I'm super droned out today. We should collab when our instruments get here.

@alvis-krevworth: Thank you for listening!

Absolutely fantastic, just beautiful washes of tones and noise

Wonderful. The first minutes of this are exquisite 

@ioflow: Thank you so much Josh! Really appreciate the kind words and for listening to the new work. So glad you've enjoyed it.

from 'The Symbiont' (SUN021)
http://sunshineltd.info/?sunshine_product=the-symbiont

Josh Mason—The Symbiont (edits)

Tycho "Awake" LP on Ghostly International
Release date: MARCH 18, 2014

Purchase "Awake": shop.iso50.com/collections/awake

formats:
CD/LP/DIGITAL

artwork by:
ISO50

For nearly a decade, Tycho has been known as the musical alias of Scott Hansen, but with the release of Awake – his second LP for Ghostly International – the solo project has evolved into a three-piece band. Relating closer to post-rock than ambient soundscapes, the record is situated in the present, sounding more like Hansen than drawing from his influences. “This is, in many ways, the first true Tycho record.”

Following 2011’s Dive LP, the San Francisco-based designer toured extensively, and with a full band on stage, his sound coalesced into a percussive, organic whole. Zac Brown (guitars, bass) rejoined Scott on the road for this tour, but it was the particular addition of Rory O’Connor’s live drumming that ultimately sent Hansen back to the studio with a more precise vision. “After the tour, I decided that I wanted to capture the more energetic, driven sound of the live show on the next album,” Hansen recalls. Bringing musicians into Tycho’s creative process was a step towards expanding his own songwriting and advancing the project beyond its current sound.

In a cabin near Tahoe last winter, Zac and Scott began fleshing out the structure of the new record, but it wasn’t until they set up shop in the hills of Santa Cruz with Rory that it all fell into place. “It crystallized the vision of how the drums would come to the forefront on this record,” says Hansen. The sound was much more stripped-down and concise with more organic instruments in the fold. Songs like “Montana” and “Awake” are a departure from Tycho’s previous material – unique to the group effort poured into the songs on the new record – while “See” and “Dye” echo ideas from previous works, bridging a middle ground between the old and new. Working with Count Eldridge, who also engineered Dive, the team could fixate on the pulses that Tycho might previously layer under synthesizers and exhume them with distinct bass and guitar patterns.

Also known for his design work as ISO50, Hansen’s visual and sonic efforts have dovetailed throughout the course of his career. “This is the first time in my life I've dropped everything to focus on one artistic pursuit,” notes Hansen. Previous Tycho releases came to fruition when an amalgam of songs were nearing completion, but Awake is where music becomes the focus and true expression becomes the result.

WEB - www.tychomusic.com 
TWITTER - www.twitter.com/iso50 
FB - www.facebook.com/tychomusic 
YOUTUBE: www.youtube.com/user/iso50 
INSTAGRAM - @iso50

Awake

Disintegration Talkingmakesnosense

Ólafur Arnalds and Janus Rasmussen finally release their unique Nordic electronic sounds in album size.

Get the limited edition 12" exclusively on Record Store Day 2015.
Order the album on 2xLP/CD/DL: http://www.erasedtapes.com/store/index/ERATP062
Or order the album DL via iTunes: http://snip.ftpromo.net/kiasmos

After dropping several tracks and performing at select festivals throughout the years, Ólafur Arnalds and Janus Rasmussen dedicated the year 2014 to explore the area in-between Ólafur’s more acoustic, piano-based solo work and Janus’s synth-heavy electro pop, with their collaborative electronic project Kiasmos.

By focusing solely on their self-titled debut album, Ólafur and Janus have been able to combine and further develop their unique sound aesthetics to complete an album driven by their mutual love for electronic music. Made in Ólafur’s newly build studio in Reykjavík, Iceland, a majority of the album was recorded using acoustic instruments next to a variety of synthesisers, drum machines and tape delays. It features a live drummer, string quartet and Ólafur performing on the grand piano, producing an ambient, textured sound, which makes it a perfect home listen and equally danceable record. If you listen closely, you can spot them record the thumb piano, finger snapping and even the sound of the metal grinder of a lighter slowly to replace the usual electronic hi-hat sounds, giving the album a far more intimate and unique atmosphere.

“We decided to start almost completely over with this record, so most of the material is written this year with the idea of making a record that can stand as one piece rather than a collection of songs. I am very excited to get a proper record out exploring a different territory than I am used to. I touch a lot on electronic genres in my own music but never have the opportunity to go full out electronic like we do here.” – Ólafur Arnalds

“The Kiasmos project has been around since 2007, but because of all our other projects we never really got the time to sit down and write all the tracks we always wanted to. So when we early this year finally found the time to sit down and make a full length album there was so much we wanted to try out. The result surprised us a bit, it's deeper and more emotional than we imagined it to be, but that's the beauty of being able to make an album.” – Janus Rasmussen

Kiasmos – s/t will be released on Double-Vinyl, CD and Download via Erased Tapes on October 27th, 2014.

TRACK LISTING: 

1. Lit  2. Held  3. Looped  4. Swayed  5. Thrown  6. Dragged  7. Bent  8. Burnt 

LIVE DATES:	

17.08. HAMBURG (DE) - Dockville Festival			
26.09. BRUSSELS (BE) – Bozar Electronic Arts Festival
27.09. DEN HAAG (NL) – Todays Art Festival

OFFICIAL WEBSITES:  	facebook.com/kiasmos · erasedtapes.com

Kiasmos

Looped

Buy 12"/DL

Kiasmos – Looped

Lazy Sundays Vol.4 mixed by The Timewriter February 2014

TREE - #PianoDay

“TREE” is a part of a composition written for Simphonie Cinétique, a collaboration between Ólafur Arnalds and Joachim Sauter. Re-edited and mixed for release in celebration of Nils Frahm’s #PianoDay and features Nils himself on celeste.

Composed, arranged and performed by Ólafur Arnalds
Violin: Viktor Orri Árnason
Celeste: Nils Frahm

Recorded at Durton Studio, Berlin.
Mixed at E7 Studios, Reykjavik.

See more about Symphonie Cinétique here:
https://vimeo.com/70897666

TREE

One of the best tracks in﻿ history of electronic music...*

Closer Musik - one two three (no gravity)

From Plinth's 'Music for Smalls Lighthouse", reissue on Clay Pipe 2013

Message in the Village


"I Will Always Return" by Benjamin Dauer
Hcnl004 Ensō Compilation

I was invited by Jonathan Fisher over at the Hippocamp Netlabel to contribute a track to this compilation, loosely based around Japanese aesthetics. My track is based on Ensō, which means circle - an expression of the moment. If you like mine, please visit the Hippocamp website to download all of the tracks by a wide variety of artists.

Headphone listening recommended.

Thank you for listening. I hope you enjoy.

http://hippocamp.net/?hcnl004


Download Track

I Will Always Return

This was the third of a four-part series, mixed by J Rocc, released yearly from 2006-2009. This one was originally posted as episode 29 of the Stones Throw Podcast. Cover: Homer remix by Jeff Jank.

Tracklist
http://www.rappcats.com/thank-you-jay-dee-act-3

Thank You Jay Dee, Act 3, mixed by J Rocc

Product Designer at WhatsApp. Previously at Meetup, Spotify, Facebook, SoundCloud and NPR. Also one half of The Dwindlers.

👋🏻Say hello!

I Will Always Return

benjamindauer

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