Let's Overcome And Chain Our Tremors

Obliodrivers by Aedos Cluster of the Waterfall

An Excited Tree

Hallucinophonics - "White Eyes"
From the shadowed corridors of consciousness comes our latest transmission—a haunting exploration of the liminal spaces between life and death, reality and reverie.
"White Eyes" ventures into the darker chambers of the psyche, where ancient mansions hold memories that refuse to fade and spirits walk through candle-lit halls seeking what was lost. This track weaves together vintage Hammond organ, ethereal guitars, and atmospheric soundscapes to create a sonic séance that bridges the earthly and the eternal.
Crafted with analog warmth and cosmic intention, the song builds from whispered beginnings to transcendent climax, embodying our mission to articulate the ineffable through sound.
Experience the extraordinary by closing your eyes and letting the phantom guide you through the hall where time grows pale.
🕯️ Launching September 2025
🌌 Where the cerebral meets the celestial
Produced with vintage instruments and modern vision
Mixed in analog warmth
Mastered for cosmic transmission

White Eyes

"Without You" is a sonic blend of late-night nostalgia and raw emotional pulse.
Driven by a jazz-rock groove, RnB undertones, and '90s synth textures, this track speaks of loss, memory, and resilience.
A haunting female voice floats through the mix—sometimes whispering, sometimes crying out—in fragments like:
"Crazy... feel the life... make me feel the way..."

It's the echo of a love now gone, suspended in the silence that follows.

This is not just a song.
It's a bedroom at midnight.
It's a voice looking back.
It's the absence that shapes presence.

▶️ Listen. Feel. Remember.

Music composed & produced by Michel Allard

Without You

Without you - KRT Production

These streets

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Bust a move


First time in harmonic minor. Begins with the classic theme and superimposed chords on the 3rd and 5th on your right speaker. I had to give the mixer (unlimited revisions) some degree of freedom. I would have done it 1 sweep to the left  and 1 right. For each section some theory use. So 1st verse, the violins are playing lydian b3 cos’ the vocals sounded empty on it’s own and I wanted some ‘out of the box’ stuff. The chorus ends on D7 which is an outside chord. That was a chord I accidentally hit on guitar and when it returns to Eminmaj7 it’s a deceptive cadence. Double harmonic minor and whole tone on 3rd degree for the trumpets. The ‘through the gaps part’ I did on 5th improv. Wasn’t happy with the chorus I had written and just improvised over the chorus on Logic. That’ s some of my best flow. 2nd verse I did counterpoint for Bond motif. 2nd chorus, the first line you hear was taken from my original improv. It sounded more fitting as the start of a chorus. I had to write an extra violin line for the chorus to keep it aligned with my ‘every chorus line has different orchestration’ philosophy. The bridge has the drums in mostly half time as well as beginning in the key of G. First time I placed a secondary dominant in the middle of a phase cos’ usually I put it at the end. Then, a chromatic chord sequence. Last chorus I complete my strings cos’ I had violins 1/ 2 and I thought I’d finish it off with violas and cellos. It is polyphonic cos I prefer it when composers write lines that don’t match vocal melody.

I take each part of me apart
Like you didn’t feel me
Like the air was distilled by our heart and I don’t
Show a tell because my mind is withered down
Break a sweat because pieces don’t make a sound
The lies we keep lie razor deep like stains on last nights bed sheets
Could we ever leave this life behind my eyes don’t deceive me but my heart is blind

Every bullet has our nations name on it.
In the name of the crown, with the sound of it. ( to keep it accurate cos’ the queen is dead)
I have loved you for who you are and even if you didn’t know I’d always love you. (Kind of a letter to Vesper)
I have always been so sure of this, from the moment I saw you, I knew that I would kiss you.
And even though we fell through the gaps and everything 
Always made me sure that I would be amiss.  

Somebody won’t do it if I wouldn’t do it for your lies 

Every little bit of malice that we detest
Every little bit of sadness in our breath 
Shakes the foundations of what we build to its chest
Am I not a reader of obituaries  (Skyfall reference)
Am I not the protector of sanctuaries 
I’ll lift this orphaned past into a future of service to war (accurate to Bond’s orphan upbringing)

I’d drain the rivers dry just to taste something clean
I know that you will love me.  (Yes a proper Bond pick up line)

Yes, the most accurate Bond lyrics to date. Even pays homage to the bad old Bond films misogyny by saying ‘bitch.’ 
I really like Skyfall/Casino Royale.  I did ‘meet’ Daniel on Broadway when I was at NYU. Walk passed him and should have asked  ‘what was M16 doing on Broadway?’ but in NY the cool tradition is ‘leave celebrities alone’. I think he was good and some people point out the blonde hair but he looks more like a thug than previous Bonds which is closer to Fleming’s idea. People criticise Dr. Christmas Jones for not looking like a nuclear scientist but Pierce looks more like a model than a spy. Not that I know what spies look like. I wanted to criticise the writers for sticking Vesper in every Craig film.  I was watching No Time To Die with my sister in the cinema I was thinking, “Vesper…again?”.  I finally found out she sacrificed her life for him so to mope for all of his films is fine. I did not like the ending which I thought ripped off ‘Hero’ with Jet Li except they replaced  arrows with missiles. I noticed Daniel does swim well. Then, he did the Belvedere commercial and that kind of ruined a little of his Bond image for me. 


