WERK V-I-B-E-S

electronic and house

spring time i guess

Music to work IV

Visite:
www.canalelectrorocknews.blogspot.com.br 
www.facebook.com/CanalElectroRockNews

Releases Canal Electro Rock 01 (Maio 2018) #Rock #Indie #Alternative #NewWave #Electronic

Песни: 6-12 мая

2018 jamz

Taken from "Time For A Change" Ep out on Roche Musique 15.07.13
Buy on itunes : https://itunes.apple.com/album/time-for-a-change-ep/id666109619?affId=1581970
FKJ 's facebook www.facebook.com/frenchkiwijuice
Roche musique on facebook www.facebook.com/rochemusique?fref=ts

Time for a Change - EP

Instant Need

ARTIST: Moderat
TITLE: Bad Kingdom
LABEL: Monkeytown
R/D: OUT NOW

Moderat are Modeselektor and Apparat...

Hardly anybody has brought electronic music from Berlin to the farthest flung corners of the world with more passion and enthusiasm than these two heavyweights.

Modeselektor – Gernot Bronsert and Sebastian Szary – are bass music heroes. Together with a veritable army of collaborators, guest artists and with their two labels Monkeytown and 50 Weapons, they have built a broad network. They assimilate and process the tiniest vibrations in the global bass continuum and at the same time, their wobbly salvos and their oblique sense of humour are unmistakable. They became known to a select audience through their records on BPitch Control with which they catapulted themselves out of the Berlin 4/4 cosmos, whilst simultaneously reflecting the raw and full-on spirit of the 1990s Berlin club scene.

Apparat (real name: Sascha Ring) could hardly be more opposite. He fuses tricky electronics with heartfelt and auspicious pop. Together with T.Raumschmiere, he founded Shitkatapult. From early on, Apparat realised that the LP was his preferred form of expression. With each album, he reinvented himself on a personal, stylistic and social level: gradually bringing ever more strata of his emotional persona to light, exploring previously unknown musical styles and involving guest musicians in the process.

In 2002, Sascha, Gernot and Sebastian met for the first time. At that point in time, Apparat and Modeselektor were well established in the Berlin music scene. Sascha had already released his debut album and Gernot and Sebastian, a series of 12”s. Their shared studio time wore them down to such an extent, that they were forced to shelve the project almost immediately. But the foundations were laid and the three of them were able to present the fruits of their labour: the “Auf Kosten der Gesundheit” EP. Eleven years later, one still can have a sense of the sparks that must have flown in the studio: complex beats wrestling with furious bass and reduced rap elements.

Six years went by before they got together again. In the mean time both acts had established sensationally successful careers. In 2005, Modeselektor’s debut album “Hello, Mom!” gained them international recognition at light speed. Pitchfork rejoiced and Thom Yorke constantly mentioned them. Their second album featured vocals from Otto von Schirach, Maximo Park and... Thom York. Modeselektor stormed the festival stages and were honoured by Beatport and Resident Advisor.

Apparat had not just one but two breakthrough albums: in 2006 and together with Ellen Allien, he founded the “Orchestra of Bubbles”, with which the two of them explored the language of song. In 2007 he released “Walls”, his first time working with a band. He developed a live show that fused together acoustic and electronic, and club and pop music. Just as with Modeselektor, Apparat is the epitome of the Berlin sound, but nonetheless lifts the sounds of the city to another level. Significantly, both acts toured with Radiohead.

In 2008, Gernot, Sebastian and Sascha came together once again. Their eponymous debut album was released on April 20, 2009. Busdriver, the Californian rapper, the German reggae heroes Seeed and the dup poet Paul St. Hilaire joined them on a several songs. Perhaps the secret of Modeselektor’s and Apparat’s collaboration lies in the fact that they never even tried to get close to one another. Modeselektor’s thundering bass rumbles in the cellar, Apparat’s sensitive and subtle melodies float high in the eaves. The fact that what one assumes to be incompatible actually communicates, is what makes Moderat so unique. Moderat is not just a studio project: with a set of visuals created for these concerts by Pfadfinderei, they toured all five continents.

With Monkeytown and 50 Weapons, Modeselektor created a highly potent label empire, which unites the music scene’s old heroes with crazy bass kids. The two of them have curated a whole stage at the Melt! Festival a number of times and have released their third album. Apparat travelled the world with the freshly re-formed Apparat Band. He relinquished his position as auteur for the first time by becoming part of a theatre performance and in the album that resulted, released the raw and mostly unedited sessions.

Now, twelve years after their first meeting, Modeselektor and Apparat have come together once again: more mature, but not worldly-wise, wiser but not unquestioning, more experienced but without having sacrificed any of their pioneer spirit. 

