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The Imajinary, Nameless Everybody In The World

LYRICS
Grace of a swan forever
Faces unknown, I'll piece them together
In my mind, I'm always looking down
It seems time

To taste the light and watch all of us now
You take a knife and open up this town
I didn’t know you’d seen another face that I didn’t show
And still you looked misplaced

Eyes of ghost remember
We tore it in hope to keep it together
In my mind, I always look around
To find time in every other sound
Take it or leave, this place is a river
It's up to to my knees and pulling me quicker
In my mind, how hard that I’ve tried to conceal her

To taste the light and watch all of us now
You take a knife and open up this town
I didn’t know you’d seen another face that I didn’t show
And still you looked misplaced and left behind

You’ve been running in place all night

We cut it down to the fucking bone
We never thought, but we should’ve known
What others saw, but I can’t see
It was supposed to me

Taste the Light

Taste The Light

knife

Waiting For The Light

Livewire is the first single from Contrast's debut album

watch the video for livewire at https://youtu.be/FUobsxVd82I 

Produced by Contrast, Mixed and Engineered by Stu Mackenzie, Mastered by Joe Carra

Backing vocals -Steph Wilson



LIVEWIRE

3rd single from B Boys debut LP "Dada" out June 16th, 2017 on Captured Tracks.

Pre-Order Physical: www.omnianmusicgroup.com/products/dada

Pre-Order Digital: hyperurl.co/qu375b

Dada

B Boys // Discipline (Official Single)

'Haze' EP out now on Bandcamp
https://dayzzzed.bandcamp.com/album/haze

Additional vocals by Tinieka Page
Drums by Fergus Kuhar
Mastered by Casey Hartnett

Artwork by Tinieka Page

How Far From Home

Order Vinyl & Digital:
https://antinoterecordings.bandcamp.com/album/miniatures-de-auto-rhythm

August 2018: It’s already been three years since Domenique Dumont made its entrance in the music world with a debut EP named Comme Ca. Despite a seemingly very quiet musical activity (the opening song to Antinote’s compilation Five Years Of Loving Notes was the only song released by the band in 3 years) a few things have changed in-between these two summers: Domenique Dumont is no more the mysterious lone French producer we introduced last time but a Latvian duo, Arturs Liepins and Anete Stuce, which has been collaborating with “an enigmatic French artist whose existence cannot be confirmed nor denied” (sorry, but it sounds like there’s still some mystery in the air, and, again, we’re just as clueless as you might be), the duo have been touring live and, most importantly, they kept on broadening their musical palette experimenting in a definitely pop field. Eight of these experiments are now tied together in Miniatures de Auto Rhythm.

The record probably begins where Comme Ca ended: frantic but light drum programing backbones a solar and slightly melancholic melody on Le Début De La Fin (“the beginning of the end”). However, the scope gets enlarged as soon as one reaches the second tune, Quasi Quasi, or Quand, on the flip side, perhaps the most overtly pop-rock oriented song on the record with its Mediterranean guitar and emotional bridge.

The road towards the apex of the record, Le Soleil Dans Le Monde, is a narrow and windy one, punctuated by toy instrumentals like Ono Mambo Haiku or the Donkey Kong Country-friendly Message Of The Diving Bird; however it never departs from its original tongue-in-cheek attitude. It’s quite pleasant to imagine these eight “miniatures” as field recordings from an enchanted world of pop music designed by some Pierre & Gilles’ disciples – or are there
musical interpretations of half-mechanical, half-organic creations from a certain Otto Rhiesem (who might have inhabited the Locus Solus villa)? There might be no definitive answers to this second set of riddles by Domenique Dumont.

Bandcamp

DOMENIQUE DUMONT - LE SOLEIL DANS LE MONDE

Pre-Order Vinyl ~ http://bit.ly/ordermiddaymoon

Midday Moon is a survey of ambient and experimental music that emerged from Australia and New Zealand between 1980 and 1995. These recordings are sourced from a rich variety of micro-labels, private pressings, theatre soundtracks and artists’ personal archives.

Curated by Melbourne based DJ and archivalist, Sanpo Disco (a.k.a Rowan Mason), the collection delves deep into the world of outsider music that emerged in Australia and New Zealand in the latter half of the twentieth century, as synthesisers and early workstations began to enter the consumer marketplace.

