If Life Could Be This Way

▶ BUY/STREAM: https://fanlink.to/BabyTonight
▶ Montaime, Vol. 3: fanlink.to/MontaimeVol3

LYRICS:
You are giving me something
Like a blessing from above
Oh it's you I dreaming of
And I need
By my side
My love for you, I just can't hide cause

You (are everything I want and)
 me (I can be the one)
And we (could be so good together)
So be my baby tonight
You (are everything I want and)
 me (I can be the one)
And we (could be so good together)
So be my baby tonight

You are my one and only
In your arms I find my home
Here with you my love has grown
And we, gotta get it together
Cause you're my treasure
My love for you I can't deny, cause

You,
Me,
We,
So be my baby tonight
You,
Me,
We,
So be my baby tonight

You (are everything I want and)
 me (I can be the one)
And we (could be so good together)
So be my baby tonight
You (are everything I want and)
 me (I can be the one)
And we (could be so good together)
So be my baby tonight
You (are everything I want and)
 me (I can be the one)
And we (could be so good together)
So be my baby tonight
You (are everything I want and)
 me (I can be the one)
And we (could be so good together)
So be my baby tonight
You (are everything I want and)
 me (I can be the one)
And we (could be so good together)
So be my baby tonight
You (are everything I want and)
 me (I can be the one)
And we (could be so good together)
So be my baby tonight

🔵 Canadian future funk artist CyanBlue joins international forces with UK-based SDR & US-based Seth Nova on “Baby Tonight”: a synth-smothered and disco-tinged love song, colored with soulful vocals from SDR & Seth Nova. CyanBlue extends a European leg of his tour with similarly synthy disco remixes from Sweden-based Cassette 87 & Norway-based Doktor Plekter. “Baby Tonight” is the sophomore single on the upcoming “Montaime, Vol. 3” compilation, set to fly listeners around the world of club culture.

Follow CyanBlue:
https://soundcloud.com/itscyanblue
https://open.spotify.com/artist/0XRb1v0ZGxUJJwXWIrTQLE
https://itscyanblue.bandcamp.com/
https://twitter.com/imcyanblue
https://imcyanblue.tumblr.com/

Follow SDR:
https://soundcloud.com/sdr
https://sptfy.com/sdrfunk
https://sdrfunk.bandcamp.com/
https://twitter.com/SquareSawSine
https://www.facebook.com/SDRfunk/

Follow Seth Nova:
https://sethnova.bandcamp.com/
https://soundcloud.com/sethnova
https://instagram.com/realsethnova
https://youtube.com/channel/UCJX3pdKrLpi1EnnQF1O7hAw
https://twitter.com/realSethNova

Follow Montaime:
https://montai.me
https://twitter.com/montaimerec
https://instagram.com/montaimerec
https://facebook.com/montaime
https://montaime.bandcamp.com
https://soundcloud.com/montaime

Vocals by SDR & Seth Nova
Additional synths by Seth Nova
Guitar by Benjamin Lawrence, Gavin Flewelling, & SDR
Mixing & mastering by SDR 
Art by logosbyromeo

MTR-061

▶ BUY/STREAM

CyanBlue - Baby Tonight (ft. Seth Nova & SDR)

Coral

Hazel

Composition, arrangements, production - Benjamin Gibert
Mixing and mastering engineer, additional production - Guillaume Saint Etienne

Taste of Sap is an immersive vocal experiment, born from a long improvisation session with a harmonizer. The title is sensual — it means “the taste of sap.” The track gradually thickens, like sap itself: fluid, viscous, enveloping. Conceived as an end-of-night chant around a fire, it searches, finds form, and eventually becomes a ceremonial anthem at dawn.

No language is used: only raw vocal material, spontaneous, organic phonemes that emerge viscerally. The voice is the main musical instrument.

A small vintage, portable Casio synthesizer punctuates the whole piece in playful dialogue with the vocal improvisations. Taste of Sap evokes a primal, ancestral imaginary and prepares the arrival of the sun at daybreak.

Taste of sap

End Of Summer

Björk - Headphones (Pure Ceylon Tea)

‘Echoes From Mamori’ was originally commissioned by my friend Adnan Yildiz who was curating a show called There Is No Audience in Montehermoso, Spain in 2009. They wanted to have a theme song running on loop in the exhibition space. I’d just been in the Amazon recording sounds for the Darwin theatre piece with Hotel Pro Forma and thought it could be fun to make something dancey with the animal sounds I’d collected. The track features frogs that sound like birds, fed into my sampler and played on a keyboard, resulting in fun arpeggios and melodies. I think it might also feature some birds I recorded in the forests around Berlin. ‘Echoes In Mamori” was only made available as a CD handed out at the exhibition so it's nice to see it finally get a proper release via Rabid Records.

Echoes from Mamori

I Don't Want To Wait - Paula Cole

LISTEN ON SPOTIFY:
https://open.spotify.com/album/3GAJExPG4Z6ef9vmUMoH8g

Trouble in paradise, somethin' just don't feel right 
I'm so tired of wastin' all my time 
I think I love you, but do you love me too? 
That's been the question on my mind 

Tell me, tell me what you're lookin' for 
Just tell me if it's real love 
Tell me, tell me what you're doin' it for 
Just tell me if it's real love 

And would you do the things I do for you? 
'Cause baby love's a game of give and take 
This love is changing me, but is it changing you? 
Oh baby won't you tell me tonight? 

Tell me, tell me what you're lookin' for 
Just tell me if it's real love 
Tell me, tell me what you're doin' it for 
Just tell me if it's real love 

Tell me, tell me what you're lookin' for 
Just tell me if it's real love 
Tell me, tell me what you're doin' it for 
Just tell me if it's real....

DOWNLOAD!

REAL LOVE

changes

Holes

Holes (Olof Dreijer Remix)

Stream/Buy

Benjamin Gibert ventures into mountains, forests and megacities in search of secret sounds and stray signals. He collects raw sonic material — using a microphone and a notebook — then plays with nesting, soldering, fragmenting and merging sounds. His sonic objects often flirt with acoustic or electronic instruments, forming abstract narratives and opening doors to invisible worlds. His work seeks to create immersive forms where reality and imagination, landscapes and fiction coexist.

Coming from a background in contemporary dance, he develops a physical and spatial approach to sound — conceived for deep listening and movement. Field recording is his main tool, which he combines with electronic textures, evolving rhythmic structures, and a singular use of the voice: without words or language, treated simply as raw, organic, vibrant material.

He has completed numerous residencies in France, New Zealand and Chile, and has performed in France, Spain and Japan.

He released Gemmes (2018), an EP composed for the Royal Abbey of Fontevraud; followed by Taihua (2019), an album created and produced in New Zealand. His upcoming EP, Nightingales, will be released in summer 2025. It is a musical fiction at the crossroads of IDM, organic house and ambient, imagining what a secret forest rave might sound like.

Benjamin Gibert’s work stands out for its way of connecting places, natural sounds and electronic textures. He is drawn to liminal spaces — between wakefulness and sleep, human and non-human, natural and synthetic. His sonic universe is shaped by influences ranging from Oneohtrix Point Never to A.G. Cook, as well as Steve Reich, Björk and D’Eon.