International singing superstar Sarah Brightman is the world’s biggest-selling soprano. She pioneered the classical crossover movement and is famed for her vocal range of over three octaves. Sarah is the only artist to have simultaneously topped the Billboard dance and classical charts. Her voice has rung out from theatres, arenas, cathedrals, world heritage centres and Olympic stadiums, bringing to life some of the world’s most beautiful music.

Sarah’s work transcends any single genre, synthesizing many influences into a unique sound and vision. She remains among the world’s most prominent performers, with global sales of 30 million units and over 180 gold and platinum awards in more than 40 countries.

Brightman returned to the studio in 2016 to work on her album HYMN with long-time producer Frank Peterson. Released on November 9, 2018, it debuted at #1 on the Classical and Classical Crossover Billboard charts. Sarah continues to tour globally, most recently performing her acclaimed A Starlight Symphony in Japan and Taiwan to rave reviews, and will round off 2025 with her A Winter Symphony tour in Canada and the USA.

The Royal Opera House in London's Covent Garden is home to The Royal Opera and The Royal Ballet.

Born on 21 June 1987 in Tbilisi, Georgian pianist Khatia Buniatishvili and her elder sister Gvantsa were introduced to the piano at an early age by their mother, an enthusiastic music lover. Playing four handed remains one of the sisters’ favourite activities.

Khatia’s extraordinary talent was recognized when she was very young. Aged six, she gave her début performance as soloist with an orchestra, and was subsequently invited to give guest performances in Switzerland, the Netherlands, France, Germany, Belgium, Italy, Austria, Russia, Israel and the USA.

Khatia prefers not to be regarded as a child prodigy: virtuosity for its own sake does not appeal to her. Above all, she embraces pianists from earlier generations such as Rachmaninoff, Richter and Gould. She admires her “favourite pianist”, Martha Argerich, for her uniqueness and, as a consequence, does not view Argerich as someone she should try to emulate. And since she regards herself as “wholly a person of the 20th century”, Khatia does not identify so much with pianists of today.

Khatia’s warm, sometimes sorrowful playing may reflect a close proximity to Georgian folk-music, which, she attests, has greatly influenced her musicality. Critics emphasize that her playing has an aura of elegant solitude and even melancholy, which she does not feel to be a negative attribute. “The piano is the blackest instrument,” she says, a “symbol of musical solitude”, which even a pianist must become accustomed to. “I have to be psychologically strong and forget the hall if I want to share it with the audience.”

During her studies at Tbilisi’s State Conservatoire, Khatia won a special prize at the Horowitz International Competition for Young Pianists in Kiev in 2003 as well as first prize at the Foundation to Assist Young Georgian Musicians competition set up by Elisabeth Leonskaya. At the 2003 Piano Competition in Tbilisi, she became acquainted with Oleg Maisenberg, who persuaded her to transfer to Vienna’s University of Music and Performing Arts. Winner of the Bronze Medal at the 12th Arthur Rubinstein Piano Master Competition in 2008, she was also distinguished as the Best Performer of a Chopin piece and as Audience Favourite.

Khatia Buniatishvili has given critically acclaimed solo recitals and chamber music concerts at such renowned venues as London’s Wigmore Hall, Amsterdam’s Concertgebouw and the Musikverein in Vienna. In 2008 she made her US concert début at Carnegie Hall (Zankel Hall), performing Chopin’s Second Piano Concerto. 

A BBC Radio 3 New Generation Artist for 2009-2011, Khatia regularly collaborates with BBC orchestras. In 2010 she receiveda Borletti-Buitoni Trust Award and has been nominated by Vienna’s Musikverein and Konzerthaus as a Rising Star for
the 2011/2012 season.

Upcoming engagements will see Khatia Buniatishvili perform with the San Francisco Symphony Orchestra , the Orchestre de Paris and the Munich Philharmonic with Paavo Järvi. Recitals will also take her to Berlin, Vienna, Amsterdam, Paris and the Wigmore Hall in London, with further appearances at, amongst other venues, the Verbier Festival, the Lucern Festival and the Schwetzinger Muisktage. 

Khatia Buniatishvili is fluent in five languages and lives in Paris.

Welcome to Deutsche Grammophon!

