MF Doom Remix mixtape tribute 


s/o to cookin sol

25 Days of Doom! (MF Doom Remix Mixtape)

Checking Out (BV edit)

This mix was recorded for Jeremy Sylvesters label and youtube channel Urban Dubz. Tracklist is posted in the video description. You can view the video of this set here: https://www.youtube.com/watch?v=-8xW1PjzkLs&t=1s

Mood Inhibitor - Urban Dubz mix

“It should feel like a dream, where you basically sort of remember what happened but you also don’t remember anything at all.”

this week we welcome belgium’s emily jeanne to the 909 podcast series with a mix that is driven both by ritualistic and lightspeed drum workouts. with a rippling undercurrent of psychedelia creating a whirlpool that is both fast and flow, these shifting gears throughout the mix is created with such pace and precision you are left with a hazy dream, trying to unpick the meaning and narratives behind it all. 

born and raised in ghent and now lives in antwerp, emily has previously done stints in paris & berlin, the latter being a city that ended up being an inspiring place in all aspects and a catalyst for a lot of creative projects that exist within her world now. emily made her first step in the electronic music scene around a decade ago when she gained access to cdjs in a local club that her brother was a resident at. locking herself in the space for hours on end to learns the ins and outs of the art of djing plus getting familiar with playing on big soundsystems, emily soon started playing out - first starting with minimal and house records before moving into the soundscapes that still ring true today. connecting with music both as a creative outlet and a refuge for her emotions, this is what drives emily’s approach to her mixes, sets and productions. it was never her intention to approach this as a career but instead her genuine interest, exploration to go deeper into world and narrative building alongside bringing together her different perspectives from working within fashion and her yoga practice, saying “the body movement is opening up a space in my mind for me to fill with music. when I hear music, I feel the need to move, to dance, but it also works the other way,” this has allowed emily to bring a distinctive approach to her artistic practice. 

it was her partner that encouraged emily to start producing which she found difficult at first as she was trying to steer things in the direction she wanted, however, in 2020 she made her production debut and has since landed on labels such as peder mannerfelt produktion, token, air texture and early reflex. taking things a step further, earlier this year emily launched her own label, quỳnh, which was founded on psychedelic club music expressions. the first release on the label, ‘call of the sea’, saw emily take her first step in this new adventurous and ambitious side of her productions which explores half step and drum & bass hypnosis and deep percussive explorations. this was recently followed up by her second ep on the imprint, ‘past through desire’, released earlier this month, which continues these deeper wormholes into the nocturnal realms. to tie in with the release, we speak to emily about the motivation and desires behind launching her own imprint, the process behind making her latest ep, first introductions to music and more.

interview: 

@emily_jeanne

⋆˚࿔ untitled 909 podcast 244: emily jeanne ⋆˚࿔

welcome to the final recording within our collaboration with denmark’s kune festival where we have been sharing the sets and stories from their fifth edition earlier this year - taking a deeper dive into the scenes, sounds and style of the festival.

for the fifth edition, we’re showing swedish artist martinou’s stunning live set from the space stage. 

my method for writing is that i need to be listening to the music or sets by the subject i’m writing about so here i am working on this intro for martinou’s live set at kune festival whilst lying on my bed in lanzarote feeling like i’m typing up a very vulnerable journal entry because that’s the way martinou’s music makes you feel. regardless of whether i was writing right now or not doesn’t matter, there’s a very particular emotional sensibility to everything that martinou makes. it’s melancholic yet hopeful, there’s a touch of euphoria, lots of moments where you just want to hug your friends, a hint of nostalgia whilst you reminisce about loves past and present - it leaves you wondering what the story is behind the music. how does martinou create music this beautiful? i’m honestly knocked for six every time i hear his music and this live set is no different. speaking about the experience of performing at kune festival this year, martinou says, “on the Space stage, everything aligned. the music met the concrete, the light rain, the people. opening the festival there didn’t just feel like a regular time slot, more like the start of something grander” and this feeling floats within the live recording too. 

there’s much to be inspired by living in sweden from the intensity of the forests, the vast open waters to the juxtaposition of the light and darkness in the northern landscapes and the regional folklore. i’ve previously interviewed martinou, for draaimolen’s podcast series with mama snake, and we spoke about how the environment and changing of seasons informs the music that is made by artists based in scandinavia and how this evolves throughout the year. making his official production debut in 2014, martinou has landed on record labels such as nous’klaer audio, turbo recordings, melifera records, and mule musiq alongside co-running the sewer sender record label, which came to an end this year with the stunning release of infinita series by eletun selona. the label was a home for his own productions alongside fellow artists like eletun and nokato nomer, among others. there’s a lot of beauty and mystical stories to envelope yourself in as you take a wonder into martinou’s world but if you would like to start somewhere, his albums ‘rift’ and ‘chiral’ on nous’klaer are a good place to start as they showcase martinou’s depth and delicate balance between house and techno. let martinou’s music take you in with a warm embrace. 

