Name: Vater Unser - Arvo Pärt by Belial Pelegrim in Daily Drops
Duration: 4 min 4 s
Description: My arrangement for this great Arvo Pärt piece.

What a sensational outpouring of notes contained within this composition !!

The piano and strings have a rapturous feel to it all that really takes ahold of listener in a moving and highly effective way. What a stellar piece, and another feather in your cap.

Brilliant! very calming track, your production are great.

Daily Drops

because

Commemorates John Barry's death, 30 Jan 2011.. Part of my Piano EP Romance in Time.
 Listen/presave:
1 Feb https://gyro.to/SomewhereinTime

15 Feb https://gyro.to/200666MoonRiver

29 Feb https://gyro.to/RomanceinTime (Over the Rainbow and the EP)

Watch for YouTube performances.. Also The Dragon Waltz is out on all streaming and coming to SC..https://open.spotify.com/track/373mtQXmGQwlIAuWzJxJ1S?si=31ba963c3ba046de

Romance in Time

Somewhere in Time

Somewhere In Time

Live from Christianshavns Beboerhus 1988
Trommer: Kim Ruzz
Bass: Fin Valentin
Vocal : Søren Blet
Keyboard: Preben Poulsen
Guitar, finger pick guitar & 2 vocal: Per Jensen ( PJ Project)
Guitar & lead guitar: Per Rasmussen ( Docvet)

Jeg Har Hørt Dig Sige W/ Linie 18 live fra Christianshavns Beboerhus

Imagine stepping into an underground warehouse bathed in dim, pulsating lights. The air hums with anticipation as bodies sway in unison. The Holistic Dance transcends mere movement; it’s a ritual—an ode to unity, to the interconnectedness of all things 🖤🎧

Holistic Dance

My arrangement for this great Arvo Pärt piece.

Vater Unser - Arvo Pärt

Love Silent Hill

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FreeDownload

into the mist(Free Download)(inspire SilentHill)

The Deeps

DEUTSCHER TEXT FOLGT

Acousmatic composition, February 2024

Gesang der Sterne was premiered on September 7th 2024 at the Supersonique Festival in Marseille, France - with a large acousmonium with 36 loudspeakers.
Performance and interpretation: Sarah Ouazzani

Published by Musique moléculaire label on the CD "Lautgedicht", August 2024

https://musiquemoleculaire.bandcamp.com/album/lautgedicht

Program Note
Stars have had their sights set on me for quite some time. 
In 1989, I set to music the poem Crazy without you by the American poet Anne Waldman in which a whole series of stars are described in their various colours. In 2006, L1014 for percussion was created, inspired by Reginald Smith-Brindle's percussion composition Orion M42, and in 2022, the electro-acoustic work Albireo, which was inspired by the vastness of space. The piano composition Beta Lyrae (2023) and the electro-acoustic composition Jezero (2024) - named after a Martian crater - both received their astral titles in retrospect. And now Gesang der Sterne (Song of the Stars)! 
Since 2020, a NASA team has been working on making space tangible with the help of music. In what is known as data sonification, elements of an image are assigned pitches and volumes. Whether this process does accurately reflect the actual sound of the Milky Way can only be guessed. In space, there is nothing that can carry sound. There is absolute silence there.
-----------------

Akusmatische Komposition, Februar 2024

Gesang der Sterne wurde am 7. September 2024 beim Supersonique Festival in Marseille uraufgeführt - mit einem grossen Akusmonium mit 36 Lautsprechern
Aufführung und Interpretation: Sarah Ouazzani

Veröffentlicht vom Label Musique moléculaire auf der CD "Lautgedicht", August 2024

https://musiquemoleculaire.bandcamp.com/album/lautgedicht

Programmnotiz
Sterne haben es schon seit längerem auf mich abgesehen. 
1989 vertonte ich das Gedicht Crazy without you der amerikanischen Poetin Anne Waldman, in dem eine ganze Reihe von Sternen in ihren vielfältigen Farben geschildert werden. 2006 entstand L1014 für Schlagwerk, das von Reginald Smith Brindles Schlagzeugkomposition Orion M42 inspiriert ist, und 2022 das elektroakustische Werk Albireo, bei dem die Weiten des Alls als Anregung dienten. Die Klavierkomposition Beta Lyrae (2023) und die elektroakustische Komposition Jezero (2024) - benannt nach einem Marskrater - erhielten beide ihre astralen Titel erst im Nachhinein. Und nun Gesang der Sterne! 
Ein Team der NASA arbeitet seit 2020 daran, das All mit Hilfe von Musik erfahrbar zu machen. Bei der sogenannen Datensonifikation werden Elementen eines Bildes Tonhöhen und Lautstärken zugewiesen. Ob dieses Verfahren dem tatsächlichen Klang der Milchstraße gerecht wird, lässt sich nur vermuten. Im Weltraum gibt es nichts, das den Schall tragen könnte. Dort herrscht absolute Stille.