'Midday Moon' out November 2 thru Bedroom Suck / Remote Control Records (AU/NZ), Omnian Music Group (USA/CAN) and Cargo Records (UK/EU). 

http://bedroomsuckrecords.com

Midday Moon 

Helen Ripley-Marshall - Under the Sun

French modern classical, galvanising and melancholic in equal measure.  Taken from an anthology curated by Julien Dechery, on Noise In My Head-affiliated retrospective label @efficientspace.

Read more & buy: http://www.stampthewax.com/2018/09/25/premiere-sebastian-gandera-chienne-de-vie/

Le Raccourci

Sebastian Gandera - Chienne De Vie (STW Premiere)

from the album 'la-di-da recordings' available 8/20

dreamscape 'separate sense'

LP/CD/Tape/Digital out now
https://sourakatakoite.bandcamp.com/album/en-hollande
~~~
Senegalese kora master Sourakata Koité began music from pretty much day one. "All the Koité are musicians!,” he says. Indeed he is a member of a family of djéli (or griot in french), the hereditary caste of musician-storyteller-historians in West Africa. After moving to Paris in the late 70s he began to play in different bands and for musicians like Manu Dibango, Touré Kounda, Mangala, Mah Damba and more. During a festival in Holland, a music producer form Plexus Records heard him and asked to make a recording. In 1984 in an old chicken coop near Delft, Koité recorded the entire album in one take, including overdubs. The rich sonics and deep sound beautifully presents Koité’s virtuosic and entrancing renditions of traditional and original tunes. With the reissue of en Hollande, Awesome Tapes From Africa continues its mission of bringing tapes posted on the ATFA website over the years, including this one, to music fans all over the world.

en Hollande

Sourakata Koite -- Ha-Madi

https://lnk.to/COMEME048

Cómeme delivers to you one of the freshest rhythms of 2018, recorded in Johannesburg, the new residency for the renegades of the beat. This is “Rain” – starring Matias Aguayo and the actress, dj and singer Ayanda Seoka aka Mujaji The Rain. She’s resident at the legendary Bar Kitchener’s all femme “Pussy Party”, a space for feminist / queer action and dancefloor joy, right in the centre of Joburg. 

Cómeme has been since some time in a serious and passionate relationship with that city. Radio Cómeme transmitted shows from there with electronica legend Felix Laband, Mpumelelo Mkatha from BLK JKS, the queer performance duo Faka, Gqom pioneers RudeBoyz and also Kwaito’s legacy keeper Spleef McZaul. Matias Aguayo ventured into a beautiful collaboration with DJ Spoko, released two years ago on this label. 

“Rain” is a deeply rhythmical track, inspired by the grooves that converged when Cómeme swing crossed the paths with the syncopations people in Joburg were dancing to. It has become quite clear in the recent years that elegantly shuffled triplets are marking a way to the future in dance music, especially in the southern hemisphere, no matter if you’re in Durban, Rio or Santiago. 

On top of this modern groove we can hear Mujaji the Rain enjoying how she gets wet under a dark and tropical sky. Laughter, joy and ecstasy is what she emanates while hypnotically involving you into this atmosphere of dense drumming and trance. (side note: Cómeme has been consequently< evading the description hypnotical in press releases but this time it was unavoidable). 

For further jacking fun we generously included a “Club Mix”, including more drum frenzy towards the second half of the track, and a “Just Drums Mix” for the skilful DJ. 

Side B features the jam “Serious”, which comes along with another killer beat, reminiscent of Michael Jackson or Cheri. A late-night track in which Mujaji The Rain turns into a sensual but slightly annoying creature that doesn’t want to leave the dancefloor. and for sure doesn’t want to go home. 

We added an instrumental version to this complexly arranged tracks, which feature pianos, strings, and heavy synth bass stabs. 
All tracks on this 12” are written in a 6/8 signature, which some normative DJs might shy away from, but be safe: both tracks are in 120 bpm and carry the seal of official Cómeme dancefloor approval by the label’s highly respected DJs.

Matias Aguayo ft. Mujaji The Rain - Rain Orginal Mix

Listen to the first single from our forthcoming LP "The Garden of Inescapable Pleasure" on Shelflife Records.

Preorder here: https://lavenderblush.bandcamp.com/

LP release late November 2020.

Helen Ripley-Marshall - Under the Sun

bedroom suck records

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Volodymyr Antonyuk

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