Birds (demo)

Written and produced by Ruede Hagelstein. Lyrics and Vocals by Elle P.

Elsewhere 2014

Ellenstein  - Cinematic

This is the debut album from Le Carousel released in 2013

02 Lose Your Love

An understated and minimalistic, warm and heartening underscore track. A repeating, simple piano motif is supported by a subtle rhythm and soft strings. Intimate, caring and heartwarming, slightly wistful. (Stem files available.)

For licensing, contact
https://www.LynnePublishing.com


Buy/License

Home Is Where the Heart Is

MY WEBSITE: https://ramoninc.xyz
LISTEN ON STREAMING PLATFORMS: https://push.fm/fl/the-golden-point

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"The Golden Point (From Soulless Point Game)" is an EP released on March 7, 2023, conceived as the soundtrack for the early stages of the psychological game Soulless Point, currently in development by Per Triangle Productions. The game, set in an abandoned asylum with a PSX aesthetic and inspired by titles like Half-Life 1 and Portal 2, proposes the player a solitary and claustrophobic escape—and the EP embraces this atmosphere.

The opening track, "The Golden Point," delves into IDM (Intelligent Dance Music) territory, punctuated by sound effects (SFX) that suggest footsteps echoing in empty corridors, creaking doors, and flashing electric monitors. The rhythm is fragmented and unpredictable, evoking tension and uncertainty—perfect for a game where the goal is to escape a place that feels alive.

The remaining tracks transition into a universe of acoustic pop and ambient pop, serving as a counterpoint: soft acoustic guitar melodies, subtle piano, ethereal synths, and diffuse pads. These themes function as emotional reflections, possibly tied to the main character's narrative—moments of pause amidst the chaos, sensory memories, sounds from the past, or glimmers of hope, designed to humanize the player's experience.

"The Golden Point" functions as a balance point between extremes: the electronic chaos of IDM and the spiritual calm of ambient pop, as does the game's transition between imminent threat and reflective interludes. The EP showcases Ramon Inc. exploring the boundaries between gameplay music and authorial identity, creating a soundtrack that serves both gameplay and solo listening.

The Golden Point's epilogue is sonorously and emotionally strategic—where each escape process becomes music.
It's the sound of doors closing and memories turning on—mission and melody intertwined. 

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THANK U ALL ♡

The Golden Point

The Golden Point, Pt. 4

Buy on Bandcamp

Abridged (Nutia remix)

Kabuto & Koji - Drunken Slumber (Original Mix)

♬ Klick für mehr ☞ http://trndmusik.de/2017/06/das-erste-richtige-vinyl-release-oberst-buchner-bringen-die-emile-ep-raus/

Follow us on YouTube ☞ www.youtube.com/c/TrndmusikDe

Get Oberst & Buchner's EP on Freeride Millenium here: 
➟ Bandcamp: https://freeridemillenium.bandcamp.com

Die Ideen zu der neuesten EP vom Gespann @buchneroberst stammen ursprünglich aus einem Pool von Track-Entwürfen, die ursprünglich mal für ein Album gedacht waren. „Die Tracks sind etwas anders als unsere bisherigen Veröffentlichungen, weniger auf den Dancefloor ausgerichtet, eher experimenteller mit vielen Pop-Einflüssen“, erzählen Andreas Buchner und Sebastian Oberst, „wir haben uns da eher ausgetobt, viel ausprobiert. Vermutlich spielen da poppige Einflüsse aus unserer Kindheit eine gewisse Rolle, die wohl aber eher unbewusst mit eingeflossen sind.“ Herausgekommen ist die 3-Track-starke „Emile“. „Greg“ kommt daher wie ein Breakbeat-Bad voller sommerlichen Akkorde. Es ist ein melodischer Track mit spirituellen Gefühlen geworden. (...) Veröffentlicht wird die EP am 19. Juni 2017 auf dem Imprint @freeridemillenium. (...)

Click for more ♬

Oberst & Buchner - Greg

Christian Löffler - A Forest
Release: 18. Juni 2012 

Seit 2008 veröffentlicht der Mitbegründer des Kölner Musik Labels Ki kontinuierlich elektronische Musik. Dass er gerne zu künstlerischen Kollaborationen bereit ist, stellte er zuletzt 2011 auf der Ki-Spilt No.2 Baltic Sea gemeinsam mit Steffen Kirchhoff unter Beweis. Dort tauchten zum ersten Mal Vocals in Löfflers musikalischem Schaffen auf. Einmal auf den Geschmack gekommen, hat Löffler sich bei A Forest für gleich drei Tracks stimmliche Unterstützung geholt: Die gebürtige Dänin Gry Noehr Bagøien begleitet ihn bei Feelharmonia mit endlos gelooptem, gepitchtem sphärischem Summen, aus dem sich erst allmählich ganz artikulierte Wörter formen. Mohna, Frontfrau der Hamburger Band Me Succeeds unterstützt Christian Löffler bei Eleven. Auch Poet Marcus Roloff hat am Album mitgewirkt, seine mal implizit, mal explizit bedrohlich düsteren Texte fügen sich perfekt in die Löfflersche Klangwelt ein.

