There’s a hauntingly classic feel to Dunbarrow’s sound that gives it, in the band’s own words, “an eerie rawness.” It’s not raw in a lo-fi or distorted sense — far from it, the production is exceptionally clean and powerful. It’s the vibe to the music that has a dreamlike and ghostly quality, like a mysterious recording imprinted onto an old cassette tape.

Dunbarrow’s pristine, unadorned sound shares the unpretentious brilliance of classic heavy progenitors jamming in basements and barns, before the big budgets and bloated habits diluted hard rock records into an echo chamber awash in reverb and layered in distant, screeching hobbits. “It’s a heavy sounding record without being just tons of over-distorted guitar tracks,” says guitarist Kenneth Lønning. “We’ve never been fascinated by that, and we’re trying to push in the other direction.” Its heft comes from the band’s use of space in their songs.

Without the Haugesund, Norway quintet’s exceptional musicianship, such an intimate sound would be impossible. Drummer Pål Gunnar Dale sets the skeletal core with driving urgency and tastefully punctuating triplet fills, Bassist Sondre Berge Engedal slinks throughout with the limber bounce of John Paul Jones, while Lønning’s and Eirik Øvregård’s guitars weave dark, bluesy tapestries with emphasis on melodic chord structures without burying them in distortion or other effects. Vocalist Espen Andersen ties it all together with his warm, folky delivery that gives it all the feel of a bygone era of storytelling in song.
“Maybe more than the previous record, this one is more vocal driven,” Lønning says. “But it still has those quirky transitions, eerie build ups, folk-inspired parts and the haunting solos.” Many of the album’s poetic lyrics were written by former bassist/vocalist Richard Chappell, whose writing personifies the group. Along with the album’s running theme of love and despair, is that of recognizing one’s own dark sides and developing your shadows into something you can control, inspired of the work by Carl Jung.

Key to the band’s impressive sound is that the singer is also the recording and mixing engineer. Andersen also recorded the band’s excellent 2016 debut (formally released wordlwide by RidingEasy in late 2017), now with more studio experience for both Andersen and the band, Dunbarrow II is a truly refined experience. To further perfect their sound, the group teamed up with one of the most prominent producers in Norway, Christer Cederberg (Anathema, Tristania) for the first few days in order to get the sound just right. Then, Espen did the rest. The result is as eponymous and definitive as its title.

Dunbarrow II will be available on LP, CD and download on RidingEasy Records on September 14th, 2018.

Born in 89 vocalist from Gudbrandsdalen in Norway. Currently living the big city dream in Oslo, Working at a support center and as a freelance photographer. Vocalist in the band Coastlines. https://open.spotify.com/track/0SynP0Y0Ybyr92Y94ssFRy?si=8k4xibSxR-ygiFFi6EbO1A

Dunderbeist has gone from being an eight-man orchestra with a bus load of stage elements, make-up, costumes and tight choreography to become a pure hard-rock playing band. Where the main focus now lies in the immediacy of the musical exercise itself and the presence of the music, just as you are present in the warmth of the light, the rumbling sound from the speakers and all the good people around you. In a world where the easiest way out wins every time and technical solutions take shortcuts for the good experiences - Dunderbeist will never let go of the hours it takes of honing the craft and refining an idea before presenting it to everyone else. Old school cool.

The band is a progressive hard rock band with five musicians who have been through over a decade together. 8 releases have constantly tried to push their own boundaries in relation to

songwriting, collaboration and dissemination of their own signature. Each of the 8 releases have each had its own independent form and conceptual framework as a solid foundation for the development of a unique musical signature. Dunderbeist has a strong local roots in Hamar and Hedmark. The lyrics are sung on dialect and the band uses local linguistic peculiarities to formulate what they believe to be an underlying Fandenivoldian characteristic of the forest-heavy county.

Dunderbeist will start touring in the beginning of 2021 with a new album fresh out of the woods. “URO” is due to be released April 16th.

www.dunderbeist.com

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