Gesang der Sterne

Marco Lucchi : piano
*idematoa* : synthesizer

marzo 2024

Marco Lucchi & *idematoa* - Esatonale

I used these samples from freesound.org, as raw as was possible:
50422 Church prayer, by ERH
188938 Call to prayer, by musesdelight
496748 Child vocal chops, by f-r-a-g-i-l-e
345386 KLINGON poetry, by fiatknox
In the intro (reversing beep) I used a binaural recording, so it gives a different result if you use headphones (although I mixed on speakers):
177190 Binaural machinery by denismcdonald
Picture by Celia

31032024 They All Speak in tongues

Study For Radio Play #3

Modern Times

How do you interpret the literal translation of karaoke - empty orchestra? 

Well I had a go; started with opening the BBC orchestra Plug in - spitfire audio - violins.  Made something very simple and looped it.
I had this playing through my main stereo which my decks are plugged into.. I let this playing on a loop and went down the hall in my house and used my digital tascam recorder to record from the far end of the house. I left this recording. 
I went back to the decks and selected an old classical record - Ketelbey Orchestral Concert - Bells Across the Meadow. I played this slowed down as low as my turntable can go, with no bass and treble to full... slowly faded this in. Near the end I pulled the 'earth' cable out the back of the mixer so it goes a bit crackly and caused one of the speakers to cut out. Perfect! 

That was more or less it. I opened this recording back up in Ableton and edited for a bit longer, reversing bits and adding extra effects. 
 ------------------


Disquiet Junto Project 0646: Empty Orchestra
The Assignment: Interpret the literal translation of “karaoke.”

Step 1: You may or may not be familiar with the literal meaning of the word “karaoke.” The first two syllables are the Japanese word for “empty.” The final two syllables are an abbreviation of the Japanese word for “orchestra.” Consider how the term “empty orchestra” connects with the idea of karaoke.

Step 2: Think about the term “empty orchestra” on its own, apart from its association with karaoke. Come up with a new meaning for it. What kind of genre or musical form would “empty orchestra” be on its own?

Step 3: Record a piece of music exemplifying the ideas that arose to you during Step 2.

Tasks Upon Completion:

Label: Include “disquiet0646” (no spaces/quotes) in the name of your track.

Upload: Post your track to a public account (SoundCloud preferred but by no means required). It’s best to focus on one track, but if you post more than one, clarify which is the “main” rendition.

Share: Post your track and a description/explanation at https://llllllll.co/t/disquiet-junto-project-0646-empty-orchestra/

Discuss: Listen to and comment on the other tracks.

Disquietly an Empty Orchestra From Down the Hall [disquiet0646]

Imagine a temple,
where only white azaleas bloom—
a pure white haven.

Sôen Nakagawa was a key figure in the transmission of Zen Buddhism from Japan to the Western world. His teachings emphasized the importance of direct experience and the integration of Zen philosophy into everyday life.

Haiku by Sôen Nakagawa: https://tricycle.org/magazine/endless-vow-zen-path-soen-nakagawa/

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

more halF unusuaL

halF purE [naviarhaiku551]

“it feels like i’m sinking” is an ambient track by Chad Nathan

it feels like i’m sinking

Here's a brief little piece from 1999. "Coast". Somber in tone, but in the end ... you know where you are. Recorded to tape in 1999, using the WS EX and my old Technics cassette deck, which I still have but it doesn't work as it should now. This was all about the sound, and in a way the slight change in tempo as well. None of it was planned, except for the programmed sound. 😌

I think I had the gain up too high when I first recorded it, as it was clipping. I cut the volume here but it's still not a smooth as I'd like it to be. But, I'm just glad I kept those tapes in the first place! 🤞

Coast

Coast 𓇼 ❀ ࿔* ☾ (Korg Wavestation EX, Recorded on Tape in 1999)

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Belial Pelegrim is an electronic musician and producer known for crafting dark, cinematic, and experimental music. His work blends elements of ambient, glitch, IDM, and neoclassical styles, often creating immersive soundscapes that evoke a sense of mystery and introspection. Pelegrim's compositions are characterized by their rich textures and atmospheric depth. He frequently explores themes of surrealism, metaphysics, and the ethereal, drawing listeners into complex auditory experiences. Pelegrim's music often incorporates a hybrid of organic and electronic sounds, pushing the boundaries of conventional genres.​

Vater Unser - Arvo Pärt

Belial Pelegrim

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