Catchy! Nice changing arrangements to so cool vocals!

Fine interlude for a good structured song !

@stale-hugues-racine: thank you, Hugues... have a nice music...

thx to everybody, really, everybody of you...

Amazing Futuristic Rock! Unik Beatz & Vocals!

SOLOS

"Evolution" is the end of one year long musical work.
It tells you about evolution, panta rei and revolution within us, without any illusion.

This song would have been impossible without:
- Luca Franzolini (guitars, producing and many more)
- Kristhian "Gufastro" Mason (listening, tip & essential advises, blues mood and first step of composition)
- IkSilvan (production, listening, understanding and many more)
- Manuela Farinosi (images, listening, psychological stuff)
- Matteo Salvador (images, listening and artistic mood) 

Many thanks to all of you.
Have a good music



Here's the lyrics:

EVOLUTION


if you are not making revolution
you are stoppping our evolution
evolution is a kind of matter
evolution is a kind of better

the prince of orange lands at torbay
james the second by now knows his way
sudden and violent revolution
a turn around in our social future

if you are not making revolution
you are stopping our evolution
send away far away
so away      you don't know why 

evolution is a kind a sadness
it means to live without a center
you have to stay against the wind
you have to stay against the wind

                    but I'm just I'm just singing a blues
                    just singing a blues 
			
alcol is deadly    and popular
stress is deadly    and popular
love is deadly     and popular
life is deadly     and popular (2x)

              	     but I'm just singing a blues
                     just singing an old old fucking blues 

...

sudden and violent revolution
to find yourself 
without any illusion
myself         myself 

lenin was a grain of powder
mandela an ali in flower
everybody was wrong
if He's made this song

                    but I'm just singing a blues
		    that's the only thing I want
	            just singing a blues 

if you are not making revolution
you are stopping our evolution
send away far away
so away      you dont know why 

evolution is a kind a matter
it means to live without a center
you have to stay against the wind
you have to stay against the wind

			sudden and violent revolution
			to find yourself 
			without any illusion (illusion)
	
alcol is deadly    and popular
life is deadly     and popular 
everybody was wrong
if He's made this song



EVOLUTION is a song composed by Claudio Melchior, BEFLEXY (2014). 
All rights reserved

Evolution - BEFLEXY

WARREL DANE - When We Pray. Buy now: http://smarturl.it/WarrelDanePTTWM-CMD
http://smarturl.it/WarrelDanePTTWM

Taken from the album, 'Praises To The War Machine', Century Media Records, 2008. 

WARREL DANE - When We Pray

Album: Follow The Deadlights
Release: 23.01.2015

Rise Like Lions

BUY ALBUM HERE

DIABLO BLVD - Rise Like Lions

Album: The Mouth Of Madness
Release: 26.04.2013

Wizard of War

ORCHID - Wizard Of War

Album: Send Them All To Hell
Release: 28.11.2014 EU

THE GERMAN PANZER - Panzer

She Said

new ethnic mesmeric electronic music conceived in small town suburbia

Guanaco the 2nd

"Pictures of you" is the fourth and final single from the British rock band The Cure's 1989 album Disintegration, produced by Dave Allen & Robert Smith.

Vocals, guitars, bass, keyboards and drum programming by Kristhian "Gufastro" Mason.
Mix & Mastering by Kristhian "Gufastro" Mason.


Pictures of You

I've been looking so long at these pictures of you
That I almost believe that they're real
I've been living so long with my pictures of you
That I almost believe that the pictures
Are all I can feel

Remembering you standing quiet in the rain
As I ran to your heart to be near
And we kissed as the sky fell in
Holding you close
How I always held close in your fear

Remembering you running soft through the night
You were bigger and brighter and wider than snow
And screamed at the make-believe
Screamed at the sky
And you finally found all your courage
To let it all go

Remembering you fallen into my arms
Crying for the death of your heart
You were stone white
So delicate
Lost in the cold
You were always so lost in the dark

Remembering you how you used to be
Slow drowned
You were angels
So much more than everything
Hold for the last time then slip away quietly
Open my eyes
But I never see anything

If only I'd thought of the right words
I could have held on to your heart
If only I'd thought of the right words
I wouldn't be breaking apart
All my pictures of you

Looking so long at these pictures of you
But I never hold on to your heart
Looking so long for the words to be true
But always just breaking apart
My pictures of you

There was nothing in the world
That I ever wanted more
Than to feel you deep in my heart
There was nothing in the world
That I ever wanted more
Than to never feel the breaking apart
All my pictures of you

Composers: Robert James Smith / Simon Gallup / Roger O'donnell / Porl Thompson / Laurence Andrew Tolhurst / Boris Williams

Pictures of You

Pictures Of You - Extended Version (The Cure Cover)

"Disintegration" is the eighth studio album by English rock band The Cure, released on 2 May 1989 by Fiction Records, produced by David M. Allen. The record marks a return to the introspective and gloomy gothic rock style the band had established in the early 1980s.
All lyrics written by Robert Smith; all music composed by Robert Smith, Simon Gallup, Roger O'Donnell, Porl Thompson, Boris Williams.