video: https://www.youtube.com/watch?v=3Y7mXiV7SnM
interview: 

@martinou3000
@kunekbh

｡𖦹° untitled 909 podcast 245: martinou (live from kune festival 2025) ｡𖦹°

BC discography

Cipher

submission for Weekend Composing Jam #6 hosted by Joe Chris (ScoringTech.NET) for Itch.IO October 2025

because I ditched my FA-08 export of WAV what i did was post-process it with MixCraft's instruments and when you do that, then the MuseScore version -does- closely align with the revised MIDI coming straight from Mixcraft it loaded the latter straight-up with all the closest things correctly chosen already.

Húrin Thalion Dragged Across Anfauglith / Brought Before Morgoth

Tracklist:
Code Zero - Follow The Acid Bass
Try Unity - Up In The Stars
2-X-Treme  - Dont Stop (Altern 8 & Shadow Child Remix)
DJ Mayhem - Damage
Noise Factory - The Fire
Run Tings - Something To Dance To
Nefti - Evacuation
Psycho Cat - I Feel It
Justice and Mercy - Rumble in the Jungle - Pepsi Slammer Remix
Vinyl Junkie & Sanxion - Back 2 Tha Core
Z-Neo - Give Me One More
Nebula II - C-O-D Rider Remix (Mister C-OD Night-mare)
FBD Project - FBD
Damage Inc - 1 For Da Gaffer (Gaffer remix)
JMT - Magic
Worldwide Epidemic - Dizzy - Warehouse Wax
Peejay - We Are The Future
Wax Doctor & Jack Smooth - Unfriendly
DJ Peshay - Gangster
The Vice Squad - On The Edge
Fracture & Tim Reaper - Operator
Tim Clay - Open Your Heart
DJ Beeno - Run
FFF - No Holds Barred (Tim Reaper VIP)
Matt Bass - Piece By Bloody Piece
Veak - Jungle Assassin (Vinyl Junkie & Sanxion Remix)
Eternal DNB - Azure
DJ Force & The Evolution - High On Life (Jimmy J & Cru-l-t Remix)
Nick OD - Jazzy Hardcore (Aries Remix)
Skrufneck -  Our Love
Dev-Null - Deep Love (Tim Reaper VIP)
Pete Cannon - Believe In Darkness
Out Of Fuel - Subspace

Gaffer - Live On Renegade Radio 11.10.25

Berlin-Hamburg duo Session Victim bring their celebrated Sidequests trilogy to a close with Chapter Three on Delusions Of Grandeur, wrapping up the series in signature style—full of warmth, groove and left-of-center touches that remind us why their music has remained so enduring over nearly two decades. Once again blurring the lines between live instrumentation, crate-digging textures and deep house aesthetics, the record feels like both a culmination and a new beginning.

Opening the A-side, Too Soft To Be Loud (Ian Pooley Remix) finds German house pioneer Ian Pooley reworking the original into a sleek, floor-focused roller. Shuffling drums, glowing synth pads, and that distinctive Pooley touch elevate the track into prime late-night territory, striking a balance between hypnotic subtlety and groove-driven energy.

VINYL:
https://sessionvictim.bandcamp.com/album/sidequests-chapter-three

DIGI:
https://www.beatport.com/release/sidequests-chapter-three/5405849?a_aid=6897003d0f687&a_cid=0be88686

PREMIERE: Session Victim - Too Soft To Be Loud [Ian Pooley Remix]

Vinyl for now. Pre-orders go live Friday November 7th at the Western Lore Bandcamp. Full retail release 12th december.

Western Lore Bandcamp

LORELTD013A1. PS95 - Ya Hear The Sound

During the uprising in 2000, aided by the League of Humanity, two of Dr: Gall’s advanced prototypes escape the Rossum Universal Robot factory and flee Earth on a decommissioned spacecraft. Travelling aimlessly through space, they begin to wonder what their new home would look like. They tell each other stories of planets with no humans to enslave them, no factories to go to — planets where fresh blue water runs through pink, sun kissed mountaintops.   Perhaps it’s fortunate then that these Robots can feel no time, have no sense of past and future? And by the time their ship touches down on Ebaum’s Dreamland, who knows how many years have passed on Earth…

“Ebaum’s Dreamland” is the first Rossum Universal Tracks release. It features a remix by Julius Steinhoff, who first discovered the scrambled transmissions in his deep space observatory in the woods.

Checking Out (BV edit)

Beat Vox