SOUNDIS  producer, label, publisher 
... bridging the sound gap from the past till today

All productions recorded strictly digitally will be looped through analogous equipment to get the vintage sound of the past.
One of the final sound carriers maybe also a 12 inch vinyl, recorded as a DMM on 45 rpm.
All the material will be treated and finally mastered.

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SOUND!S Web shop:
http://myx2u.com/soundis/index.php

Buy Jeanbarth - INDIATEC REMIXES (mp3) at Myx2U
http://myx2u.com/soundis/index.php

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j peter schwalm, born 1970, founded the experimental jazz band slop shop in 1993 before establishing the record label poets club records whose releases include slop shop "makrodelia I", "makrodelia II" and "interpretations" including remixes by jimi tenor, sensorama and brian eno. other recordings include "music for onmyio-ji" together with brian eno (jvc japan, 2000) and "musikain" (musikain records, 2006). peter has enjoyed a long collaboration with the producer brian eno. their many projects together include performances of peter&#180;s former project "slop shop" (also with holger czukay) in bonn, germany, 1998; the album "drawn from life" (virgin uk/astralwerks usa, 2001); a sound installation, 4D music, in the crater of a volcano in lanzarote, (2001); the soundtrack for nicholas winding refn&#180;s film noir "fear x" (2003); and two tracks for brian eno&#180;s new album "another day on earth" (2005). other work includes original music for: "the disneykiller" (state theatre, darmstadt 1995); the ballet "impaired ground" (state theatre, stuttgart,1999); "don&#180;t look now" (lyric hammersmith/sheffield theatres 2007) and numerous television documentaries (arte/spanish/catalan tv). he has toured extensively in portugal, spain, italy and japan and recently completed a remix of "tristan and isolde" by richard wagner (gateway4music, 2006). peter is also a guest lecturer at guildhall school of music and drama. ------- brian eno about playing with j. peter schwalm: when we first played, it was an immediately comfortable and synthetic playing relationship. My biggest problem with improvising with people generally is that they retreat into a safe place too quickly for me, and he didn't do that. Sometimes we would get into rather a strange musical place, some emotion that hadn't really been felt before. -------brian eno about j. peter schwalm&#180;s music: "sometimes you hear something and think: "now this is how the modern world feels to me". peter's music is like that, capturing excitement and speed and ambiguity and even wistfulness and melancholy ...a complex emotional palette which feels to me like real life." ..

Music Manager / Personal Development Coach.
Michelle has built a twenty year career working with the world’s best music producers, record companies and musicians. She has helped shape the successful careers of young bands and experienced artists.
E-Michelleabakker@gmail.com

ALL SONGS DOWNLOAD FOR FREE!!!!

JESTER's ROCK NEWS MAGAZINE:

... in the case of dateland we have to certify to the guys from Wiehl that they have a special charm in their music which can be described with words only very badly. It is above all the feeling, the dateland brings... have found dateland an absolutely independent style which one has not known just from a German Band in the form yet. There comes that the entire album was arranged very well and was produced, hence, it is incomprehensible to me, to tell the truth, why this Band still has got no deal offered, because stay is directed at a very wide target group and could turn out from commercial view real "blockbuster".....

contact: lindsay@waxflower.co

Voice in the Silence EP out now

In 1998, songwriting & production duo Emily Haines & Jimmy Shaw formed what would become Metric and left Toronto for NYC in search of like-minded artists. In 2001/2002, they were joined by drummer Joules Scott Key & bassist Joshua Winstead, and found themselves at the center of the city’s burgeoning alt-rock scene alongside bands like LCD Soundsystem, The Strokes, TV On the Radio, Yeah Yeah Yeahs, Interpol and more. Unlike their peers, Metric resisted major label offers, releasing albums that pushed boundaries on their own terms.

Metric’s relentless pursuit of timeless songwriting and fiercely independent ethos have cemented their place as one of the most essential and ahead-of-the-curve bands of the last two decades. By constantly upping themselves across nine unpredictable and adventurous studio albums, the trailblazing Toronto outfit founded by Emily Haines & Jimmy Shaw is proof that you can amass an untouchable catalog without signing to a major label or changing your lineup. Their latest LP, Formentera II, out October 13 via their label MMI & Thirty Tigers, is a testament to their singular purpose. It stands among their best and most genre-defying work and closes the 18-song cycle started by 2022’s critically acclaimed Formentera

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