Cheapest air to breathe

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A respectfully irreverent reimagining of Frédéric Chopin's Waltz Op. 64 No. 1 aka Valse Du Petit Chien aka Minute Waltz.

the first and last feeling is "helpless"
with a lot of "helpless" in between
I wish I could say
some things don’t decay
how I wish I could tell you
our efforts have value
but judging from everything that I’ve seen
the brave & depraved
the selfish & selfless
it’s best if we feel all festive & glad
given we range between
helpless & mad
yeah we'd better be
incredibly un-upset and un-sad
given the difference 
‘tween helpless & dead

my child, my sweet
my yellow-brown flower
when the woods gonna burn
not a winter can stop it
we’ve all got this 
suboptimal urge to control
but the what where when how
& why are not in our power
yeah, shut down the garden

the first and last feeling is "helpless"
then a lot of helplessness in between
I wish I could tell you
oh, one more rebellion
for wisdom & might
to make things alright
but lying to you 
will not change the theme

my love, my cold blue 
spring in the desert
when the sky’s gonna turn
not a beauty can tempt it
we’ve all got this contemptible 
urge to decide
and the stab wounds & scars
are not even a lesson—
we just muck about in our gardens

our first and last feeling is "helpless"
and it doesn’t change much in between
as you spin in your circle of fairness
remember to hum with the theme
how lucky regardless
of getting punched down
trees in the forest
enjoying their sound
so what does it matter how
tiny my reach?
as long as I’m honest
you’ll pardon my speech
the aimless & friendless
the babbling saved
the bumbling faithless
the child who’s behaved
we rhyme the same reason
we write the same song—
ain’t none of us has to be
helpless alone

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Helpless (with Chopin)

This is my 50th Album which is a double Album and Side A is ‘Great Southern Land’ and Side B is ‘Shades Of The Shads...Vol.4’.

When I embarked on this journey, I never ever imagined I would be celebrating producing and recording my 50th Album...what a wonderful musical journey this has been. It has brought joy to millions of people around the globe and helped me overcome many health and mental challenges. 

The music of the Shadows is what got me interested in learning to play the Guitar, so what better way to celebrate my journey than to go back to where it all began... So, ‘Shades of the Shads...Vol.4’ comprises 28 tracks that cover the period 1960 to 2024. 

Shadows Medley 2024 (Shades of The Shads...Vol.4 - 2024)
Stars Fell on Stockton (The Shadows Greatest Hits - 1963)
The Girls (Brilliant Shadows, Brilliant Songs - 1965)
Adios Muchachos (Mustang – 1963)
Theme From The Boys’ (Greatest Hits – 1963)
Spanish Music (The Early Years - Expanded Edition – 2013)
It’s A Man’s World (Somethin’ Else – 1969)
Dakota (Dance With The Shadows -1964)
The Bandit (Out of The Shadows – 1962)
Tales of a Raggy Tramline (Out of The Shadows – 1962)
The Rumble (Out of The Shadows – 1962)
Alentejo (From Hank, Bruce, Brian and John – 1967)
Kimi To Itsummademo (The EP Collection, Volume 2 – 1990)
The Music of The Night (Simply Shadows – 1987)
Peggy Sue (Hank Plays Holly – 1996)
Driftin’ (Brilliant Shadows, Brilliant Songs – 1965)
The Lost City (The Sound of The Shadows – 1965)
The Windjammer (The Sound of The Shadows – 1965)
Bossa Roo (The Sound of The Shadows – 1965)
Spring Is Nearly Here (Out of The Shadows – 1962)
Santa Ana (The Sound of The Shadows – 1965)
Don’t It Make You Feel Good (Dance With The Shadows – 1964)
Fandango (Dance With The Shadows – 1964)
Parisienne Walkways (String of Hits – 1979)
The Rise And Fall Of Flingle Bunt (More Hits – 1965)
Midnight (Meeting With The Shadows – 1960)
Mustang (Mustang – 1972)
One Moment In Time (Steppin’ To the Shadows – 1989)

I’m sure this selection of songs will bring back memories for some of you, whilst for others, it may bring about a new listening experience.

Enjoy!!!

Stars Fell On Stockton (O'Neill Fernandes)

Gold

Two Loneliness Just Met is a profoundly moving composition that immerses the listener in a world of sacred introspection. Siegfried Jünger masterfully weaves melodic ambient textures with ethereal choral synths, creating a piece that feels both intimate and expansive. The track unfolds like a spiritual journey, with layered harmonies evoking the quiet resonance of a cathedral at dusk.

Soft drones provide a grounding undercurrent, while delicate melodic motifs shimmer like distant light through stained glass. The choral synths, rich with reverb and depth, lend the piece a sacred, almost transcendent quality, inviting reflection and solace. Each moment is imbued with a sense of connection and yearning, perfectly capturing the emotional poignancy of its title.

Jünger’s ability to balance minimalist structure with lush, evocative soundscapes makes Two Loneliness Just Met a standout work in melodic ambient music, offering a serene yet haunting experience that lingers long after the final note fades.

Two Loneliness Just Met by Siegfried Jünger

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BLUEPRINT (PROD. TRAPFLAYA)

missin' u

All music by me, except "Maybe" by Whitney Porter and Me.

Special thanks to Kahlan Davis, John Moreland, Whitney Porter, and Toxic Bros.

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Sweet girl

"R U Feelin' Me?" Is out now on Spotify and YouTube!🔥💯
https://youtu.be/m8sM-_yBuj0?si=SfqYZv22xqW8IkaU
https://open.spotify.com/track/7EFqVN4LuMZFPIlvFAg7QS?si=KimDzHuDQj-3xoDRj06KNw&context=spotify%3Atrack%3A7EFqVN4LuMZFPIlvFAg7QS

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Benjamin Nix