Our new single, What Have They Done, featuring Mioune on vocals

What Have They Done

https://linktr.ee/aggressivepets

"Welcome to my placid dreams and my suffocating nightmares!"

Antonio Zapata (Aggressive Pets) is a Spanish musician and bedroom producer who began his studies at the music school of Leganés and later at the Professional Music Conservatory of Getafe.

 Later he entered the school of modern music La Factoría where he received lessons from some musicians like Luis Cruz ( guitarist of the legendary Spanish rock band Topo).

After that he enrolled in CEV (Center for Video and Image Studies) he studied music production, live sound and radio with Nacho Legorburu (Dean in Spain at Audio Engineering Society).

 Antonio has played guitar and bass in several bands (Wildlovers, Sin un Duro, Criaturas Celestiales) and has produced several demos for local rock groups. 

He is currently working on his Aggressive Pets project, eclectic mix of styles created from his home studio, as well as creating soundtracks for short films ( he composed and performed the O.S.T. for the horror film Yuggoth, directed by Dani Lardon and produced by Arkham Contents,  Which can be viewed freely on YouTube).

Share my love of music
Best 3
https://linkco.re/CQtmR92V
Best 2
https://linkco.re/4g8Xzu3N
prayer
https://linkco.re/xm8ZME0y
Morning Piano
https://linkco.re/C6tppcgs
Rain and Piano
https://linkco.re/XEHf2YR7
Best
https://linkco.re/pFXgZmmv
Neo-Classical
https://linkco.re/78HYz7bQ
Neopia Poe
https://linkco.re/p7h1PTef
Shrimp chili-no
https://linkco.re/vHaPumQb

I will make a song that make your mind happy and calm

Ionut Mirel Udrea (Member Of APRA/AMCOS) is a music composer, piano player and music producer based in Sydney - Australia. 
Ionut Mirel Udrea composes emotive piano-based instrumental music.

San-k – Afrobeat Sensation Blending Cultures & Sounds

San-k is a dynamic Afrobeat, Afropop, and Afro-fusion artist with a unique sound that bridges cultures and continents. Born in Burundi to Congolese roots and raised in Cape Town, his music is a reflection of his rich background, blending infectious rhythms with soulful melodies.

Inspired by the sounds of Maleek Berry, San-k began his musical journey in 2015, crafting songs that fuse African beats with modern global influences. His passion and dedication have led him to perform at notable venues in Cape Town, where he captivated the crowd.

IG: San_k_oficial

Email:namibiaondtrack0@gmail.com

symphonic metal from Michigan and beyond...
https://linktr.ee/beletseri

if you like, please share with your like-minded friends!

Appreciate all of your comments and feedback!  We can see them here, versus the other platforms - so keep posting!

Darkwave is my experimental music project built on the backbone of old-school metal riffs, with an outlook to a wide variety of musical scenes. Despite its intimate connections with progressive – and even thrash – metal, the musical dynamics I try to accomplish in Darkwave often deviates from the classical concept of the genre (e.g. the catching tempo generated by tight rhythmicity), and incorporates elements with significantly different tonal and emotional characteristics, ranging from thrash, power, doom or symphonic metal themes to electronic, classical or even jazz elements.

Such a diverse mixture of different styles is seldom intentional, but rather a mixture of instinctual and intentional elements reflecting the character of the composer and the impact of influences shaping the songwriting process. Balancing on the razor-sharp edge between these domains of human consciousness, I think it’s always revealing to indentify the composer’s primary influences to understand the core philosophy behind the final product. Despite their essential innervation with thrash metal, my main influences come from somewhere far beyond, from the distant realms of hard rock, NWOBHM (New Wave of British Heavy Metal), and – in certain extent – from classical (or even gregorian) music. I see it as some kind of an evolutionary process: first it was the intensity, then the complexity of the music that grabbed my attention and put a significant emphasis on my way of looking at all things music. Regarding the metal frontrunners, the complexity of the Shermann-Denner duo’s guitarwork as well as the dark, monumental, epic atmosphere of Tony Iommi‘s musical skyscrapers clearly shaped my personal attitude to music. Still, the artistic genius of the late Jon Lord (who aimed at building bridges between “old” and “new”, traditional and modern) was that characteristical influence that put its almost deterministic mark on my musical taste and creations. I started to listen to bands that somehow unite various territories of the world of music: it felt amazing to listen to Mekong Delta’s Suite for Group and Orchestra or the jazz-metal fusions by Atheist until the point that I could finally identify a third essential element besides intensity and complexity: the gloomy, epic, emotional (sometimes sad) and monumental atmosphere: something that I could find so often not only in music, but also in my favorite books and poems. And this is that exact point, where the intentional and instinctual motifs become somewhat indistinguishable from each other, and form a distinct entity of thoughts, feelings, desires and aims that might be characterized as my personal attitude to music, art – and in general, life.

It’s not that hard to grip the essence of that attitude. I tend to agree with G. K. Chesterton‘s paradoxical jeremiad from 1905 on the loss of universals (“…we are more and more to discuss details in art, politics, literature… Everything matters — except everything.“) and accept that it’s always the core philosophy behind art (or “everything“…) that we must understand, if we ever want to grab the creator’s personality that is mirrored in the final product. The secondary details in composition, performance or production are merely consequences of this primary attitude or basic approach behind the creative process. My primary aim with Darkwave has always been (and will ever be) nothing else but to formulate, express and transmit feelings and thoughts without words, while constantly realizing that there exists nothing more suitable to facilitate this communication between human souls than music itself.

“When words fail, music speaks.”

What Have They Done

Belet Seri