a simple study in dilated sequences, asynchronous loops and resonance

in the centre of something {analog study}

Ben Carey is a Sydney-based saxophonist, composer and technologist with interests in contemporary classical, interactive, improvised and electro-acoustic music. Ben’s recent research and practice incorporates equal parts performance, composition and the development of musical software systems. Ben’s work has been featured at the Huddersfield Contemporary Music Festival (2016), the Metropolis New Music Festival (2015), The Totally Huge New Music Festival (2015), the International Conference of Computational Creativity (2015), the Conference on New Interfaces for Musical Expression (2012, 2014), the International Computer Music Conference (2013), the Sound and Music Computing Conference (2012), the dBâle festival of electronic music (2012), IRCAM Live @ La Gaité Lyrique (2012). Ben completed a PhD at the University of Technology, Sydney in 2016, and has lectured in music technology and contemporary music at the University of Technology, Sydney and the University of New South Wales. In 2017 he begins a new role as Scholarly Teaching Fellow in Composition and Music Technology at the Sydney Conservatorium of Music.