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Lucrecia Dalt - "Inframince"

Download: http://www.xlr8r.com/mp3/2013/10/mirage

Download

Lucrecia Dalt - Mirage

grouper 'call across rooms'

'Violence' is the first track to be taken off Andy Stott's forthcoming album 'Faith In Strangers' due for release via Modern Love on November 17th/18th 2014.

Andy Stott - Violence

Andrea Belfi - "Natura Morta" out november 7th on Miasmah.

Natura Morta, "dead nature" or "still life". This album can be understood as a powerful study of the minute details of the art of electro-acoustic composition, as much as the Renaissance "nature morte" were a masterful display of the artist’s skill in portraying the glow of a ripe fruit, or capturing the light beaming on a vacant chair.

Six tracks, to be listened to as two long explorations in the art of variation and repetition. Layers of drums and percussions intertwine with synth waves making the portrait come to life, detail after detail, until a complex figure emerges from the white canvas. The constant, unsteady sounds, wavering noise, swirling cymbals, and distant feedback gently pull the listener into the picture, letting them enjoy every detail of this beautifully staged compositions.

Recorded at EMS studio, Stockholm, ZKM in Karlsruhe and at the legendary Funkhaus in Berlin, this album mixes influences from both Italian minimalism and the electro-acoustic contemporary scene. Somewhere in between the electronics of Keith Fullerton Whitman, the percussive repetitions of Jon Mueller, and the atmospheric sensibility of Pan-American.

Andrea Belfi - Roteano

- Premiered by Benji B on BBC Radio One -
iTunes → http://smarturl.it/hudmochimes

Hudson Mohawke - Chimes EP 
Out September 29th on Warp Records

A1 Chimes
A2 Brainwave
B1 King Kong Beaver
B2 Chimes (Gammer Re-Edit)

Chimes

itunes

Hudson Mohawke - Brainwave

Taken from the new Ben Frost EP - 
'V A R I A N T' - out on vinyl and download on 8 December 2014 through Mute / Bedroom Community  (U.S release dates - Download 9 December / Vinyl 13 January)

The limited edition EP features remixes of tracks taken from the latest album A U R O R A by British producer Evian Christ (following his critically acclaimed Waterfall EP and work with Kanye West); Downward label boss and techno producer Regis (previous remix credits inc. VCMG, Terence Fixmer), Good by Air affiliated experimental artist Dutch E Germ (previous remix credits inc. Fatima Al Qadiri and Mas Ysa); Australian duo HTRK and raster-noton recording artist Kangding Ray.

V A R I A N T :: EP TRACKLISTING
Venter - Evian Christ TF 12” Mix
Venter - Dutch E Germ Remix
Venter - HTRK Remix
No Sorrowing - Kangding Ray Remix
Nolan - Regis Self Medicating Edit


Pre-Order V A R I A N T here: 
Rough Trade - http://www.roughtrade.com/albums/88102
Boomkat - http://boomkat.com/vinyl/1126481-ben-frost-v-a-r-i-a-n-t
Bleep - https://bleep.com/release/55179-ben-frost-v-a-r-i-a-n-t

Get A U R O R A here: 
iTunes - smarturl.it/auroraiTunes
CD - smarturl.it/auroraCD
Standard Vinyl - smarturl.it/auroraLP
Coloured Limited Edition Vinyl Boomkat - boomkat.com/vinyl/969946
Rough Trade - www.roughtrade.com/albums/81850

www.ethermachines.com
www.facebook.com/theghostofbenfrost
www.twitter.com/ethermachines
www.benfrost.bandcamp.com
www.myspace.com/theghostofbenfrost
@benfrost

www.mute.com
www.bedroomcommunity.net

Ben Frost :: 'Venter' (HTRK Remix)

http://shelter-press.com/055-Felicia-Atkinson-A-Readymade-Ceremony

FELICIA ATKINSON 'L'oeil' (SP055)

from the album Charles Cohen - "Brother I Prove You Wrong" out on Morphine Records 2015 - doser026LP

Composer, improviser, and Buchla Music Easel master Charles Cohen returns to Morphine with a suite of new material. In keeping with the timbre spectrum of his semi-modular system, Brother I Prove You Wrong is built around pointillist analog tones—Cohen's cosmic "beeps and boops"—that swarm and scatter in mesmeric patterns across four sides. Moving through surrealistic textural overlays and industrial miasma, the album's nine tracks reveal a more introspective and personal side of the artist, following from a retrospective LP trilogy released via Morphine in 2013. Those assembled works, dating back to the late '70s, quickly became essential listening and brought Cohen—at the time largely unknown outside Philadelphia's experimental circuit—to critical renown. 

