Awsome sounding track! Tryed out vinyl release on a really powerful soundsystem! Sounds perfectly balanced!

techno 2014

digitally released on december 3rd 2021
re-mastered by Isabel @ OLO mastering. 

digital download: transatlanticrecords.bandcamp.com/album/earthseed
vinyl pre-order: soon

nthng - Heart Chase

Xenia Beliayeva, Come and Hell - Heavy Rain

Releasedate 2014-03-27
Labels	Sick Society
Katalog #	SS019

You are invited to join the delightful environment of Come and Hell and Xenia Beliayeva. Come & Hell, a duo consisting of Joao Komka & Mari Perelli. Komka & Perelli both been born in Brasilia, Brasils Capital and producing together for one and a half year now. With a residence in 5uinto, they host the most regular parties in the nightlife of the city and invite famous DJ's week after week. Fast, they got involved with serious and professional artists, for example like Xenia. The Techno Queen comes to join the Sick Society family for the first time. Heavy Rain is Come & Hells first single, produced with the darkest love and attention, spiced with hypnotic vocals and strong synths it is driving a line between the energy and feeling. Getting you out of this world and bringing you to our secret place.

Come And Hell & Xenia Beliayeva - HEAVY RAIN

My remix for Alan Fitzpatrick release on Drumcode pressed onto marbled vinyl.

Alan Fitzpatrick - Confessions of a Wanted Man (Benjamin Damage Remix)

Last

Having only a scant few releases to its name, L.B. Dub Corp, one of Luke Slater's lesser used guises, slinks in and out of the scene, dropping off quality EP's and remixes when you least expect it. Finding a new and appropriate home on Ostgut, the Take It Down (In Dub) EP has two spacey hitters. A slappy bass, a noise wash, and a growling kick are what kick off the title track, slowly giving way to a slightly pitched down vocal drop of "take it down." 

Not nearly as high in the BPM's as Slater's Planetary Assault System productions, "Take It Down" is a slyly warping beast. It has a pristine sludge to it that begs for an eyes-closed demonic shuffle, its brooding drone perfect for early hour madness. More than halfway through, though, the entire thing shifts to reveal a grimey, rinsed out synth that opens the entire 11+ minutes of the track up to a new feel and intensity. 

Where things really get interesting is on flipside "It's What You Feel." One of the most inviting basslines in a while partners with a steady synth pad for a cleverly produced house track. A steady groove paves the way for a classic piano line summoned from Chicago. This B-side monster is the perfect counterpart to the A, and makes this one of Slater's best efforts since his PAS EP on Ostgut last year. 

http://www.residentadvisor.net/review-view.aspx?id=7702
http://www.ostgut.de/label/record/53

L.B. Dub Corp - Take It Down In Dub - Ostgut Ton

Stream the track "Velvet Lips" from my upcoming release on Psyk's label Non Series.

Velvet Lips - Non Series

DSC013
https://www.delsinrecords.com/release/5864/artefakt/the-radiant-city

The Radiant City

‘New Atlantis’, @Efdemin aka Phillip Sollmann's 4th album, oscillates between fast, kaleidoscopic techno, multilayered drones and acoustic instrumentation, fusing for the first time Sollmann’s deep dancefloor productions as Efdemin with his sound art and avant-garde music projects. The latter include 2017’s Harry Partch-inspired ‘Monophonie’ performance and 2018’s ‘Panama / Suez’ EP with Oren Ambarchi and Konrad Sprenger.

Sollmann took inspiration for ‘New Atlantis’ from Francis Bacon’s unfinished 17th century novel of the same name, which describes a fictional island devoted to social progress through the synthesis of art, science, technology and fashion. 

Out now: “New Atlantis”, the epic, psychedelic title track off of Efdemin’s upcoming album out February 15 via Ostgut Ton. Across 15 minutes, Efdemin’s experimental spirit is in full swing, with morphing drones/chords generated by a mix of Efdemin’s hurdy-gurdy and drum machines, Konrad Sprenger’s MIDI-controlled Stratocaster, Joachim Schütz’s electric guitar and Nika Son’s synthesizer – recorded live during the quartet’s Tony Conrad tribute concert in Hamburg.

Listen at
Apple Music: https://itunes.apple.com/album/new-atlantis/1446617084
Bandcamp: https://ostgut.bandcamp.com/album/new-atlantis
Deezer: https://www.deezer.com/album/84349402
Spotify: https://open.spotify.com/album/0DvULRThTYtegc9nMTxkTx?si=tmOYwipxTt-Coq7XJGyc5A
YouTube: https://www.youtube.com/watch?v=dIBQEH6TH1Y

Efdemin | New Atalntis [OSTGUTCD45/LP31], out February 15, 2019.
Buy ‘New Atlantis’ as 2xLP, digipak CD or in digital formats: http://ostgut.de/shop/music/efdemin-new-atlantis-ostgutlp31.html / http://ostgut.de/shop/music/efdemin-new-atlantis-ostgutcd45.html https://ostgut.bandcamp.com/album/new-atlantis

All info: http://ostgut.de/ton/record/234
Artwork: The Centers Of The World, Brussels, https://centersoftheworld.wordpress.com | Layout: Yusuf Etiman

Efdemin | Good Winds

Swarm / Headache

Polar Inertia - Parallel Transport

Alpha Tracks - White Keys Vol.2 - L'amore Innocente

Track from NE67 Anthony Linell — Core Field Horizon
Out on 12" and digital December 12th

This time Anthony Linell cuts his peerless supply four ways in four tracks. Short on hubris, and economical to the point of being cruel, 'Core Field Horizon' relents in all the right places to make the effects of its peaks and troughs impossible to defend against. The opening track is a deluge. Spinning on its hydro-blasted synth line, the gravitational pull erases and ensnares in equal disordering measure. On its heel is the EP's title track, an austere display of the venom in the seam between his club-focused work and his experimental output. 'Evaporating Entities' is one of Linell's most diaphanous works to date, and after weaving through the sky we are abruptly subjected to the gravity of the closing track's nerves.

Recorded by Anthony Linell in Stockholm, Sweden 2019
Mixed and mastered by Neel at EnissLab, Rome
Artwork by JB

Anthony Linell — Evaporating Entities

Benjamin Damage is an innovative UK techno artist, the first artist signed to Berlin’s legendary 50Weapons label and the last to release an album at its closure. This period produced three critically acclaimed albums and many EPs, drawing from diverse sources to help define the crossover UK / Berlin techno sound.

As well as two, highly charged four-tracks for Len Faki’s Figure label and ‘Deep Space Transit’ on ARTS, Benjamin put out two stinging dance floor cuts as BDB, a secret collab with label mates, Feel My Bicep. A live-recorded cut for Jeff Mill’s Axis Records was released this year. 

Performing on an all-hardware setup, Benjamin’s storming live performances have lit up the best clubs and festivals all around the world. The powerful setup has been fully redeveloped for 2021.

music lover dj designer broker rockandroller!

Swarm / Headache

BenjaminDamage

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