All Music By Me
Special Thanks to Toxic Bros., John Moreland,  Jerk Mama 

Art by Nanne Tiggelman (PixaBay)

Just Friends

In the vast expanse of the cosmos, Earth, a tiny blue planet on the outskirts of the Milky Way, lies silent, its cities in ruins, its people long gone. As a time traveller and musician, I am drawn to this world, to the echoes of a civilisation that reached for the stars but fell short, consumed by an ambition they could neither control nor fully understand.
Through my music, I seek to capture the essence of this lost era, particularly the turbulent times around 2070, when humanity's fate hung in the balance. Each song is a journey through time, a sonic exploration of the apocalyptic moments when everything changed, guided by the haunting melodies and atmospheric soundscapes that paint a vivid picture of a world on the brink of collapse.
As I wander through the abandoned streets and desolate landscapes, I find inspiration in the remnants of human culture - the unfinished symphonies in empty concert halls, the silence that hangs heavy in recording studios where hit songs were once crafted. The music becomes a conduit for the stories that linger in these spaces, tales of dreams pursued and hopes shattered.
In the rhythms of nature reclaiming the cities, I hear a powerful message - that all things must pass, that even the grandest of human achievements are impermanent. This truth resonates through my compositions, serving as a reminder of our own fragility and the need for humility in the face of the universe's vast mysteries.
Each track  is a warning, a cautionary tale wrapped in sound and emotion. They speak of the paths we may tread if we are not vigilant, the dreams that may crumble if we are not wise. Through music, I forge a connection that transcends time and space, inviting listeners to explore the echoes of a vanished world and heed the lessons hidden within.
Join me on this sonic odyssey through the remnants of Earth's final days, a journey that will leave you questioning our place in the cosmos and the legacy we leave behind. Let the music be your guide as we navigate the ruins of a civilisation that dared to dream big but ultimately succumbed to its own hubris - a fate we must strive to avoid as we venture forth into the unknown.

80s Rock, Country Rock, Pop, Rap, lover of all music types.
michaelhollywood@hollywoodpkr-vampits.com

Finnish artist and multi-instrumentalist.

KRT Production is not just a label.
It’s a creative machine that has been shaking the scene since the 1980s. Behind projects like NUR, Funkle Ace, BBAM, Atomium, and more, KRT is the underground spirit that refuses to fade.

Electronic, rock, experimental, alternative — style doesn’t matter as long as there’s raw energy and the drive to make an impact.
Recording studio, mobile production, SoundCloud launchpad: KRT is both playground and battleground, where artists become larger than their tracks.

Joining KRT isn’t just “being part of a label.”
It’s stepping into a family, a free and untamed showcase, ready to make noise in a world that plays too safe.

KRT Production. Here, music isn’t just heard. It’s lived.

Born in 1980 under the name KRT, the band began its journey in the raw energy of live shows — in Spain, including a memorable concert in Burgos, and in Brussels at the Teatro. Those early years, intense and furious, were wiped away overnight: all archives, tapes, posters, and memories stolen in a single car theft, as if someone had tried to erase history itself.

By the late ’80s and early ’90s, the group found shelter in the former RKM studio on Avenue Molière in Brussels, under the demanding ear of artistic producer Jean-Claude Maury. From those sessions emerged Fast Beat and The Ballad of the Mouse and the Bird, defining tracks that carved NUR’s sound into stone — dark, restless, untamed.

After a split and years of silence, the band resurfaced under the name NUR, carried this time by the new promise of the digital age. The music could no longer be erased; it was destined to survive.

But fate struck again: the passing of one of the founding members closed the collective chapter. Today, NUR rises once more, as a solo incarnation. More than a project: a resurrection. A flame still burning, more than forty years after its first spark.

Ultra_eko has been lost to the Underside of late, a subtle astral realm created by a rockhopper penguin. His continual process of death and rebirth has led him far from any semblance of original self. Recent spontaneous OBE’s mean he spends far less time embodied than he used to, mostly for tax reasons. He refers to himself in third person as a fractal iteration of source consciousness, cofounder of Underside Entertainment, and lama admirer.

Hamburg/Germany Based Part Time Musician
https://open.spotify.com/artist/0M7Fjef4dLBwOI6Akb8kh9?si=7WZWIAKCSZ6_HoJijnA6dw

https://www.facebook.com/ruebihamburg

https://www.youtube.com/@ruebi3382

Just Friends

Benjamin Nix