Miss Anthropocene Out Now  https://grimes.ffm.to/missanthropocene

Download the #GrimesArtKit stems for "You'll Miss me When I'm Not Around" - https://soundcloud.com/actuallygrimes/sets/grimesartkit-remix-project

Berlin-based duo Booka Shade, aka Walter Merziger and Arno Kammermeier, have carved out a reputation as one of the most celebrated electronic acts to come out of Europe over the past two decades. 

With their beginnings in Frankfurt and their sights originally on synth-pop, the duo Booka Shade quickly gained a strong following within electronic music, and in 2002 the pairing formed the now legendary dance label Get Physical Music (together with M.A.N.D.Y., Thomas ‘DJ T.’ Koch and Peter Hayo), where they would have a platform for their own music. 

Three years later, in 2005, their EP’s ‘Mandarine EP’ and ‘Body Language’ - the latter co-produced with M.A.N.D.Y. - launched Booka Shade into the stratosphere with both EPs becoming international successes, whilst the following years soon welcomed an extensive body of work featuring a combination of stand out albums and singles that quickly achieved further global success.

Since their break-through performance at Sónar in 2005, Booka Shade have earned huge recognition with their innovative live shows, even being named one of Resident Advisor's Top 5 live acts in the world in 2010. They have opened for legendary acts such as Depeche Mode and Kraftwerk, whilst headlining stages at the likes of Coachella, Glastonbury, Rock Werchter, and Red Rocks just to name a few. In recent years, the band has appeared amongst the likes of DJ Mag’s ‘Alternative Top 100 DJ List’ (2018), whilst their notable live sets have led to key mentions amongst a host of distinguished festival reviews and round-ups, including placement within DJ Mag’s ’10 Unforgettable Sets From The History Of Exit Festival’.

Booka Shade were also inducted into Pete Tong's BBC Radio 1 Hall of Fame, having received strong support from the station throughout their careers, playing at both the ‘40 Years of Radio 1’ celebration with Annie Nightingale and the ‘20 Years of Essential Mix’ party, whilst also mixing Pete Tong’s ‘All Gone Ibiza’ compilation album. 

The duo’s fan base is in no way restricted to electronic music enthusiasts, with great success playing slots at the Montreux Jazz Festival, Lollapalooza, and more by utilising their massive crossover potential, which is as evident in their billings as it is in their remix credits, including acts like Depeche Mode, Moby, Hot Chip, Kings of Leon, Woodkid, The Knife and many more.

Add to the mix their Blaufield Music imprint, founded in 2013, and it’s clear and easy to see the pairing's musical knowledge not only as producers but also adept A&R’s, with releases to date on the imprint from both emerging and established talent alongside their own productions resulting in a string of releases and collaborations that can be regularly found amongst the upper end of Beatport’s Top 100 charts and championed by many of the industry’s biggest names.

Twenty years, dozens of EP’s and six albums later, Booka Shade have become more than a household name, they have become synonymous with the spirit which drives electronic music and have set a precedent to which electronic music is still held to today.

AGENT REPRESENTATION:

ROW
Tom Nettleton - tom@paramountartists.com
Josh Pollard - josh@paramountartists.com

The Americas North & South America: 
Jon Sax, Liaison Artists - jon@liaisonartists.com

GSA Florian Hauss / Four Artists - florian@fourartists.com

PRESS: 
Dispersion PR 
Jake@dispersionpr.com  Jane@dispersionpr.com

"GIVE IT TO ME" OUT NOW! : https://miguel.lnk.to/giveittome

Hola,
Thanks for passing by and listening. 
I have a website: https://cocomaria.net/

Join me live every second Monday on NTS "Club Coco" https://www.nts.live/shows/coco-maria
My Worldwide FM archived shows are here: https://www.mixcloud.com/cocomariamusic/ 
❣️

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Benedict Timson is following