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Patch Pack Series

Back with 80 more instrument racks for Ableton's operator synth! These sounds are incredible and have very unique sound design capabilities! This pack is for you making percussion sounds and plonks and bleep, bloops, blaps an dooo waps! 

Patch Pack Volume 3 is called “Clandestine Design” because many producers wont share their tools, wont share their tips or their ideas because they fear that it will take away from their project. They keep it so secretive like it’s almost illegal to share these resources. I will share my secret tools for creating clandestine sounds. I love to create packs that do not currently exist! With this pack you get everything from basses, to synths, to percussion, to leads all of which are completely customizable. Created for sound design specifically to be resampled by they can also be left as midi for ultimate control.

https://www.johndroplitz.com/droplitzshop

Patch Pack Volume 3- Clandestine Design

Bass Music-Sound Design- Gold ! If the end is near we are going to have the instruments to express ourselves! The musicians kept playing even when the titanic wash sinking! So shall we even in our dystopian future! We will have solar panels and still have electricity to write tunes--- we can only hope! 
Patch Pack Volume 4 Reveals a much darker side to sound design with an “ End of the world” approach to the fabrication of the interments and the overall theme of the preset pack! What makes this pack unique is that the internet lacks resources for producers looking to do more experimental sound design like our favorite Dave Tipper Music! 

Patch Pack Volume 4 works seamlessly with other DROPLITZ packs! Everything is ‘drag-and-drop’ as to streamline your music production process. Have 80 new instrument racks is actually a whole lot more powerful than sample packs because you can completely customize your sounds. New and seasoned producers can definitely use Patch Pack 1, 2, 3 and 4 as way to inspire their sound or deconstruct for educational purposes. Either way, all these packs have a lot of variation, inspiration, and generative potential no matter the genre. As long as you are rocking Ableton 10m Suite Version, love to make bass music and are looking for new resources, then the Patch Pack series is a perfect bank of resources for you to draw from! Get your songs dripping!
https://www.johndroplitz.com/droplitzshop

Patch Pack Volume 4- Dystopian Future

Lessov - Centaurus (KIWAMU Remix)

Lenzman - Broken Dreams (original mix)

Turbo 50
Tiga & Zyntherius
Sunglasses at Night Remixes

In Tiga’s Words:

Luck is everything, and it only takes an instant for your life to become your dreams. The fact that my life was changed, altered, and ultimately bettered by covering an MOR Canadian rockers 80's pop tune is a quirk of destiny that gives me faith in the magical comedy that we call existence. This is the short story of how the shit went down.

It was the winter of my discontent. I was supposed to travel to India with my family for Christmas 2000, but was unable to go for personal reasons. Upset but determined to make the most of the situation I invited Jori Hulkkonen to DJ with me at my club (SONA) for a NYE party. Jori had done a
mixCD for Turbo and we had cultivated a fine friendship based on ridicule, shared 80's obsessions and ridicule. I had a small home studio that was gathering dust and producing nothing more than frustration; and I threw out the idea (I think I did, although maybe he did) of "making some tracks". I didn't know what I was talking about.  My own creative career had followed a typical early 90's trajectory: houseclubs-ectasy-techno-rave-DJ-travel-raver-promoter-radio-recordstore-nightclub impresario etc... all successful ventures that, at the turn of the
millennium, had led me to a position of relative affluence and respect. But the elusive jewel in the crown was production; and this block  was slowly destroying me. Then came the J-fool.

My memory is bad. In school it was perfect, but it's been eroded by a potent cocktail of reefer, airports, timezones, sleeplessness, computers and time. Now, my memory is not to be trusted. I'll try my best: i think the show went ok. Jori probably played a few records I loved, and a lot that iI hated. It was very cold. New Years Day came, I think he was sleeping at my place. I had an MPC, a Nord Modular. an 808 and a JUNO, and a puppy named Uma. Recently, at a small record store in Calgary of all places, I had bought a copy of 'Sweet Dreams' by Miss Kittin & The Hacker. I thought it was incredible. It's hard to imagine now, but at the time the idea of covering a pop song in a techno style seemed interesting. This is before the world went crazy and eclectic. So we decided to try a cover.

I don't remember details of the day. I had no intention of "singing" but I couldn't really do anything else, so that became my job. I also had to walk Uma, make tea, take phone calls, make jokes. Jori did most of the work. We tried a criminally poor cover of "When Doves Cry" which thankfully is lost
to all mankind. We did a version of "Small Town Boy" with falsetto singing so bad that if you could distill the sound into a liquid it would be the pure essense of "embarrassing". We did a midi-file based cover of New Years Day, which I still love, that came out on an old Turbo comp. And then (I think it was last) we did Sunglasses At Night. Corey Hart was a Montrealer, it seemed fitting. Our lack of sample memory in the MPC combined with my hesitancy to sing complex notes (or ANY notes for that matter) is what resulted in the "genius" of eliminating the bridge and pre-chorus. I remember Jori thought it was amazing. I didn't really like it. Score one for Zyntherius.

I remember going to my record store , DNA, which was just on the corner and playing it: the first of hundreds of "listen to my new track" sessions..... my first taste of the cold sweat of public testing, and the sheer horror of hearing MY voice on speakers. I hated it.

A few months before that day in studio i had done a mixCD called Mixed Emotions, which is still one of the best things I have ever done: it featured an "electro-funk" cd and my face on the cover. Both attracted the attention of DJ Hell in Munich, who of course at the time was a hero of mine. I had a contact thru licensing a song from them, so I think I sent him the sunglasses demo. He fell in love as well. I still didn't like it.