My cover is inspired by the version played live during the Trilogy Tour.
__________________________________________________________
Vocals, guitars, bass, keyboards and drum programming by Kristhian "Gufastro" Mason.
Mix & Mastering by Kristhian "Gufastro" Mason.
Special thanks to Luca Franzolini for his great help.
___________________________________________________________

DISINTEGRATION

Oh, I miss the kiss of treachery
The shameless kiss of vanity
The soft and the black and the velvety
Up tight against the side of me
And mouth and eyes and heart all bleed
And run in thickening streams of greed
As bit by bit it starts the need
To just let go my party piece

I miss the kiss of treachery
The aching kiss before I feed
The stench of a love for a younger meat
And the sound that it makes when it cuts in deep
The holding up on bended knees
The addiction of duplicities
As bit by bit it starts the need
To just let go my party piece

But I never said I would stay to the end
So I leave you with babies and hoping for frequency
Screaming like this in the hope of the secrecy
Screaming me over and over and over
I leave you with photographs, pictures of trickery
Stains on the carpet and stains on the scenery
Songs about happiness murmured in dreams
When we both of us knew how the ending would be

So it's all come back round to breaking apart again
Breaking apart like I'm made up of glass again
Making it up behind my back again
Holding my breath for the fear of sleep again
Holding it up behind my head again
Cut in deep to the heart of the bone again
Round and round and round and it's coming apart again
Over and over and over

And now that I know that I'm breaking to pieces
I'll pull out my heart and I'll feed it to anyone
I'm crying for sympathy, crocodiles cry
For the love of the crowd
And the three cheers from everyone
Dropping through sky
Through the glass of the roof
Through the roof of your mouth
Through the mouth of your eye
Through the eye of the needle
It's easier for me to get closer to Heaven
Than ever feel whole again

But I never said I would stay to the end
I knew I would leave you and fame isn't everything
Screaming like this in the hope of sincerity
Screaming it's over and over and over
I leave you with photographs, pictures of trickery
Stains on the carpet and stains on the memory
Songs about happiness murmured in dreams
When we both of us knew how the end always is
How the end always is

How the end always is
How the end always is
How the end always is
How the end always is

Disintegration

Disintegration (The Cure Cover)

Plainsong is the opening track of "Disintegration", the eighth studio album by the english rock band The Cure released on 2 May 1989.

All lyrics written by Robert Smith; all music composed by Boris Williams / Laurence Andrew Tolhurst / Porl Thompson / Robert James Smith / Roger O'Donnell / Simon Gallup.
___________________________________________________________________
Vocals, guitars, bass, keyboards and drum programming by Kristhian "Gufastro" Mason.
___________________________________________________________________

PLAINSONG

I think it's dark and it looks like it's rain, you said
And the wind is blowing like it's the end of the world, you said
And it's so cold, it's like the cold if you were dead
And you smiled for a second

I think I'm old and I'm feeling pain, you said
And it's all running out like it's the end of the world, you said
And it's so cold, it's like the cold if you were dead
And you smiled for a second

Sometimes you make me feel
Like I'm living at the edge of the world
Like I'm living at the edge of the world
It's just the way I smile, you said

Plainsong (The Cure Cover)

"Just Like Heaven" is a song by British alternative rock band the Cure. The group wrote most of the song during recording sessions in southern France in 1987. The lyrics were written by their frontman Robert Smith, who drew inspiration from a past trip to the sea shore with his future wife. Smith's memories of the trip formed the basis for the song's accompanying music video. Before Smith had completed the lyrics, an instrumental version of the song was used as the theme for the French television show Les Enfants du Rock.

"Just Like Heaven" was the third single released from their 1987 album Kiss Me, Kiss Me, Kiss Me. The song became the Cure's first American hit and reached number 40 on the Billboard charts in 1988. 

All lyrics written by Robert Smith; all music composed by Robert Smith, Simon Gallup, Porl Thompson, Boris Williams, Lol Tolhurst.
Produced by David M. Allen, Robert Smith.
________________________________________
Vocals, guitars, bass, keyboards and drum programming by Kristhian "Gufastro" Mason.
________________________________________
JUST LIKE HEAVEN

Show me, show me, show me how you do that trick
The one that makes me scream she said
The one that makes me laugh she said
Threw her arms around my neck
Show me how you do it and I’ll promise you
I’ll promise that I’ll run away with you, I’ll run away with you

Spinning on that dizzy edge
Kissed her face and kissed her head
Dreamed of all the different ways, I had to make her glow
Why are you so far away she said
Why won’t you ever know that I’m in love with you?
That I’m in love with you?

