Flutter

Jerry La Film makes his 80s soul-tinged debut for the label with Tell Me - an M1-heavy heads-down house and synth-funk jacker, as premiered by Parisian duo Les Yeux Orange.

Tell Me is released as part of the Acid Waxa Singles Club series in addition to new releases from Roy of The Ravers, Lady Neptune, Toffo, Mossman and many more!

Singles Club artwork by Calvin Halliday and Connor Clasen.
Mastered by Ruby Burns (@rubyburns_sound)
Written and produced by Jerry La Flim.

TELL ME [Acid Waxa]

Leia mais: http://bit.ly/ggn6a4 / Read more: http://bit.ly/h7PlI0

Pauline Oliveros, “Bye Bye Butterfly” (1965)

WeMe20ans
V/A "WeMe20ans" 3LP
PRE-ORDER! WILL BE READY FOR SHIPPING May 2  2024
Special limited (CAMOUFLAGE ! – only on this website!)
https://wemerecords.com

A1 Zandvoort & Uilenbal -  De Zuidwester Loert A2 Matzo - Pop-n-Loc A3 Chromedealer - labyrinth ∞  B1 +10 - Untitled B2 NOT_MDK - Is It Me Youre Looking For B3 Binary Digit - A2  C1 Superstructure - rain C2 ReQuest - Address Unknown C3 RTR - Mais Ouais  D1 Rawakari  - Stacy Study D2 Terrence woodard  - Dance track D3 Dmx Krew - Unknown Quantity dry  E1 EOD - Point A E2 D'Arcangelo - 5exp E3 CAPSULE - Ruska F1 Black Narcissus (Dark Churn) F2 Biochip - jammers office

V/A "WeMe20ans" 3LP

The Breaks

Wave

Dylan Henner (AD 93, Phantom Limb) returns to Dauw with 'performs Raymond Scott’s Soothing Sounds for Baby’, a new album where he reinterprets a selection of Raymond Scott’s iconic work originally released in 1962. The album will be released on May 31 and available on limited edition vinyl and digital. Artwork is provided by Skrew Studio in reference to the original releases.

The contributions of Raymond Scott to our world are immeasurable and pioneering, and his records still sound totally unique. But one could say that, viewed through the lens of what we now understand to be "ambient" music, the meaning of his compositions have changed since their inception. Now, we (mistakenly or not) see them as archival or documentarian pieces preserving an era of early electronic music and the capabilities and limitations of the technology of its time. It has become an artefact, a means to an end. So, with huge reverence to Scott's foresight and genius, Dylan Henner wanted to recontextualise those same ideas into the mindset and studio of a musician in 2024, to create a version of what Scott left us that corresponds with Henner's own perception of this music's purpose: soothing baby. He returned to the original records only once or twice, transcribing melodies and taking notes on timbre, before setting off his own journey.

“I didn't want to take too much from Scott or his music, as it is untouchable, both creatively and culturally. But I wanted to offer my baby (and any babies whose parents play this record) something soothing and meaningful of my own.” Dylan Henner

All music composed by Raymond Scott, performed and produced by Dylan Henner
Mastered by Ian Hawgood
Artwork & design by Skrew Studio

Dylan Henner - Lullaby

Marie-Pascale Hardy debuts her latest moniker / personality, Alonē Etimis for her EP, NIGHTVISIONS recorded over a 18-month isolation period in an ancient stone stable in the mountains in the South of France. The writing process of the four-track EP draws from the idea of ‘alchemical transmutation’, channelling her personal ancestral lineage through to humanity as a collective body: ‘Putrefaction. Purification. Rebis.’ 

Mastered by John Tejada

Full EP available on Bandcamp now: https://doyenne-books.bandcamp.com/album/d-06-nightvisions-alon-etimis

Hand-bound book - edition of 20: https://doyenne-books.bandcamp.com/merch/nightvisions-book-marie-pascale-hardy

D E A D D R E A M S - Alonē Etimis

Start to understand that you ALWAYS have more than enough energy!
Use your energy FOR yourself or AGAINST yourself!
The Fact is:
Inner Development so as self destruction can obly become alive by your own infinite energy that you ARE!!!
Where is your focus? Which words do you use? Which intentions do you have?

You are nourishing your own energyfield ALWAYS!

Giving up or giving in:
YOU choose!!!


Eternal Energy


Alabaster DePlume 
“Peach”
Debt Records
28th Sept 2015

A peach is a sweet and soft and good thing with a stone in the middle, and this is an album about being a person. Smartphones, analogue tape, valve microphones, computers, group games and a grand banquet were used to create this collection of songs, tunes and monologues, that use a series of contradictions to talk about being alive. 

