Goodbye my friend, goodbye
I’m sorry you’re leaving 
But I know it’s time to fly

I hope you’ll back some day 
I hope you find a way
Well the pain might fade 
But the memories remain 

We used to dream about tomorrow
Now we only have yesterday
But I will keep you with me always 
In all the things you used to say

We shared the laughter and the lessons
The sadness takes away the laughter
But there’s still joy in all we knew
And maybe someday I will cross that line
Till then I’ll raise a glass to you

Goodbye my friend, goodbye
I’m sorry you’re leaving 
But I know it’s time to fly

I hope you’ll back some day 
I hope you find a way
Well the pain might fade 
But the memories remain 

But there’s a light inside this darkness 
A flame that never goes away
And as the cloudy skies grow darker
A ray of sun shine’s through the rain

We used to think we’d live forever 
That we’d be forever young
But growing up isn’t about growing old
It’s how fade to the sun

Goodbye My Friend

A dark, atmospheric alt-metal track with a blend of crushing, down-tuned guitars and dreamy, floating vocals. Features hazy, reverb-drenched verses that build into explosive, emotional choruses. Guitars are textured and layered with shoegaze-like ambience, while the drums hit hard with a tribal, hypnotic groove. Bass is deep, gritty, and warm. Vocals are breathy, intimate, and melodic, shifting into intense, soaring phrases during the chorus. Overall mood: sensual, cinematic, heavy-yet-dreamlike, with swirling textures and dynamic contrasts.

B@nes

A high-energy rap-rock / alt-metal Heavy drop-D guitar riffs with a gritty, groove-driven rhythm section. Funk-influenced bass, punchy drums, and occasional experimental guitar effects. Vocals are intense, rhythmic, and urgent — half-rapped, half-shouted, with emotional depth. Chorus becomes wider and more melodic with a haunting hook: “This is our time before the afterlife, so why are you dead behind those eyes?” Overall tone is rebellious, cinematic, and powerful.

Before the Afterlife

Touch of your skin and I'm falling
It must be for real 'cause I don't know how to feel
You blew my mind, now I crossed the line
Is this the beginning or the end of all time?

My misery, is leaving me
My misery, is leaving me

Where have you been, original sin?
I've waited a lifetime to breathe you in
You're my mind, most of the time
Is this the end now or our time to shine?

My misery, is leaving me
My misery, is leaving me

Touch your skin and I'm falling
It must be for real 'cause I don't know how to feel

Mis@ry

A late-90s melodic alt-rock track with bright, jangly electric guitars, warm acoustic strumming, and a steady mid-tempo groove. Male / Female dual harmony vocals / duet are earnest, emotional, and slightly raspy, delivered in a natural mid  register with intimate verses that rise into big, soaring, heartfelt choruses. Add melodic guitar hooks, subtle string or pad textures, and wide, shimmering production. Drums are clean and punchy with open snares and a gentle swing. Overall mood: nostalgic, romantic, reflective, and uplifting — polished, emotional, and built for radio.

One (w/B@dlyWrittenGirl)

A heavy metal song in 7/8 timing in the key of E minor. The instrumentation includes distorted electric guitars, a prominent bass guitar, and a powerful drum kit. The song features a male vocalist employing a harsh, aggressive vocal style, alternating between a guttural growl and a raw, strained shout. The guitar riffs are characterized by palm-muted chugging and fast, intricate lead lines. The bass provides a solid, driving foundation, often mirroring the guitar riffs. The drums feature a strong backbeat with frequent double bass drumming and cymbal crashes, particularly during transitions and emphasized sections. Production elements include heavy distortion on guitars, a tight and punchy drum mix, and a forward-placed, aggressive vocal mix. The song structure follows a typical verse-chorus format with an instrumental bridge and an outro. The melody is primarily driven by the vocal line and guitar riffs, with a focus on rhythmic intensity rather than melodic complex

Light Le@ks In

I Only Hurt the things I Kn@w

All or N@thing

A high-energy rock anthem with a driving rhythm section, distorted guitars, and powerful male vocals, The song features a fast tempo, a minor key, and a dynamic arrangement that builds intensity throughout, The instrumentation includes electric guitar, bass guitar, and drums, The guitar riffs are prominent and feature palm-muted chugging in the verses and open power chords in the chorus, The bass provides a solid foundation with a consistent eighth-note rhythm, The drums maintain a driving beat with a strong backbeat on the snare, The male vocals are delivered with a raw, aggressive tone, utilizing a chest voice with some vocal fry, The song structure follows a typical verse-chorus format with a bridge and an instrumental break, Production elements include heavy compression on the drums and guitars, a wide stereo image, and a clear, punchy mix

C@n You Feel My Heart

Burning Eff@gy

This is our time before the afterlife, so why are you dead behind those eyes?

Mis@ry

Before the @fterlife

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