With a deep appreciation for the art of DJing, branqueeno intentionally selects and blends music together to tell a story and take the listeners on a journey.  

Inspired by house music's Chicago and New York City sounds and culture, branqueeno’s musical style and selection brings a modern twist with an old school flare. She plays a range of house and electronic music, spanning classic, jackin’, deep, garage, acid, disco, tech, minimal, afro, latin, indie dance, progressive-tech, and breaks. A groove is guaranteed with a lot of vocals.

To honor house music’s cultural beginnings, she actively contributes to the community by helping to create safe, inclusive spaces that unite people together. She works with several collectives that follow this ethos and has actively produced events since 2023. These events focus on elevating others, primarily women, by creating opportunities for performance, mentorship, skill development, and networking. Notably, she is the New York City lead with the collective, Sisters in Sound, who was one of the 2025 Beatport Diversity Fund grant winners.

Committed to her musical development, she and consistently seeks opportunities to refine her technical abilities on the decks and as a producer. Her first official release was in July 2025. Her production style aligns with her taste as a selector, full of groovy basslines and percussion to evoke emotion, connection, and escape to listeners on the dance floor and beyond.

Drum & Bass.
Sometimes UKG/140.
Producer.
Toronto.

Ross Couch is a well established dance music producer and owner of the Body Rhythm label.  Releasing music for over a decade he's become a firm favorite amongst those with a discerning taste in deep, soulful and emotive house music and is renowned for the consistency and quality of his releases.

Follow our new Instagram for all things Mack & Diesel!

Mack & Diesel are a house music production duo consisting of Taidgh McDonnell and David Hayden. 

Our sound is a mixture of classy bass led house music with a signature funky, melodic touch.  Follow us here and on Social Media for more updates.

Bass House / Garage / House / Nu Disco

Support From:
Tough Love
Bakermat
Blonde
Alex Mills
Loco Dice
Jen Payne
Hardwell
Joe Stone
Michael Mandal
Marc Kinchen (MK)
Curtis Gabriel
Todd Terry
Philip George
Sander Kleinenberg

'Filip Grönlund Ft. Aleysha Eve - Letting You Go' OUT NOW
https://houseessentialrecords.fanlink.to/HER030

London Based Duo


MNGMT - daniel@badradishmusic.com
BOOKINGS - will@primarytalent.com

new york / amsterdam / miami
dj & producer
moving company resident

Rare Candy is the dynamic musical venture of Craig Corrigan, a versatile artist whose journey through electronic music reflects a profound passion for the sounds of the 1990s. Drawing inspiration from that era’s vibrant music scene, Craig infuses his work with nostalgic elements while pushing contemporary boundaries.

In a short space of time, Rare Candy has transitioned from remixing independent label releases to delivering official remixes for major labels on a weekly basis. Notably, their remix of Jonas Blue’s “Fast Car” for Positiva / Virgin EMI was playlisted on CapitalXtra, surpassing even the original mix in popularity.

Beyond “Fast Car,” Rare Candy has reimagined tracks for a diverse array of artists, including Olly Murs (RCA), Beyoncé (Columbia), Sophie Beem, Zak Abel (Warner), Röyksopp (Wall of Sound), VV Brown, LeAnn Rimes, Reggie & Bollie, Matt Darey, Therese, Sol Brothers featuring Kathy Brown, Conchita Wurst, DJ Sammy, Brooke Candy, and many more. Their original track “The Bottle” achieved Top 5 status on the UK Club Chart and received significant airplay on Kiss FM.

Craig’s musical versatility shines through his various aliases:
        •       UR2wo
        •       Corrigan
        •       BK298
        •       Dark Crystals

Despite these varied explorations, Craig’s first love remains house music. Rare Candy serves as a constant thread, weaving through his diverse musical endeavors and always bringing listeners back to the soulful rhythms and grooves that started it all. Whether through uplifting house melodies, experimental sound explorations, or nostalgic garage rhythms, Craig continues to push the boundaries of electronic music, inviting listeners into his ever-evolving musical universe.

Contact Information:
        •       General Inquiries & Bookings:
info@break-the-future.com
        •       Management: Break The Future
          info@break-the-future.com

As one of the longest standing independent record labels in the US, Nervous Records has built its reputation through a willingness to take chances on new sounds and new producers. Nervous was the first American label to sign and release tracks from such dance industry luminaries as Armand Van Helden, Paul Van Dyk and Nuyorican Soul. This spirit has enabled Nervous to build a catalogue of hits that spans the complete range of underground dance and hip hop genres.

The label was famous almost immediately when it started back in 1991 because of its eye-catching, very distinctive cartoon character logo. In addition the first three releases were produced by Roger S., Kenny Dope, and Todd Terry respectively, representing the three best house producers of that time. By 1992 Nervous was featured in magazines like Billboard, DJ Magazine (cover story), Mixmag, and ID, hailed by all as the “Sound of New York nitelife.”

