lol this crazy. especially when tripping on acid

WHAT IS THIS!?!?!? IT IS INCREDIBLE......THANK YOU FOR THIS, there isn't much these days that lives up to the expression "holy" and this my friend....HOLY....thank you!!

annnd the title....so amazed I couldn't read....

Great spoken art! The poem and arrangement are right on!

I love these words and the book is great.

I couldn't decipher all the words, and yet, wept as their images passed through me.

something strange!

from 'Odham's Standard' [CD|LP|DIGITAL]
Denovali Records · den191
available on all formats at [http://denovali.com/origamibiro]

Origamibiro is a collaborative project consisting of three core members: musician, soundtrack composer and producer Tom Hill, visual artist and filmmaker The Joy Of Box, and multi-instrumentalist Andy Tytherleigh. Originally started as a solo project for Tom, Origamibiro has since evolved into an audio-visual collective, producing studio music, art objects, interactive installations and hauntingly original live audio-visual performances. Origamibiro like to create work with an array of unorthodox processes and contraptions, found objects, video feeds and multi instrumentalism. Their unique live performances involve treated books, typewriters, found celluloid, paper, eerie wildlife recordings, home movies, sellotape and bespoke visual contraptions. All of these things had been added, adapted, even destroyed as a way to generate images and audio that could evoke a feeling, a response, an understanding or perhaps a question from audiences.

2014 sees the re-release of Origamibiro's entire back catalogue - the albums ‘Cracked Mirrors and Stopped Clocks’, ‘Shakkei’ and ‘Shakkei Remixed’ - through Denovali and also the release of their fourth studio album 'Odham's Standard'. Discussions concerning tone and theme took place much earlier in the writing process this time around and unbeknown to each other, both Tom and Jim were taking an interest in more supernatural aspects of audio and video material generation. Jim had begun to research into spirit photography, where images of deceased spirits are apparently imprinted onto photographic plates through the presence of a medium. Looking for an audio equivalent, Tom began looking into EVP or electronic voice phenomenon whereby hidden voices from deceased spirits appear to present themselves in audio recordings. What is fascinating about this process is not how legitimate the phenomenon actually is but how dependant it is on the decision or need of the viewer or listener to believe it is significant or even personal.

Interestingly, there have been many attempts over the years to debunk or disprove the validity of spirit photography and yet for every court case there are also a number of witnesses willing to passionately testify that not only is the phenomenon real but that it applied directly to them. Arthur Conan Doyle was the creator of the most famous detective in the world and, conversely, a staunch defendant of the validity of spirit photography. In his infamous treatise 'The Case For Spirit Photography' he is both naive and strangely prescient: “Victorian science would have left the world hard and clean and bare, like a landscape in the moon. (however) There is nothing scientifically impossible, so far as I can see, in some people seeing things that are invisible to others. One or two consequences are obvious, the experiences of children will be taken more seriously. Cameras will be forthcoming. These folk who appear to be our neighbours, with only some small difference of vibration to separate us, will become familiar.”


Odham's Standard

Origamibiro - Butterfly Jar

Rappcats Exclusive: BBNG remixed Freddie Gibbs & Madlib’s “Shame” with the approval of the MC and Producer. MP3 is included as bonus with Badbadnotgood's album III at Rappcats.
http://rappcats.com/shop/badbadnotgood-iii/

BBNG's III out now on Innovative Leisure.

Tue 6 - Xoyo - London 
Wed 7 - The Exchange - Bristol 
Fri 9 - Brudenell Social Club - Leeds 
Sat 10 - Deaf Institute - Manchester 
Mon 12 - Botanique @ Orangerie - Brussels 
Tue 13 - Point Ephemere - Paris 
Wed 14 - Bitterzoet - Amsterdam 
Fri 16 - Prinzenbar - Hamburg 
Sat 17 - Brotfabrik - Frankfurt 
Sun 18 - Haldern Bar - Haldern 
Mon 19 - Gruner Salon - Berlin 
Thu 22 - Roisin Dubh - Galway 
Fri 23 - Pavilion - Cork 
Sat 24 - Sugar Club - Dublin 

Download

Freddie Gibbs & Madlib - Shame - Badbadnotgood Remix

Fuller Love (Soil and Pimp Sessions)

I-rony (Soil and Pimp Sessions)

Nils Frahm & Anne Müller live at Radialsystem on 14 December, 2013. In the frame of "The Intention", a multimedia production conceived by the innovative London based performance collective Neon Dance.  

Special thanks to Carlo Grippa and Terence Goodchild for the amazing sound.
Recorded at Radialsystem, Berlin.
Published with permission of the artists.