You, soft and only, 
you lost and lonely
You, strange as angels
Dancing in the deepest oceans
Twisting in the water
You’re just like a dream
You’re just like a dream

Daylight licked me into shape
I must have been asleep for days
And moving lips to breathe her name
I opened up my eyes
And found myself alone, alone, alone above a raging sea
That stole the only girl I loved and drowned her deep inside of me

You soft and only
You lost and lonely
You just like heaven

Just Like Heaven (The Cure Cover)

"A Forest" is a song by the English rock band the Cure. Co-produced by Mike Hedges and the band's Robert Smith, it was released as a single from the band's second album Seventeen Seconds on 8 April 1980. It was their debut entry on the UK Singles Chart, reaching number 31. The accompanying music video was first shown on BBC's Top of the Pops programme on 24 April 1980.

Recorded and mixed over seven days, along with the rest of the songs from the album, "A Forest" is representative of the Cure's early-1980s gothic rock phase. The song has featured on the band's setlists for many years. Several versions have appeared on concert albums, and it was remixed and released as a single from Mixed Up in 1990.
Since its release, "A Forest" has become the most played Cure song, with over 1,000 live appearances.


All lyrics written by Robert Smith; all music composed by Robert Smith, Simon Gallup, Matthieu Hartley, Lol Tolhurst.
Produced by Mark Hedges, Robert Smith.
________________________________________
Vocals, guitars, bass, keyboards and drum programming by Kristhian "Gufastro" Mason - 11-2019. Based on the 1992 live version.
________________________________________

A FOREST

Come closer and see
See into the trees
Find the girl
If you can
Come closer and see
See into the dark
Just follow your eyes
Just follow your eyes

I hear her voice
Calling my name
The sound is deep
In the dark
I hear her voice
And start to run
Into the trees
Into the trees

Into the trees

Suddenly I stop
But I know it's too late
I'm lost in a forest
All alone
The girl was never there
It's always the same
I'm running towards nothing
Again and again and again and again

She said "could you take me home tonight?
It's the only way I know."
She said "could you take me home tonight?
There's no other way I know."

She said "you know the way you used to do."
"of course I'll take you home."
"you know the way you used to do."
"of course I'll take you home."

This kiss could cost my life.
Is all you see in her eyes.
This kiss could cost my life.
Is all you see in her eyes.

It's all you see in her eyes.

She said "take my hand, take me home."
She said "take my hand, take me home.
Take me home.
Take me home.

A Forest - Extended live version(The Cure Cover)

"Sinking" is a song by the English rock band the Cure, contained in the album "The head on the door" released in August 1985.
The album is the first to feature drummer Boris Williams. Bassist Simon Gallup, who had previously worked on three major Cure albums of the early 1980s, was called back before the recording. In 1985, the band became a quintet with instrumentalist Porl Thompson as their fifth official member. 
The Head on the Door is the first Cure album where all the songs were composed solely by singer and guitarist Robert Smith. 

All lyrics and music written by Robert Smith. 
Produced by Robert Smith and David M. Allen.

________________________________________
Vocals, guitars, bass, keyboards and drum programming by Kristhian "Gufastro" Mason - 02-2020.
________________________________________

SINKING

I am slowing down
As the years go by
I am sinking
I am sinking

So I trick myself
Like everybody else

The secrets I hide
That cut me inside
And make me weaker

So I trick myself
Like everybody else
So I trick myself
Like everybody else

I crouch in fear and wait
I'll never feel again
If only I could, if only I could
If only I could remember
Anything at all

Sinking (The Cure Cover)

"Lovesong" is a song originally recorded by the English alternative rock band The Cure, released as the third single from their eighth studio album Disintegration in 1989. The song saw considerable success in the United States, where it reached the number-two position in October 1989 and became the band's only top-ten entry on the Billboard Hot 100. In the United Kingdom the single charted at number 18, and it additionally peaked within the top 20 in Canada and Ireland. 
Speaking of its simplicity and unusually upbeat nature compared to the other tracks on Disintegration, Smith stated, "It's an open show of emotion. It's not trying to be clever. It's taken me ten years to reach the point where I feel comfortable singing a very straightforward love song".

