But what are humans doing on earth... such sweet, melodious music... adorable performance ❤️°!°🕊️°!°🙏

those wobbly bottles are dreamy , it all sounds like an old boat i can almost hear sea guls

Cool mesmeric wavy piano motif - dreamy piece my friend!

real dreamy chill production work, dig that downtempo trip hop flavor, nice grove and love those main sparkling synths, nice crunchy texture, real enjoyable work!

Captivating blubbles of sound... enjoyed!

That deliberate background noise makes for a superb ambience, and those mysterious synths are amazing

These sounds conjure such evocative images, wonderful piece BP

Love that hazy dreamy vibe you got going on!!!!! Very cool!!!

FUNNY CASTING IN A PLANET OF SOULS

I decided to take another stab at this song (went down a rabbit hole for about 10 hours and completely re-played and re-sang the song).  I struggled with the vocals on my original version so I changed the key to E which made it easier to sing.   
****
Guitar:   strumming my Taylor 114CE
Organ: playing my midi keyboard with Native instruments clarinet organ
Wurlitzer 200A  Keys: playing my midi Keyboard with logic Wurlitzer sound.
Wurlitzer 200A:  EZ Keys 2
Bass: PG Music Real track
Drums: EZ drummer 3
****
Lyrics
In the planet of the ape’s movie in 1968
Astronauts crash landed on a planet that was in a sorry state
They stumbled across a society intelligent of apes who could speak
And there were humans, but they were mute and weak
They’d been asleep in their hibernation pods and 2006 years had elapsed
And somewhere during that time humanity had collapsed
And the astronauts didn’t realize they were on the planet where they’d been born as the apes hunted them and they hid in a field of corn
Just like Charlton Heston, we could be walking on that beach
To late to save our Lady Liberty, she’s been toppled sunk and breached
You maniacs you blew it up will we rant and rave like Chuck
Hope it’s not too late, who wants that monkey fate, hope we smarten up
I wonder what those apes are thinking as they’re sitting in their cages at the zoo
Are they biding their time, making plans for what they’re goanna do
Are they dreaming of the day when they’re on the other side of that glass wall
Are they patiently counting the minutes, waiting for humanities downfall
The apes killed one of the astronauts and they stuffed him and put him on display j
Just like trophy hunters do with animals today
The Astronaut named Taylor, he got shot in the throat
He was unable to talk, so he got a pen and showed the apes what he wrote
The apes realized he was intelligent, and it shook them to their core
And the forbidden zone was a place they weren’t supposed to explore
Taylor met a girl he named Nova, she couldn’t talk but she was pretty.
A couple of apes helped them escape to what used to be New York city
And they rode together on a horse on a beach that looked like the west coast
Until they found that statue and realized humanity was toast
Just like Charlton Heston, we could be walking on that beach
To late to save our Lady Liberty, she’s been toppled sunk and breached
You maniacs you blew it up will we rant and rave like Chuck
Hope it’s not too late, who wants that Monkey Fate, hope we smarten up
The planet of the ape’s is supposed to be science fiction
Let’s hope it doesn’t turn out to be an accurate depiction

Planet Of The Apes V 2.0

1967... The space is waiting to be discovered...
If you like the song, check out our new EP at https://crossthetape.bandcamp.com/album/cool-blue-cat

1967

made with casio and zoom h1, NCH
maybe it is the caffeine : D

you are sleepy but your mind won't stop

like 12 hours of sleep within 16 hours!!!!!!
when you were behind on sleep
catching up feels so nice
made with casio and stylophone, zoom h1 and NCH editing

how it feels to get plenty of sleep

About “Flickerstorm (Album Version)”
This track was inspired by the sounds of New Order and Echo & the Bunnymen that kept playing in my head under the moonlight.
I blended those influences with the dub and electronic elements I deeply admire, and it became the very first track I completed as Olttaoff.

Under my previous artist name, my works leaned more toward electronic downtempo. Over time, however, I realized that post-rock is an essential part of my identity, which led me to create this piece. In many ways, it feels like a return to my roots while moving forward.

It also marks a turning point in my process — shifting from hardware-based production to working fully in DAWs. The TR-909 featured on the artwork represents that transition, as well as a tribute to Roland, the iconic maker from my hometown in Japan.

Flickerstorm(Album Ver.)

The worst is not certain but it happens sometimes.
Le pire n'est pas certain mais il arrive parfois.