Für die dreimonatige Arbeit an seiner ersten LP, zog sich Christian Löffler in ein kleines Haus einer ehemaligen Gartenkolonie bei Usedom zurück. Dort gab es nur einen Raum, ein Fenster und einen Ausblick: Wald. Bei seinen Touren durch die karge Nachbarschaft hin zum Meer sammelte er die Geräusche ein, die ihn umgaben: Blätterknistern, Brandungsrauschen – mal beruhigend, mal bedrohlich, so wie Natur eben ist. Hohlige Holzsounds ziehen sich als mal leises, mal lauteres Geklöppel durch viele Tracks der Platte. 

www.christianloeffler.net
www.ki-records.com
www.kompakt.fm

Signals

Mutterkorn

Mutterkorn (Ninze & Okaxy Remix)

The title track of the new Ben Hoo album, 'Collected'
Out Now! http://www.beatport.com/release/collected/1091808

If there has been a theme running throughout London producer Ben Hoo's career to date, it's that he's never wedded himself to a single style. Techno and house inform his recorded music as much as down-tempo and contemporary classical. From a production perspective, Ben is drawn towards sound manipulation and design. His approach is steeped in audio reconfiguration, which he offsets by creating his own rich synthetic tones.

The most substantial example of Ben Hoo's sonic explorations to date has arrived with 'Collected', a 12-track compilation that will see release through Get Physical sub-label, Kindisch. The collection, which is also Kindisch's first artist album, brings together original Ben Hoo material from previous EPs 'Marea' and 'Modal', alongside new and exclusive tracks. 

Binding the compilation is the title track, a contemporary classical piece composed entirely of sounds, themes and melodies from each of the other tracks on the album. "I wanted the elements presented in a contrasting style to take them away from their original intentions," says Ben, encapsulating his rich musical range. "This idea is like that of a remix, though it sounds like the opposite… the other tracks sound more like remixes of the composition. I created the piece very much with film in mind."  The track is a cinematic masterpiece and, highlighting this quality further, is accompanied by a beautiful short film by french filmmaker Pierre Radua.

The body of work is a true testament to Hoo's extensive musical ability and diversity, exploring techno, deep and tech house, sophisticated electronica and contemporary classical. "'Collected' was not intended as a traditional album," says Ben. "I wanted each track to stand alone with its own sounds and own story. They were made from vastly different inspirations and a lot of experimentations in modifying audio."    

Opening with ‘Marea’ ('tide' in Spanish), a deep track, relaxed and full of rhythm, the album continues on a journey through Hoo's rich sonic landscape, moving into 'Run Of Sevens' where a laid-back groove is enforced by a cyclic bassline drone. 'Night Light' combines tribal and minimal textures, whilst 'Modal', a deep, hypnotic piece built around a literal playing of a modal scale and made up of sound designed elements is all about indulging in a mood.  Jasmine has a feeling of warmth and optimism, combining tech house beats with sun-drenched jazz chords, and 'Cetacea' uses sounds evocative of whale song to create an enchanting soundscape set over complex rhythms.  'Duplex' is named as such due to the two very definite energy levels, and moves us into more rugged terrain, combining techno beats with driving, organic chimes. 'Maledictum's textures weave and manipulate slowly over time, with a raw pattern and rolling unbroken flow. The piece features a distorted, haunting vocal chant, infectious bassline and epic snare roll.  'Nightscape' is rhythm-centric with its deep contemplative chords conjuring images of night time city scenes, whilst 'Right Kind Of Rain' is an experimental slice of electronica, encompassing glitch palates, and is almost entirely focused on sound design.  The album's penultimate track 'Paper Juliet' is a downtempo jazz infused electric piano lead track which leads us into the sunset, whilst serenaded by tribal beats, before we embark on the final phase of the journey, the stunning, cinematic beauty that is 'Collected'.

'Collected' is not a typical artist album, and it's fair to say that Ben Hoo's rise to prominence has been far from typical. How many young producers could say they'd remixed Fever Ray, Moby, M.A.N.D.Y & Booka Shade and Tiga before even releasing a solo single? It takes true creative flair to carve out a career solely by interpreting the work of others—and London's Ben Hoo has done just that. His subsequent EPs for Kindisch showed his enormous potential as a solo artist, and 'Collected' will establish Hoo's place among electronic music's most promising new talents. 

Ben Hoo - Collected

KINDISCH / GET PHYSICAL / OVUM / HIGHGRADE / IBIZA SONICA / WE ARE NIGHT PEOPLE

"Ben Hoo effortlessly traverses the boundaries between sophisticated electronica and deep, warm, atmospheric techno..." - Tilllate Magazine