Robert Smith – vocals, guitar, keyboards
Simon Gallup – bass guitar
Porl Thompson – guitar
Boris Williams – drums, percussion
Roger O'Donnell – keyboards
Lol Tolhurst – (officially, in album credits) "other instrument"

Songwriters: Robert Smith, Simon Gallup, Porl Thompson, Roger O'Donnell, Boris Williams, Lol Tolhurst

Produced by Robert Smith and Dave Allen
________________________________________
Vocals, guitars, bass, keyboards and drum programming by Kristhian "Gufastro" Mason - 04-2020.
________________________________________

LOVESONG

Whenever I’m alone with you
You make me feel like I am home again
Whenever I’m alone with you
You make me feel like I am whole again

Whenever I’m alone with you
You make me feel like I am fun again
Whenever I’m alone with you
You make me feel like I am young again

However far away
I will always love you
However long I stay
I will always love you
Whatever words I say
I will always love you
I will always love you

So Fly me to the Moon

Whenever I’m alone with you
You make me feel like I am clean again
Whenever I’m alone with you
You make me feel like I am free again

However far away
I will always love you
However long I stay
I will always love you
Whatever words I say
I will always love you
I will always love you

Lovesong (The Cure Cover)

"Killing in the Name" is a protest song by American rock band Rage Against the Machine, featured on their self-titled debut album, and was released as the lead single from the album in November 1992.

Written about revolution against racism and authority abuse of power, "Killing in the Name" is widely recognized as the band's signature song.

In memory of George Floyd and all the victims of the cops worldwide. 

Guitars, Bass, Vocals, Drum programming, Recording and Mixing by Kristhian Mason 02-2021. 
Solo performed by Luca Franzolini. 
Video:  https://www.youtube.com/watch?v=8KhD5n1-XIg

All rights belong to the legal owner of the song.
Original song by Rage Against The Machine:
Zack de la Rocha – vocals, leads
Tom Morello – guitar
Tim Commerford – bass guitar, backing vocals
Brad Wilk – drums

___________________________________________________

KILLING IN THE NAME OF

Killing in the name of

Some of those that work forces
Are the same that burn crosses
Some of those that work forces
Are the same that burn crosses
Some of those that work forces
Are the same that burn crosses
Some of those that work forces
Are the same that burn crosses
Ugh!

Killing in the name of
Killing in the name of

And now you do what they told ya 
And now you do what they told ya 
And now you do what they told ya 
And now you do what they told ya 
And now you do what they told ya 
And now you do what they told ya 
And now you do what they told ya 
And now you do what they told ya 
And now you do what they told ya 
And now you do what they told ya 
And now you do what they told ya 
Well, now you do what they told ya 
 
Those who died are justified 
For wearing the badge, they're the chosen whites 
You justify those who died 
By wearing the badge, they're the chosen whites 
Those who died are justified 
For wearing the badge, they're the chosen whites 
You justify those who died 
By wearing the badge, they're the chosen whites 
 
Some of those that work forces 
Are the same that burn crosses 
Some of those that work forces 
Are the same that burn crosses 
Some of those that work forces 
Are the same that burn crosses 
Some of those that work forces 
Are the same that burn crosses 
Ugh! 
 
Killing in the name of 
Killing in the name of 
 
And now you do what they told ya 
And now you do what they told ya 
And now you do what they told ya 
And now you do what they told ya 
(Now you're under control) And now you do what they told ya 
(Now you're under control) And now you do what they told ya 
(Now you're under control) And now you do what they told ya 
(Now you're under control) And now you do what they told ya 
(Now you're under control) And now you do what they told ya 
(Now you're under control) And now you do what they told ya 
(Now you're under control) And now you do what they told ya 
(Now you're under control) And now you do what they told ya 
 
Those who died are justified 
For wearing the badge, they're the chosen whites 
You justify those who died 
By wearing the badge, they're the chosen whites 
Those who died are justified 
For wearing the badge, they're the chosen whites 
You justify those who died 
By wearing the badge, they're the chosen whites 
Come on! 
 
[Guitar Solo] 
Ugh! 
Yeah! 
Come on! 
Ugh! 
 
Fuck you, I won't do what you tell me 
Fuck you, I won't do what you tell me 
Fuck you, I won't do what you tell me 
Fuck you, I won't do what you tell me 
Fuck you, I won't do what you tell me 
Fuck you, I won't do what you tell me 
Fuck you, I won't do what you tell me 
Fuck you, I won't do what you tell me 
 
Fuck you, I won't do what you tell me 
Fuck you, I won't do what you tell me 
Fuck you, I won't do what you tell me 
Fuck you, I won't do what you tell me 
Fuck you, I won't do what you tell me 
Fuck you, I won't do what you tell me 
Fuck you, I won't do what you tell me 
Fuck you, I won't do what you tell me 
Motherfucker! 
Ugh!

Killing in the name (Rage Against The Machine - Cover)

we like to play with music
we love to share it
we try to be creative 
we need to say something
you try to be flexy

Evolution - BEFLEXY

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