Bret Kaser
Production/vocals for @lipcritic
Contact:  foldedvoices@gmail.com

Composer & Sound Designer from Hamburg, Germany.

Feeling at home in many musical genres from classical music over jazz all the way to chippy electronica.

Head of Music at German Wahnsinn, Hamburg — with credits in animation and short films, radio and TV commercials, innovative audio books and award-winning VR/AR applications.

Also composing for Indie Games:
Arcadian Atlas, Fort Meow, Grem Legends, Super Polygon, Might of Ancient Remnants, Busy Bags...

Mðñt Ðµåmêl

duamelinfo@gmail.com

Mgmt: michael@upstreamagency.com

Submit Music: https://aia.ag/Submit-Music

Spotify Playlists: https://aia.ag/Spotify

Apple Music Playlists: https://aia.ag/Apple-Music

> Licensing Inquiries: licensing@indiemusicgroup.com

the Indie Select family:

Azureon Select:
@Azureon
@HouseMusic
@DeepSounds
@IvoryOasis
@FirstEdition

Hegemon Select:
@Hegemon
@Wonderlust
@Chill
@XXX
@Your_Secret
@Lavish

Pantheon Select:
@WeArePantheon
@Dubstep
@TrapMusic
@Type91

I make all kinds of music! 
check out the awesome creator of my cover art at https://www.facebook.com/GalenSMcD

I'm a composer and sound designer based out of South Florida. As a musician, I specialize in electronic music, jazz, and classical/film score composition, though I'm stylistically versatile. I design sound for both films and video games / apps.

Contact: a.d.telan@gmail.com

bookings: stewart@triplea.agency

stream links & shows: https://linktr.ee/tsuruda

BIG DATA is the paranoid pop brainchild of producer, Alan Wilkis. His music explores the relationship between man and machine, and the ways in which technology is reshaping the human experience, all with a healthy dose of distrust.

In 2014, BD made waves with the #1 alternative hit, “Dangerous (feat. Joywave),” which has since been certified Gold in the US and Canada, and with nearly 40M streams. Big Data’s 2015 debut album, 2.0, featured collaborations with Kimbra, Rivers Cuomo, Twin Shadow, and Jamie Lidell.

3.0 is the long-awaited upgrade from Big Data. In creating 3.0, Wilkis became obsessed with the subject of artificial intelligence and its many possible applications in our not-too-distant future. While AI may become humanity’s greatest achievement, it carries with it a potential risk that is both existential and irreversible… one of many reasons why experts refer to AI as our “final invention.” This tension is both fascinating and terrifying all at once, and it is the chief inspiration behind Big Data’s latest effort.

Our new album “Year of the Banana” is out now 🍌💛
https://lnk.to/YearOfTheBanana

The Beat Atlas is following