Nervous’ first major dance release came in 1992, with “Feel Like Singing” by Sandy B. Nervous decided at that point to focus its energy on expanding the label’s musical field. The label’s first step outside the house music arena was with the Brooklyn, NY-based rap group, Black Moon, whose single “Who Got The Props” virtually put Brooklyn back on the map as a center of hip hop. At the same time, the label decided to alter the Nervous character for this release, giving it specific hip hop characteristics, and calling the hip hop label Wreck Records. Massive success followed with the Wreck imprint, as hits soon followed by Smif-N-Wessun, and Funkmaster Flex.

Nervous decided to continue to expand its musical boundries in 1993 by signing Mad Lion, which would be the first reggae artist on the Weeded imprint. Once again, there was huge success as Mad Lion’s single “Take It Easy” sold over 250,000 units.

Meanwhile, the Nervous merchandise continued to produce massive sales numbers as it established itself as one of the most favored t-shirts for the youth cultures of America, Japan, and many European countries.

In 1994, the label decided it was time to move into the electronic genre, and started an imprint called Sorted. The first artist on that label was Josh Wink, who went by the artist name Winx. While Winx’s debut release was a critical success although not a major seller, Winx’s follow-up release “Don’t Laugh” became the American dance community’s most talked about single, and ended up selling several hundred thousand units worlwide. Subsequently Nervous released Winx’s debut album, “Left Above The Clouds.” This album was one of the first “electronica” albums to be released, and lead to Josh Wink being signed to Sony as an artist. Nervous also released an album by two Long Island based dj’s, DJ Micro and Vicious Vic. The album, entitled “Progress Into Our Future,” since became a seminal album for the crew of Long Island dj’s that currently dominate clubs with their hard trance sound.

In 1996, Nervous virtually single-handedly created a garage house music revival by releasing the debut solo artist album by house music legend Byron Stingily. Byron was formerly the lead singer of gold-selling group Ten City. His second single on Nervous, “Get Up,” went to number one on dance charts around the world, including the Billboard Magazine club chart in America.. For his album, “The Purist,” Nervous assembled an all-star cast of legendary House producers, including Frankie Knuckles, Masters At Work, David Morales, Basement Boys, Maurice Joshua and MK.

As the musical trends continued to evolve in the late 90’s, Nervous continued to create new imprints to remain at the cutting edge of all independent labels. Nervous Dog was created to accommodate the emerging harder-edged house sound of New York; Strapped was the home for uptempo, club oriented hip hop Party tracks; and Nervous Chill released the down tempo, jazzy grooves that are always in vogue in the newest restaurants.

The label also has had many successful tours over the years. One of the biggest was in 2,000, when the Nervous tour was sponsored by Playboy Magazine and KAMEL cigarettes, and featured DJ’s Jackie Christie, Razor-n-Guido and DJ Escape, along With PA’s by Nervous artists Byron Stingily, Charlotte And Kim English. In addition, Nervous created what became one of the Winter Music Conference’s most original Parties, the Nervous After-hours breakfast at Denny’s, which featured an International list of dj’s entertaining conference attendees at 5:00 AM while they ate their grand slam Denny’s breakfast.

In 2000 and 2001, the energy tribal sound dominated the US club and Nervous gave America’s club-goers four of the its most dominant anthems, “Skin” by Charlotte, “Ssst…Listen” by Jonah, “Unspeakable Joy” by Kim English and Dive In The Pool by Barry Harris featuring Pepper Meshay. During this same time, the label has also created many successful compilation series, among them “Hip Hop Independent’s Day,” and “Future Progressive,” and “Club Nervous.

As the hits grew in number, so did the value of the catalogue for sampling purposes. Nervous songs have been sampled in major hits by Mariah Carey, New Edition, Coolio, Flip Squad, Basement Jax, George Michael, Soulsearcher and more..

In 2006 Nervous gave the US one of the biggest dance radio records with What A Feeling by Peter Luts & Dominico, a track which won the 2007 WMC award for Best Euro Dance track. In addition, Nervous delivered the most memorable US underground track of the year with Ralph Falcon – I Need Someone, which was also number one club record of 2007 according to Billboard Magazine.

In 2008 Nervous had two of the top five most played records of the year at dance radio, with Bellatrax feat. Sophia May/I Can’t Help Myself and Every Word by Ercola featuring Daniella, and ended the year as the two most played label at dance radio in the USA according to Billboard Magazine.

Nervous has also made a strong foray into the compilation market, building a roster with some of the most credible house music. The past twelve months has seen full length cd’s from Oscar G, Ralph Falcon, Funkagenda, Mark Brown, Behrouz, Chris Lake, Starkillers & Austin Leeds, DJ Theo, Exacta and Marlon D. Second half of 2009 will see releases from Danny Krivit, Frankie Knuckles, Tom Stephan, Peter Bailey and Richie Santana and Anane (produced by Louie Vega. 

In the grand tradition of Nervous launching sub-labels to embrace the next sounds to take over Nitelife ... In 2011 we launched Nurvous Records.  With the Indie Dance / Nu-Disco sound that has erupted from England and is now barreling towards full speed in America, one of our primary goals is to provide innovative homegrown style; and bringing back emotion to the music, squashing the over-commercialized big-room invasion.

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