Vesper Lynd

Beyond Time And Space

All Music By Me
Special Thanks to Toxic Bros., John Moreland,  Jerk Mama 

Art by Nanne Tiggelman (PixaBay)

Goth Princess

Dude Wipes - for the man so he can clean both his Ass and his Face.
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Dude Wipes

Gisbert - Kleine Schritte ins Dunkel (aus dem Roman "Hinter uns das Land")

Es beginnt nicht mit einem Paukenschlag. Es beginnt im Flüstern.

Mit "Kleine Schritte ins Dunkel" erhält die Welt von "Hinter uns das Land" eine neue, weise Stimme: Gisbert, der Großvater des kleinen Albrecht aus dem Roman. Es ist die Stimme eines Mannes, der ein langes Leben gelebt und die feinen Risse im Fundament der Gesellschaft schon früh erkannt hat. Seine Warnung ist keine laute Anklage, sondern ein schwermütiges Klagelied über eine Welt, die sehenden Auges auf den Abgrund zugeht.

Der Song ist eine zeitlose Parabel darüber, wie Freiheiten schleichend erodieren – durch Worte, die gestrichen werden, durch Zäune, die unscheinbar wachsen, und durch ein Schweigen, das lauter ist als jeder Protest. Eine karge, eindringliche Ballade, getragen von einer Stimme, die die Last der Voraussicht in sich trägt.

Eine Mahnung, die heute so relevant ist wie damals.

Text: Frank Talmon l'Armée
Musik: Beyond & Before Music
Gesang: Gisbert

Mehr zum multimedialen Roman- und Musikprojekt "Hinter uns das Land":
https://linktr.ee/Beyond_and_Before

#HinterUnsDasLand #KleineSchritteInsDunkel #SingerSongwriter #Folk #Ballade #Geschichte #Warnung #Lyrik #Soundtrack #Konzeptalbum

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Gisbert - Small Steps Into Darkness (from the novel "Hinter uns das Land" / "The Land Behind Us")

It doesn't start with a bang. It starts with a whisper.

With "Small Steps Into Darkness," the world of "Hinter uns das Land" gains a new, wise voice: Gisbert, the grandfather of little Albrecht from the novel. It is the voice of a man who has lived a long life, a man who recognized the fine cracks in the foundation of society long before they shattered. His warning is not a loud accusation, but a melancholic lament for a world that refuses to see the cliff it's walking towards.

The song is a timeless parable about the insidious erosion of freedom—through words that are erased, through fences that grow inconspicuously, and through a silence that is louder than any protest. A sparse and haunting ballad, carried by a voice that bears the weight of foresight.

A cautionary tale that feels as relevant today as it did in the past.

Lyrics: Frank Talmon l'Armée
Music: Beyond & Before Music
Vocals: Gisbert

Discover the multimedia novel and music project "Hinter uns das Land":
https://linktr.ee/Beyond_and_Before

#TheLandBehindUs #SmallStepsIntoDarkness #SingerSongwriter #Folk #Ballad #History #Warning #Lyrics #Soundtrack #ConceptAlbum

lyrics:

Kleine Schritte ins Dunkel


Ein Wort gestrichen
Wer merkt’s schon
Ein Buch verschwunden
Bleibt kein Ton
Ein kleiner Schritt
So unscheinbar
Wie Sand im Wind
Unsichtbar

Kleine Schritte ins Dunkel
Still und sacht
Keiner hat’s gesehen
Keiner hat’s gedacht
Bis wir aufwachen
Bis wir versteh’n
Doch dann ist es zu spät
Dann ist nichts mehr zu dreh’n

Ein Zaun gebaut
Nur für den Schutz
Ein Blick wird schärfer
Ein Herz wird stutz
Ein leiser Zweifel
Doch wer spricht laut
Die Stille wächst
Die Hoffnung taut

Es beginnt im Flüstern
Im leisen Rauch
Und wächst im Schatten
Wie Dornenstrauch

Kleine Schritte ins Dunkel
Still und sacht
Keiner hat’s gesehen
Keiner hat’s gedacht
Bis wir aufwachen
Bis wir versteh’n
Doch dann ist es zu spät
Dann ist nichts mehr zu dreh’n

Ein Schritt
Ein Schritt
Und noch ein Schritt
Die Kette klirrt
Das Herz zerbricht
Doch wer schaut hin
Wer hält die Hand
Wenn alles fällt
Wie Treibsand

Goth Princess

Benjamin Nix