Brother I Prove You Wrong was recorded in Berlin in September 2014 using the Buchla Music Easel, with production help and support from Rabih Beaini. Mastered by Neel and curated and designed by TankBoys; cover art by Nathalie du Pasquier.

Charles Cohen - The Boy and the Snake Dance

Outside

"Adamance" by Yves De Mey from the forthcoming "Drawn With Shadow Pens" 2xLP due out January 2016.

"Adamance" by Yves De Mey

2nd track on 'Intact' (Jj funhouse, 2016)
http://www.jjfunhouse.com/catalogue/jj010

Data

Ursula Bogner: Winkel Pong
Format: 7” Vinyl/DL
Label#: faitiche15
Release date: Sept 8th 2017
 
Faitiche is delighted to announce the release of a new Ursula Bogner record (faitiche15). Winkel Pong contains three previously unreleased pieces from the archive of the sound researcher who died in 1994. In 2008, Jan Jelinek put together a first album from Bogner’s tape archive (CD/LP Recordings 1969-1988, faitiche01). A second followed in 2011, compiled this time by Andrew Pekler (CD/LP Sonne = Blackbox, accompanying the book of the same name with texts, photographs and Bogner’s graphic oeuvre). For Winkel Pong the tape archive was passed on to Lucrecia Dalt. The Berlin-based Colombian sound artist and musician chose three tracks from the 1980s (exact dates unknown), editing the tape recordings for their release on Winkel Pong.
 
Gundrun Gut (Malaria!, Einstürzende Neubauten), an activist and reluctant chronicler of Berlin’s underground scene since the 1980s, has worked with Lucrecia Dalt. She is also familiar with Ursula Bogner’s work. Reason enough to ask her for an interview:
 
Jan Jelinek: Gudrun, how does it feel to be constantly obliged to talk about the 1980s Berlin underground as someone who was there at the time?
 
Gudrun Gut: I’ve learned to live with it as there are clearly too few people who witnessed it first-hand. Maybe it’s even important to do these interviews as a woman – so that someone actually says that women, too, have written music history. Men tend not to mention this. But it’s true, people do always ask the same questions.
 
JJ: Did you know about Ursula Bogner in the 1980s? Did you ever meet her?
 
GG: No, I never met Ursula Bogner in person and I only discovered her in 2008 thanks to Faitiche. But that’s no surprise: firstly, I don’t know every single woman artist, and secondly, far too many women artists never see the light of day. In the male-dominated art and music market, women are not considered important – or worse still, they are not understood. Look at artists like Sonia Delaunay, Eva Hesse, Bebe Baron, Delia Derbyshire and Daphne Oram. Some of them have now been discovered – but only recently. A lot has changed in the last few years: there is a growing awareness of art and music made by women.
 
JJ: But isn’t it annoying that the conventional distribution of roles still applies? One example: in many articles, Ursula Bogner has been presented as an “electronic housewife”.
 
GG: When Ursula Bogner is referred to as an electronic housewife, then sadly that reflects the situation of many women artists at the time. Women could only pursue artistic activities in private – transcendence was reserved for men. This has still not been overcome. But today, the home has become a site of professional production for all. I’m talking about bedroom producers: it is totally normal to make art and music at home. And that makes things interesting, because “working at home” is no longer associated solely with women.
 
JJ: For Winkel Pong, Lucrecia Dalt compiled and remixed three pieces from the Bogner archive. You know Lucrecia and you’ve already worked with her. How did you meet?
 
GG: I met Lucrecia through MySpace – I think it was 2007. Back then she was still living in Medellin, Colombia. Lucrecia’s father made loop machines for her that she still uses. The Sound of Lucrecia was part of my 4 Women no Cry compilation series on Monika Enterprise, each with four producers from different countries. She’s great fun to watch as a performer because she has a unique sense of rhythm and feel for music. Above all I’m impressed by her sustained approach as an artist, someone who can and does think around corners. I’m thinking specifically of her album Ou, for which she ploughed her way through post-war German cinema, using it as a source of inspiration for a soundtrack. This is proof that she thinks like an engineer – so it makes perfect sense that she would want to explore the work of Ursula Bogner.
 
Berlin, 2017

Ursula Bogner: Atmosphärische Energie (edited by Lucrecia Dalt)

Premiered by @resident-advisor 
https://www.residentadvisor.net/tracks/893826

"I made this track from samples of a piano board I recorded in EMS Stockholm with LAIR while we were working on our project. And some microphone hiss for the beats. I have been making purely percussive tracks recently for my upcoming album, so for this track I wanted to have an emotive melodic element as well. The title refers to the difficulty it seems as a human to live as you truly want, as opposed to how you think you should." - @eomac

Ben Frost :: 'Venter' (HTRK Remix)

BenFrost

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