Long-term collaborators John Ellis (piano) and Paddy Steer (percussion, bass, lapsteel, synth) join Angus Fairbairn (vocal, tenor sax) along with eleven other musicians and nearly a hundred other voices in presenting sounds likened to Ethiopian jazz and Japanese folk music. Scripts and vocal delivery evoke Ivor Cutler, Emo Philips and Leonard Cohen, for this combination of theatre, live-captured music, songs, humour and philosophy.

It is a unique collection, made by unusual means designed around the artistry and conveyance of its many contributors. Created over three years in London and Manchester, it’ll be celebrated in those two towns on the dates below, following its vinyl and digital release on Manchester label Debt Records, on 28th September 2015.

A composer, musician and performer, Alabaster DePlume (Angus Fairbairn) has toured northern Europe, appeared on UK national radio and developed theatre for Bram Stoker Festival in Dublin. His many combined arts projects are based around music, and personal inclusion. In this, his third album, he has employed as many voices as he can, in conveying a method of survival he’s been taught, he says, by everyone he’s met.

Hope grows naturally, like a
dandelion between the bricks.
I feel good…

Manchester launch: 4th October at The Wonder Inn 
London launch: 31st October at The Total Refreshment Centre, Dalston

Personnel:
Will Calderbank – cello
Rioghnach Connolly – flute 
Ellis Davies – electric guitar
Lorien Edwards – bass guitar
John Ellis – pianette, clavinette, piano
Leonie Evans – backing
Angus Fairbairn – vocal, tenor sax, acoustic guitar, yanquin dulcimer, synths
Dominie Hooper – backing 
Philip Howley – drums, percussion
Mikey Kenney – violin 
Pascal Makonese – m’bira
Kirsty McGee – bass flute
Tim Vincent Smith – violin
Paddy Steer – drums, percussion, bass guitar, double bass, synths
Rick Weedon – drums, percussion 
With selected vocal delivery from – Rioghnagh Connolly, Ellis Davies, Julia Foster, Katarzina Jablonska, Sally Jenkinson, Kasia Wlaszczyk, Oliver Conway. 
And with a chorus of attendees of the ‘Excuse Me’ studio feast, 9th September 2014, Antwerp Mansion. Meal by Samuel Buckley.

Engineered by Paddy Steer, John Ellis and Karl Sveinsson. Recorded at Limefield Studios Middleton, Madwaltz Levenshulme, Antwerp Mansion Rusholme and the Total Refreshment Centre Dalston, with additional field recordings at various locations. 
Mastered by George Atkins at 80 Hertz.
All songs and scripts written by A. Fairbairn. 

12 – Whisky Story Time

RR Variation

Minais B is the solo moniker of Villads Klint, who also produces deconstructed pop cuts as a part of the trio Khalil along with Nikolaj Vonsild (When Saints Go Machine, Cancer) and Simon Forman (Age Coin, Yen Towers), whose debut album was released August 25th on Posh Isolation. In his solo project, the young producer explores movement and contrasts in sound, and “As The River At Its Source” is no exception hereof. It stays in motion from the beginning to the end, constantly moving from one frame of mind to another, ultimately maintaining an atmospheric quality throughout the entire duration.

In “As The River At Its Source”, Minais B is uniting alluring and challenging sounds by merging sonic experiments with a profound, soothing melancholy, questioning when a sound is beautiful and when a stranger becomes an acquaintance. At times the piece lets its listener drown in dreamlike arpeggios and synth pads, while suddenly breaking down in order to proceed with a passage consisting entirely of restless bass-heavy beatings.

As his first vinyl release, Minais B delivers a very mature offering on “As The River At Its Source”, a highly emotional endeavor in contemporary ambient music, touching on the complex nature of human connection.

Artist: Minais B
Title: ”As The River At Its Source”

All music written and produced by Villads
Text by Adam & Villads
Speak by Nynne
Mastered by Aske
Lacquer cut & Vinyl Master by Hari
Pressed at R.A.N.D Muzik
Artwork by Laurits

Out on 12" Vinyl and digital download October 21st, 2017
Distributed worldwide by EM92 Distribution

Facebook: https://www.facebook.com/petrola80/
Bandcamp: https://petrola80.bandcamp.com/releases

Press:

http://adhoc.fm/post/minais-b/
https://secretthirteen.org/minais-b-as-the-river-at-its-source/
https://www.theransomnote.com/music/mixes/minais-b-the-monday-is-okay-mix/
http://www.seeksicksound.com/minais-b-river-source/
https://bostonhassle.com/minais-b-as-the-river-at-its-source/
https://www.thenewnoise.it/minais-b-as-the-river-at-its-source/
http://www.straylandings.co.uk/news/minais-b-of-posh-isolation-signed-trio-khalil-to-release-solo-record
https://nichemusic.info/minais-b-as-the-river-at-its-source/

Flutter

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