Below

In Between (Live from the Journey Below)

Hands Before the Reckoning is a record about the moments that exist just before consequence, the quiet seconds when choices are still ours, when conviction hasn’t yet been tested, and when the weight of what we’ve done hasn’t fully arrived. It lives in the space between intention and outcome, where resolve wavers and truth begins to surface.

Lyrically, the album walks through broken rooms, late-night confessions, and moral crossroads, examining how desire, faith, regret, and self-deception shape who we become. These songs are not concerned with absolution or spectacle, but with ownership, the realization that no one escapes the results of their actions, and no one is spared the responsibility of choice.

The title speaks to hands as both instruments and witnesses: hands that reach, hands that fail, hands that push away what they should have held. Before the reckoning arrives, these hands still move freely, capable of harm or healing, surrender or defiance.

Musically, the record balances aggression and restraint, pairing visceral heaviness with moments of reflection. It’s an album that doesn’t rush toward answers, but instead forces the listener to stand still and confront the cost of their decisions, before time closes the door.

Hands Before the Reckoning is not a confession.
It is the pause before one.

Habits That Endure

Sch!zophrenic

Alone In A Room

A HANDFUL OF BANDS PLAY THE “DEVASTATING RIFFS AND CATCHY HOOKS” GAME, BUT FOR BEARTOOTH, THIS MUSIC IS THE DIFFERENCE BETWEEN LIFE AND DEATH. AS EASYGOING, CHARMING, AND OUTGOING AS THESE YOUNG MEN MAY APPEAR, THERE’S AN INNER TURMOIL CHURNING AWAY, ONLY SATIATED BY THE SAVAGE MUSIC THEY PLAY. SUICIDAL IDEATION, EMOTIONAL DESOLATION, AND DESPERATE DARK NIGHTS OF THE SOUL ARE CHEWED UP AND SPAT OUT IN SONG AFTER SONG; CATHARTIC SINGALONG ANTHEMS LIKE “FED UP,” “SICK OF ME,” AND “IN BETWEEN.”

LIKE NINE INCH NAILS OR TAME IMPALA, BEARTOOTH IS A ONE-MAN BAND IN THE STUDIO. IT BEGAN AS MUSICAL EXORCISM, CONCEIVED IN FRONTMAN CALEB SHOMO’S HOME RECORDING SANCTUARY, A MEANS TO TAME THE DEMONS OF DEBILITATING DEPRESSION AND ANXIETY HE’S SUFFERED SINCE CHILDHOOD. BEARTOOTH HARNESS THE SACRED AND PROFANE TO PURGE INNER DARKNESS WITH A DIZZYING LIGHT. BEARTOOTH’S EFFECT ON LISTENERS IS EVIDENT BY THEIR HIGHLY-ENGAGED AUDIENCE; INVITATIONS TO MAJOR FESTIVALS WORLD AND TOURS WITH SLIPKNOT, BRING ME THE HORIZON, AND A DAY TO REMEMBER; AND A RIAA-CERTIFIED GOLD SINGLE.

WHEN ROLLING STONE INTRODUCED BEARTOOTH AS ONE OF 10 NEW ARTISTS YOU NEED TO KNOW, THE SOUND WAS RIGHTLY DESCRIBED AS “LIKE A NERVOUS BREAKDOWN, USUALLY WITH ENOUGH OPTIMISM TO PUSH THROUGH.” AS LONG AS THE DUELING DICHOTOMY OF MENTAL ANGUISH AND CREATIVE CATHARSIS REMAIN BOUND TOGETHER, CALEB SHOMO AND CREW WILL BE HERE TO OVERSEE THE SHOW. SO PLEASE, ENJOY THE RIDE.