Minimalist piece of music for Quartet and Choir. Created with Session Strings 2 and Sonara (Komplete Suite).
Pièce de musique minimaliste pour Quatuor et Chœur. Réalisé avec Session Strings 2 et Sonara (Komplete suite)

Inclus dans la série  REPETITION
https://on.soundcloud.com/Xg40rCInFLg7JwsBMz

Glow of War

can’t fight (demo)

Child of Nature

Wild Wild West (Night on Earth Mix)

Wild Wild West (Remix 2025)

Shanghai Subway - Υπόγειος Στην Σαγγάη

An Atlas of Perfect Mistakes

Ottoaso Ahsove (I Can't Turn Around)

Marco Lucchi : piano and electric organ

*

for the current #disquiet junto challenge
https://disquiet.com/2025/10/09/disquiet-junto-project-0719-riding-on-the-metronome/

piano sketch 2 [disquiet # 0719] 60 bpm

Solar Flare Awakening Soul

A song about using my defense mechanism of humor to avoid conflict and achieve romance. Dedicated to class clowns everywhere.
Sorry I've been off SC lately, I've been taking care of a few things.

Lyrics:
I was just having a drink
In a bar on the rough side of town
Yeah, minding my own business
And these tough guys come up to me
They say: "Hey, we're tough guys."
"we don't like you drinking sparkling Chablis,"

Well, I had a real good read on the situation
I've got the gift of gab (talk) from my Dad
I'm a samurai of summation
I buy my sarcasm firsthand

I said: Gentlemen, may  I suggest a truce?
Let me be the peacemaker and buy you a bottle of booze
Then I got loose
I left them with a bill
For a three hundred dollar
Bottle of Chartruse

Oh, I listened to what my Mama say
You're gonna have to fight those boys someday
But if you use your brain
Then you'll find another way
Fight back, hit em in the funny bone (3X)
Funny bone

I was a young undergrad
A full-time miscreant
A part-time handsome man
I needed to get the attention of the ladies
But I wasn't that good-looking
But I knew what I had

I had a good read on the situation
I have the gift of gab from my Dad
I'm a samurai of summation
I buy my sarcasm firsthand

I listened to what my Mama say
If those girls don't give you the time of day
You're gonna have to use your brain
Then you'll find another way 
Step back, appeal to her funny bone (3X)
Funny bone

Funny Bone

Hoping you enjoy this latest song  , Gary has  added all  of the beautiful vocals , harmonies and lyrics too! 
Thank you for all of your kind plays reposts and  playlists!

Vocals  :- Gary Scott
Lyrics  :- Gary Scott
Music and arrangements : Annette Scott
(C) 2025



Cast Away (Ft Gary Scott)

Songster version was a little ‘copla’ about not being able to be with, nor without, a loved person.  As usual, I’ve ‘upgraded’ it, process from which you only get the final result, normally. 

But, following lyrics’ contradictions, I not only serve parts with different levels of (dis)order in heavy rock - flamenco sauce, but raw vs very cooked parts as well, starting with the improvised phone recording of the very first idea I had to develop the song, so please excuse my failures and noises.

Letra  /  Translated lyrics:

Te veo venir (No te vuelvas a ir)  /  I know where you're coming from (Don’t you leave again)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pena,        /  when you come with that sweet sad face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes llorando sin que te duela,     /  when you come crying without any pain,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando dices que quieres hablar conmigo,  /  when you say that you want to talk to me,
te veo venir,                                                  /  I know where you're coming from,
cuando quieres estar al lado mío,                /  when you want to be by my side,

te veo venir (x3)                                           /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pilla,          /  when you come with that sweet sly face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes con esa sonrisa, chiquilla,    /  when you come with that smile, little girl,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

ER33FI03 RUIZZO©1996 – FRANCÉS RECORDS®2016


Factor Integrante

Te veo venir (No te vuelvas a ir)

(Don't follow me here, best on my main page ;)

Belial Pelegrim is an electronic musician and producer known for crafting dark, cinematic, and experimental music. His work blends elements of ambient, glitch, IDM, and neoclassical styles, often creating immersive soundscapes that evoke a sense of mystery and introspection. Pelegrim's compositions are characterized by their rich textures and atmospheric depth. He frequently explores themes of surrealism, metaphysics, and the ethereal, drawing listeners into complex auditory experiences. Pelegrim's music often incorporates a hybrid of organic and electronic sounds, pushing the boundaries of conventional genres.​

An Atlas of Perfect Mistakes

Belial Pelegrim

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