARTOOTH, THIS MUSIC IS THE DIFFERENCE BETWEEN LIFE AND DEATH. AS EASYGOING, CHARMING, AND OUTGOING AS THESE YOUNG MEN MAY APPEAR, THERE’S AN INNER TURMOIL CHURNING AWAY, ONLY SATIATED BY THE SAVAGE MUSIC THEY PLAY. SUICIDAL IDEATION, EMOTIONAL DESOLATION, AND DESPERATE DARK NIGHTS OF THE SOUL ARE CHEWED UP AND SPAT OUT IN SONG AFTER SONG; CATHARTIC SINGALONG ANTHEMS LIKE “FED UP,” “SICK OF ME,” AND “IN BETWEEN.”

LIKE NINE INCH NAILS OR TAME IMPALA, BEARTOOTH IS A ONE-MAN BAND IN THE STUDIO. IT BEGAN AS MUSICAL EXORCISM, CONCEIVED IN FRONTMAN CALEB SHOMO’S HOME RECORDING SANCTUARY, A MEANS TO TAME THE DEMONS OF DEBILITATING DEPRESSION AND ANXIETY HE’S SUFFERED SINCE CHILDHOOD. BEARTOOTH HARNESS THE SACRED AND PROFANE TO PURGE INNER DARKNESS WITH A DIZZYING LIGHT. BEARTOOTH’S EFFECT ON LISTENERS IS EVIDENT BY THEIR HIGHLY-ENGAGED AUDIENCE; INVITATIONS TO MAJOR FESTIVALS WORLD AND TOURS WITH SLIPKNOT, BRING ME THE HORIZON, AND A DAY TO REMEMBER; AND A RIAA-CERTIFIED GOLD SINGLE.

WHEN ROLLING STONE INTRODUCED BEARTOOTH AS ONE OF 10 NEW ARTISTS YOU NEED TO KNOW, THE SOUND WAS RIGHTLY DESCRIBED AS “LIKE A NERVOUS BREAKDOWN, USUALLY WITH ENOUGH OPTIMISM TO PUSH THROUGH.” AS LONG AS THE DUELING DICHOTOMY OF MENTAL ANGUISH AND CREATIVE CATHARSIS REMAIN BOUND TOGETHER, CALEB SHOMO AND CREW WILL BE HERE TO OVERSEE THE SHOW. SO PLEASE, ENJOY THE RIDE.