Recording great performances of classical music in the best audio quality has been Deutsche Grammophon's mission since it was founded in 1898. The list of artists who have collaborated with the label reads like a roll call of the greatest musicians of the past 100 years: Abbado, Argerich, Barenboim, Bernstein, Boulez, Domingo, Dudamel, Gilels, Horowitz, Karajan, Kleiber, Mutter, Netrebko, Salonen, Zimerman, and so on.

Meine Texte handeln von den vielen Facetten des Lebens, die uns jeden Tag umgeben und fordern. Mit ihnen will ich Gedanken provozieren, die vielleicht vorher nicht da waren oder aber verschüttet darauf warten, noch einmal gedacht zu werden. Mein Antrieb ist dabei stets der Wunsch für ein Miteinander aller Menschen. Ohne Ausgrenzung durch Vorurteile oder dem Gefühl, dass irgendjemand leichtfertig vergessen wird. Hierzu zählt auch der schonende Umgang mit der Natur und allen Lebewesen darin. Denn heute unbedacht und kurzsichtig zu handeln führt morgen zu einer Umwelt, die schlicht nicht mehr lebenswert sein kann. 

Hier ein Video eines meiner Auftritte:
http://www.youtube.com/watch?v=kUy5i9OM3RE

No one could have imagined at that time what to expect - like Xavier de Maistre himself, when he decided to change the face of the harp 16 years ago. Today he plays pieces like "Moldau" by Smetana in breathtaking precision and presents masterful pieces of music that are usually played by an entire orchestra.

Meanwhile, a worldwide audience listens to his virtuosity and enjoys the unprecedented sounds. Pieces, that no harpist played before, or even thought about - like the Haydn piano concertos. Not only that makes him one of the most extraordinary musicians, even masters of this time.

Xavier de Maistre began to study harp with 9 years. Like many other famous musicians, all started with love - but in this case not as expected the love to his harp. It was rather the love for his former teacher, who offered extra harp lessons. Early, it turned out that Xavier has a great talent and no wonder he started with 25 years to play for the Vienna Philharmonic. Before that he played 3 years for the Bavarian Radio Symphony Orchestra and in 1998 Xavier won the first prize of the "USA International Harp Competition“, the major harp competitions in the world. But since Xavier´s family is not from a traditional harp-playing dynasty they put great importance to a solid education. So Xavier started his study of politics at the „Institut des Sciences Politiques“ in Paris and spent 1 year in London at the „London School of Economics ", when he finally decided to prefer music to the political studies. For a musician, he achieved very early what all harpists dream of – a position in one of the best orchestras in the world, the Vienna Philharmonic.

However Xavier de Maistre was about to go on. To see this point as the highlight of the career, which would definitely be a great honor for most of the harpists, and aslo for Xavier, but it was also a kind of sad moment. He achieved the ultimate goal of a harpist at age 25. Through his countless appearances and his keen ambition he has always wants to refute the long-existing bias of the harp - played in the background by angel-like women. Thanks to his his quick anticipation, intelligence and tremendous skill, he has played many pieces as a soloist with the harp and delighted thousands of listeners. Finally, he succeeds to establish the harp as an independent instrument. During his career, many great conductors such as Riccardo Muti, Sir Simon Rattle, Sir Andre Previn, and Daniele Gatti became curious on him and his passion and asked him to play with them. A long series of concerts follows, convincing the audience that Xavier de Maistre is undoubtedly the master of his instrument. Not for nothing, beside famous conductors, also the most successful singers like Barbara Bonney, Kathleen Battle and Diana Damrau played with him. Likewise, of course, the long list of world-renowned opera houses which he had already visited: Theatre des Champs Elysees Paris, Concertgebouw Amsterdam, Musikverein Vienna, Tokyo Opera City, Lincoln Center New York, Salzburg Festival, La Scala Milan and many others.

No wonder, Xavier´s enthusiasm and his gift to play will not put an end to this success story. Awarded with the Echo Klassik Award 2009 for his album "Nuit d'Etoiles" as "Instrumentalist of the Year" (Sony Music) he reaps the fruits of his labor.

For more than 9 years Xavier de Maistre is working as a professor at the Musikhochschule Hamburg and now also teaches at the Julliard School in New York, at the Toho University in Tokyo and in London at Trinity College. After 11 years with the Vienna Philharmonic Xavier leaves his position in order to devote himself to his international solo career - a step that no harpist has done before.

David Emanuél Brunzél is following