If you like what you hear, support the artists!
www.neondance.org
www.nilsfrahm.de

Visit UM:LAUT on Facebook and spread the word: 
www.facebook.com/umlautberlin
www.umlautlive.de

Nils Frahm & Anne Müller - The Intention @ UM:LAUT - Live Snippet 1

For today’s program I’ve invited Orla Wren, an artist from North England releasing music on Flau, Facture, Home Normal, and most recently Oak Editions, to share with you his favorite pieces, which happen to be from film. It’s a beautiful chronicle, with its own special plot and emotional journey: 

"For this mix I collected many fragments of music, dialogue and foley sounds which were taken directly from the films themselves and which I then arranged variously and carefully placed to construct some possible narrative. I always feel drawn to the most intimate moments within a film, most often I find it’s where the music and story hold the most emotion and poignancy. This mix is made with love and respect for the film makers, actors and the musicians, thank you for the beautiful moments." - Orla Wren 

Orla Wren - Filmscores Two

A glitch remix of the piece 'Berlin By Overnight' by Max Richter. 

Released on Vinyl and download by Deusche Grammophon

http://www.deutschegrammophon.com/gb/cat/4793988

Max Richter  - Berlin By Overnight  (Tom Adams Remix)

The poem "I Will Leave Trails in 3 Clouds" is an excerpt from "The Sacred Book of G" (blurb.com/b/5963353-the-sacred-book-of-g)

Poem, voice and video by Gonzalo Bénard (gbenard.com)
Piano piece composed and played by Ben Fehr

I Will Leave Trails In 3 Clouds (Poem by Gonzalo Bénard)

Emilie Levienaise-Farrouch is an award-winning French pianist/ composer currently living in London. Spanning film score, bespoke composition and sound design, her work is connected by both its high quality and evocative, meticulous craft - a common sensibility of elegant, instinctual composition. Signed by FatCat’s post-classical imprint 130701 following receipt of a stunning demo in 2014, Levienaise-Farrouch’s first album, ‘Like Water Through the Sand’ is set for a November 2015 release, and – alongside Dmitry Evgrafov’s debut for the imprint - marks an invigorating injection of fresh blood for 130701, introducing a striking new voice to the genre.

08 Scale of Volatility

Coming soon...

Somewhere between now and the future, a hunt begins in the blue neon space before darkness. The near dark.

Gideon Wolf’s new album lives in the headlights on that empty road, sweeping the distant violence at high speed. A soundtrack to the escape from a Ballardian dystopia.

‘Near Dark’ sees the duelling elements of Tristan Shorr’s musical output merge into one; prophetic ambience driving headlong into rhythm and distortion.  

Think Ben Frost and Max Richter colliding in a futuristic urban landscape – “a vertical Kubrick event horizon that is equal parts Nils Frahm and Oren Ambarchi” (Cyclic Defrost).

Mastered with precision by James Plotkin, the album will be limited to 200 copies, for release in September 2015, with packaging in the customary Fluid Audio style.

www.fluidaudio.co.uk

Gideon Wolf - Hunger

One Swallow

Fat Jon - Tranquilizer

Vocals - Tanya Batt
Rhodes Piano, Electronics - Harnes Kretzer
Piano, Electronics - Niklas Paschburg

Produced & mixed by
Harnes Kretzer & Niklas Paschburg

Mastered by
Timothy Fairless

Artwork Image by
Christopher Stoneman

Design by
Melanie Kurhan

Mechanitis (Feat. Tanya Batt)

Bruce Brubaker - Mad Rush

from the Firma Do Txiga 's/t' 3x7'' (P019, June 2017)
pre-orders: https://principediscos.bandcamp.com/album/firma-do-txiga

K30 - Sistema


Two countries, two cities, one river. The Oder River not only separates the German city of Frankfurt from Slubice in Poland, it separates two different worlds from each other. Whether rich or poor, people try to seek their fortune there – but often only find their limits.

Hans-Christian-Schmid („Nach fünf im Urwald“, „23“, Crazy“), one of the most successful and exciting young German directors, made a moving film with an impressive ensemble, telling emotional, deeply human stories, subtle and moving, tough and yet full of poetry.

Notwist composed the music for this film, based on a pianoloop and minimal electronics, and recorded it with participation of Sebastian Hess (cello) and Saam Schlamminger (zarb). For the twelve-inch release the piece was remixed by Martin Gretschmann aka Console.





Alien Transistor shop

The Notwist - Lichter 1

Composer and Multi-instrumentalist.
London.

I Will Leave Trails In 3 Clouds (Poem by Gonzalo Bénard)

Ben Fehr

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