This is a large curated songlist which is mostly classical music that doesn&#x27;t contain vocals.  This mix is for usefull for concentration, focus and pure enjoyment for those who appreciate more string, orchestral and piano type baroque classical music

Classical Concentration - For work focus and concentration

Maurice Ravel - Complete Chronological Catalogue

Classique

The Gramophone Classical Music Guide - 3

Rhapsody In Blue

The Golden Voice

Bizet: Les pêcheurs de perles / Act I: Je crois entendre encore

Villa-Lobos: Bachianas Brasileiras

Bachianas brasileiras No. 5, W389: I. Ária (feat. Fernand Benedetti)

Debussy, Ravel & Janáček: Violin Sonatas

Ravel: Violin Sonata No. 1 in A Minor, M. 12

The definitive souvenir of Hunter Noack’s award-winning, ground-breaking wilderness concert series, IN A LANDSCAPE: Classical Music in the Wild™. This debut album features Noack performing select favorites from the classical piano canon as well as collaborations with Native American flutist James Edmund Greeley, psychedelic electronics by Dave Friedlander, a spacious concerto with the Salem Orchestra, and an arrangement of Franz Schubert’s most beautiful song with Pink Martini’s China Forbes and Thomas Lauderdale. Be transported to the secret glens and sunny meadows that inspired the composers and performers with this contemplative collection.

In a Landscape

Concerto in G Major, M. 83: ii. Adagio Assai

Britten: The Turn of the Screw, Op. 54

The Turn of the Screw, Op. 54, Act 1: Variation VII

The Turn of the Screw, Op. 54, Act 1: The Lake. "O Rivers and Seas and Lakes" (Governess, Miles, Flora) [feat. Caroline Wise, Joan Rodgers & Julian Leang]

The Turn of the Screw, Op. 54, Act 2: Colloquy and Soliloquy. "Why Did You Call Me?" (Governess, Quint, Miss Jessel) [feat. Ian Bostridge, Joan Rodgers & Vivian Tierney]

The Turn of the Screw, Op. 54, Act 2: Variation VIII

The Turn of the Screw, Op. 54, Act 2: Variation IX

Johann Sebastian Bach - Aria Da Capo,  Goldberg Variations, BWV 988 (Fine Classical Music)

101 Romantic Piano

Ravel: Pavane pour une infante défunte, M. 19

Maurice Ravel: Chansons Madecasses/Two Piano Pieces/Violin & Cello Sonata

Sites auriculaires, for 2 pianos (1897): II. Entre Cloches

Ravel: Solo Piano Music

Menuet antique (2001 Remastered Version)

Essential Yo-Yo Ma

The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": II. Largo

Wachet auf, ruft uns die Stimme, BWV 645

Classic Yo-Yo

Cantata, BWV 75: Was Gott tut, das ist wohlgetan

Gershwin: Rhapsody in Blue & An American in Paris

Rhapsody in Blue

L'absente

La Parade

Nothing But The Best

Theme From New York, New York (2008 Remastered)

I. Allegro from Concerto in G minor for 2 Cellos, Strings and Basso continuo, RV 531

The Girl From Ipanema (2008 Remastered)

Classical Music For Infants (Classical Piano For Relaxation)

Ave Verum Corpus, K.618 (as made famous by Wolfgang Amadeus Mozart)

Debussy, Dutilleux & Ravel: String Quartets

String Quartet, M. 35: II. Assez vif - Très rythmé

Prokofiev: Enfant Terrible 1891-1953

Prokofiev: Lieutenant Kijé Suite, Op. 60: IV. Troika

Album release: May 2017

Gathered around Saint-Saëns’ Danse macabre, you’ll discover an unknown aspect of the French mélodie of the Fin-de-siècle. Based on sometimes very intimate text by Rimbaud, Baudelaire or Verhaeren, among others, these crepuscular works externalized, one Century ago already, the existential malaise of the mankind facing the Progress.
The rare Contralto tone of Sarah Laulan, laureate at prestigious Queen Elisabeth International Competition and at the Geneva International Competition, and associated artist at the Queen Elisabeth Music Chapel, serve the ambiguity of these mélodies, that deploy by turns onirism, darkness, but also humour, provocation and cynicism.

Inside the booklet, an enriched iconography based on Félicien Rops’ works reminds with sweetness and emotion this time of artistic claim – more newsworthy than ever.

Sortie de l'album : mai 2017

Cherchant à extérioriser le malaise existentiel de cette Fin-de-siècle, les compositeurs modernistes tels que Ravel, Duparc, Chausson, Enesco ou encore Saint-Saëns trouvent dans les textes des poètes de leur temps, les mots et symboles par lesquels l’exprimer. Onirisme, noirceur, mais aussi humour, provocation et cynisme, de nouveaux langages émergent, les formes se cherchent. Le temps est à l'expérimentation et aux revendications.
Troisième prix du prestigieux Concours international Reine Elisabeth, la contralto Sarah Laulan vous propose une lecture riche et sensible de ces mélodies crépusculaires dans lesquelles se déploient la toute-puissance des éléments et de la révolte intérieure. À la fois dérangeantes et galvanisantes, elles brossent un tableau varié de ce chapitre passionnant de l’histoire de la musique.

Un grand sommeil noir

Black, Brown, & Beige

Come Sunday (From Black, Brown and Beige) (Accapella)

Michaela Laurent, représentante des parents d'élèves de l'école les Jacquiers à Sainte Marie

Previn: Essentials

Ravel: Rapsodie espagnole, M. 54: 3. Habanera

String Quartet, M. 35: II. Assez vif - Très rythmé

Belcea Quartet