Holly

Bad House Shimmy

Sci - Fi Film Music 1

The Corner Of My Mind (Bedroom Demo)

Over  (rehearsal room demo)

"Bills" taken from Little Arrow's acoustic album "Old Ink" Buy it here in it's Zine format, featuring work from a selection of artists and illustrators, based on lyrics from the Little Arrow back catalogue. http://bubblewrap.bigcartel.com/product/old-ink

More info here: http://www.littlearrow.co.uk/news/

Bills

This is the 4th track of my Debut EP 'Each Other'

If you enjoy this track a repost/share is much appreciated!

Buy the song or the full EP 'Each Other' here >> https://goo.gl/q1plB3

Stream + follow on Spotify:
https://play.spotify.com/album/2ylnecHvf5ozpwankPh2I1

C O N N E C T:
http://www.facebook.com/patmeruseye
http://www.twitter.com/patmeruseye
http://www.youtube.com/patmeruseye

Download

Remember

Taken from Shook, the debut album from Dralms, out now.

Buy the album here: 
https://itunes.apple.com/gb/album/shook-deluxe/id1020610284
Rough Trade: http://www.roughtrade.com/albums/96068
Rise: http://goo.gl/065eJr
FTH Store: http://fulltimehobby.sandbaghq.com/dralms-shook-pre-order.html

Shook

Dralms - Shook

Buy Now -
Ninjashop: found.ee/EasyNow
iTunes: found.ee/EasyNow-it
Spotify: found.ee/EasyNow-sp
Bandcamp: found.ee/EasyNow-bc

Follow The Invisible -
Facebook: goo.gl/uG5qMO
Twitter: goo.gl/Y2XO3X
Soundcloud: @the-invisible
Spotify: goo.gl/l7PMW2

The Invisible share new track Easy Now - an 808-inflected deep-funk workout - recorded as part of the sessions for their new album, which Floating Points has contributed to amongst other guests. Describing the track Dave Okumu says: “George Clinton once said, "funk is anything you need it to be to save your life". We have always agreed. Serenading the unseen has become easier now.”

Additionally, catch The Invisible (Dave Okumu, Tom Herbert and Leo Taylor) performing as part of the Floating Points live band at the Dimensions Festival Opening Concert broadcast on Boiler Room tonight from 6pm GMT in support of his just announced debut album "Elaenia".

Since their last album - 2012’s Rispah (Ninja Tune) members of the band have been busy recording for, amongst others, Grace Jones, Jessie Ware, Lianne La Havas, Adele, Lana Del Ray, Polar Bear, Petite Noir and In Dreams: David Lynch Revisited.

Keep up to date with fresh Ninja Tune material via our New Releases Spotify playlist: http://found.ee/NTNewTracks

http://ninjatune.net

Easy Now

The Invisible - 'Easy Now'

“The audience is the root of the problem, not the people making it. Because of our business, because of the record industry, they have access to such a wealth of music that they don’t want to hear anything new. We’re listening to dead music all the time now, we’re not listening to new music”

George Martin, speaking to Paul Du Noyer in 1998


All Back No Front #26

1. Brother’s Rap ‘The Revolution Will Not Be Televised’ (Numero) from ‘1st Annual Inner-City Talent Expo’ 
2. Slowthai ‘Jiggle’ (via Soundcloud) 
3. Jons ‘Don’t Complain’ (Gary Cassettes) from ‘Serfs of Today’ 
4. The Comet is Coming ‘Space Carnival’ (via Bandcamp) from album ‘Channel the Spirits’ 
5. Anna Rose Carter & Pleq ‘My Piano is Broken’ (1631) from ‘My Piano is Broken’
6. Klangstof ‘Hostage’ (Mind of a Genius)
7. Klaus Johan Grobe ‘Wo Sind’ (Trouble in Mind) from album ‘Spagat der Liebe’
8. Useless Eaters ‘Temporary Mutilation’ (Slovenly) from ‘Temporary Mutilation’  
9. Roza Roza ‘-’ (Mörk/Lobster Theremin) from ‘-’
10. Mal Devisa ‘Everybody Knows’ (via Bandcamp) from ‘Kiid’ 
11. Mitski ‘Your Best American Girl’ (Dead Oceans) from ‘Puberty 2’ 
12. Weird Dreams ‘Heaven's Hounds’ (Tough Love) from album ‘Luxury Alone’
13. Darlene Shrugg ‘Freedom Comes in a Plastic Card’ (via Bandcamp)
14. Hoops ‘Feelin Fine’ (Warm Ratio) from ‘Tape #3’ 

www.allbacknofront.com 

All Back No Front #26

Benedict Benjamin is Ben Rubinstein, formerly of The Mariner’s Children and Peggy Sue(Wichita). His third album ‘Tunnel’ is a collection of sixties influenced psychedlic folk rock that mixes samples and live instrumentation to create a sound that feels both old and new.

After touring his second album with a band the pandemic happened. Deprived of collaborators, Ben adopted very different methods of writing and arranging to those used in his previous work, sampling and editing drum solos from old jazz records to create rhythm tracks then writing from there. The result is a rhythmically dynamic record that pulls in elements of psychedelic rock, folk, jazz and electronic music.