The rest of the story is like a montage in a movie, albeit a small film, Hell came to montreal, burned dubplates, played 6 times at Love Parade,  SAN got huge in germany, , ended up selling a quarter million, doing TOTP,  and being one of the big "electro" anthems of the period. I got to ride my own
coatails  all the way to where i am now. All my dreams came true, including the one about being voted #41 on the DJ top 100 list.

I still marvel at how easily it could’ve NOT happened: My dog stepping on the power switch a little earlier, or Jori getting tired, or the phone ringing at the wrong time. And I cant help but wonder how different my life would have been. While I was never a huge fan of the record I will say that
it was a very pure creative effort, in its own way a real punk track: two friends making something without any label or plans or scene......and crucially without any expectations. To spend 90 minutes on that, in a vacuum, and to then feel your entire life altered by the results.... that
is the magic of pop culture, and testimony to the awesome transformative power of ....... the Roland Juno-60.

Love from Montreal, and love to Jori Z and a special shout out to Hell and Josef.

In Zyntherius’ words:

When I was a child I dreamt about being a god.
When I grew up I realized I could become one.
In 2000 I noticed that the post for the god of synthesizers was not taken. I didn't even have to apply for the job. No real god would have to do that. I just declared myself as ZYNTHERIUS - the god of synthesizers.
Nowadays I'm feeling much better, but occasionally I still get the urge.
Which is why you should be aware of the wrath of Z and respect the holy Oscillators.


Sunclasses at Night Remixes

Tiga & Zyntherius - Sunglasses At Night (Original 12  Version)

Чіпсет (М 44) - підсвідомість (d'n'b)

click 'free download' to cop this one for your sticks or ears for free <3

Free Download

Sota - All Day [FREE DOWNLOAD]

Buy and support: https://om-mantra-records.bandcamp.com/album/pineal-portal
A wonderful new EP from Jedidiah. Enjoy!

Tracklist:
01 Inner Self @00:00
02 Eleventh Dimension @06:30
03 Pineal Portal @13:20
04 Visual Complex @19:50
05 Mileiah @25:50
06 Jedidiah & Stardust - The Origin @31:50

All tracks written, produced and mixed by Joaquín Rodríguez aka Jedidiah
www.facebook.com/jedidiahsound
Mastering by Robert Rohaly @Namastering Studio
www.facebook.com/NamasteringStudio
Cover graphics original artwork by Jungle Symbol
www.facebook.com/junglesymbol/

Pineal Portal

Jedidiah - Pineal Portal [2020 EP, OM Mantra Records]

Crunching bass textures on a dark and minimal new cut from Forbidden Society! Taken from his forthcoming Liminal Point LP, this one strips things back to the bone, with stark drum rhythms punctuated by sharp breakbeat assaults, powered along by groaning bass howls. Watch out for the album coming April 16th...

Buy → http://store.fsrecs.com/

Forbidden Society:
Facebook → https://facebook.com/forbiddensocietydnb
SoundCloud → https://soundcloud.com/forbiddensociety
Twitter → https://twitter.com/FORBIDDEN666

Forbidden Society Recordings:
Facebook → https://facebook.com/fsrecordings
SoundCloud → https://soundcloud.com/forbiddensocietyrecs
Twitter → https://twitter.com/fsrecordings

Forbidden Society - Dreamcatcher [Premiere]

HOSH & 1979 feat. Jalja - Midnight (Sasha Goodman Remix) (vipmp3.fm).mp3

Coming to Low Down Deep on the 29th May <3

Sota - My Time [CLIP]

2020 soulful dnb mix.

PATCH PACK V1: 70 Signature Serum Soundz  are CAREFULLY CRAFTED, METICULOUSLY MAPPED AND MADE FOR MULTI GENRE USE!
Get the presets here! https://www.johndroplitz.com/droplitzshop

These patches are completely pre-set and ready to rock! Little to no tweaking required to get nasty, snarling, hard hitting, super slappin, uber silly sick tunes going! They are wild beasts with a leash! You take the reins of my sounds and morph them to fit in your songs and creations. Each preset is ideal for adding to your current productions, or inspiring a new one. With a range of styles included, this pack can provide an interesting, new flavors to your productions. SSSS- is a patch library not many people will have, making it a unique library to own. Mixing elements from trap music, deep dubstep, and neurofunk this massive pack provides the inspiration for shaping your own strange, masterful beats from scratch.

*Note: drum/percussion NOT include in the serum preset patch pack

PATCH PACK

70 SIGNATURE SERUM SOUNDZ

Patch Pack Volume 1- Seventy Signature Serum Sounds

PATCH PACK V2: 80 Optimized Operators.
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-For Electronic music producers of sub genres of bass music!
-80 patches that are completely pre-set and ready to rock! 
-Get access to DROPLITZ sounds and morph them to fit in your songs and creations. 
-7 different genres of bass Operator patches! Mixing elements from Deep Dub, Drum & Bass, Dubstep, Grime, Halftime, Neurofunk, Trap 
-Everything is fully mapped, through three different stages of programming: ---Each category of bass patches can easily be mixed and matched with others allowing you to form ‘your’ sound! 
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Please note that this is a Pack full of preset Ableton Operator patches, there are no samples included in this pack.

Find this pack and more at http://www.johndroplitz.com/droplitzs...

PATCHPACKV2

Patch Pack Volume 2- 80 Bass Operator Instruments

Under construction! NEW BRANDING! 2/20/25!

Patch Pack Volume 1- Seventy Signature Serum Sounds

BEET SOURCE SAMPLES (REBRAND INCOMING)