They release the 1st single "Bad Kingdom" today 1st July 2013 and drop longplayer " II "  in August 2013 through Monkeytown Records ... You can catch Moderat Live in the UK at Eastern Electriks Knebworth House on August 2nd 2013...

MODERAT " Bad Kingdom " ( Lauren Laverne BBC 6Music RIP ) MONKEYTOWN OUT NOW

Tame Impala - Flow

Download link : http://www.mediafire.com/?9zi07cdhp8bqaau


William De Vaughn - Be Thankful For What You Got (FKJ Remix)

My remix for the Cherokee dudes, out soon on Roche Musique.
FKJ on facebook : www.facebook.com/frenchkiwijuice?ref=hl
Buy Original : https://itunes.apple.com/fr/album/dont-matter-feat.-darianna/id734346260

Cherokee on Soundcloud : https://soundcloud.com/cherokee-official
Cherokee on Facebook : https://www.facebook.com/cherokee.music?fref=ts

Roche musique on Soundcloud : https://soundcloud.com/rochemusique
Roche musique on Facebook : https://www.facebook.com/rochemusique

Don't Matter (feat. Darianna Everett) - EP

Don't Matter (FKJ Remix) [feat. Darianna Everett]

Cherokee feat Darianna - Don't matter (FKJ remix)

My remix for Galimatias and Alina Baraz 's "Pretty Thoughts" 

Buy track

Alina Baraz & Galimatias - Pretty Thoughts (FKJ Remix)

Citizen - As You Please

WRITTEN AND PERFORMED BY WICCA PHASE SPRINGS ETERNAL
PRODUCED BY DØVES

"MY HEART WON'T STFU" OFFICIAL MUSIC VIDEO= youtu.be/phe8hxie61g

ITUNES= https://itunes.apple.com/us/album/my-heart-wont-stfu-single/1319491352

BANDCAMP= https://wiccaphase.bandcamp.com/album/my-heart-wont-stfu

HTTP://SOUNDCLOUD.COM/WICCAPHASESPRINGSETERNAL
HTTP://TWITTER.COM/WICCAPHASE
HTTP://FACEBOOK.COM/WICCAPHASESPRINGSETERNAL
HTTP://INSTAGRAM.COM/KOURNIKOVAX

MY HEART WON'T STFU (PROD. DØVES)

PRODUCED BY FOXWEDDING

"CORINTHIAX" MUSIC VIDEO= https://youtu.be/asNZCVlvCec

"CORINTHIAX" EP OUT NOW
Itunes= https://itunes.apple.com/us/album/corinthiax-ep/1350605815

MERCH AND SHOW UPDATES AT HTTP://WICCAPHASE.COM 

http://twitter.com/wiccaphase
http://facebook.com/wiccaphasespringseternal
http://instagram.com/kournikovax

CORINTHIAX

Everybody Wants To Be Famous

Written & Produced by Cautious Clay

instagram.com/cautiousxclay
twitter.com/Cautiousclayton
facebook.com/cautiousclayofficial

Spotify:
https://open.spotify.com/track/0tphsQaxYgXozaP9gWkNQP?si=WyQVVMuhRMqR5_jWfMYwwA

Youtube:
https://youtu.be/qPW_GiFiXB8

Big thanks to @lean-quatifah + Daniel Powers for the Art/Photography

Mastered by: Andrew Maury @aemaury

"Juliet & Caesar”

First verse:
Push it in hear a shout
Take pen talk about
Fit the role play it out
Down this lonely lane without love
(Without love..)

call a friend fuck it out
honesty is still the route
We respect only doubt
Cus we falling either ways we down and out...

Chorus:
straight jacket and a hair tie
Subtle gaze with some tight plays
I'm rubber necking hard for you
Meditations holy scars on you

Sullen energies to fill up my soul
Crown Pedigree showing me whole
Dive for the moments Juliet knows
Caesar once had a plan too

Second verse:
She had a 4 pillars
She never fell to far from a tree

Chief good broke hearts
Nice top
She never felt so lost

in the woods she went
Calling shots through a storm
She made

Snatching all the souls
Melo-drama to the road she paved

Chorus:
Straight jacket and a hair tie
Hard stare when you know they care
I'm rubber necking hard for you
Lacking patience in the stars on you

Sullen energies to fill up my soul
Crown Pedigree in showing me whole
Dive for the moments Juliet knows
Caesar once had a plan too

Juliet + Caesar

itunes: https://apple.co/2DfOGJp
spotify: http://spoti.fi/2Fq9pLl

see me i call you like once and i say that you're leading me on with your time though 
really went off on you hard bc my feelings' like dead 
when you see me i'm not at all 
is everything fine 
i say not at all 
i cash the check and i'm so in love 
the only thing that can relieve me from death is you kissing my neck and i'm so in love 
the only thing that can relieve me from death... 
is you switching lanes 
i'm carving you in veins 
what's your number 
i can take another if i want but i don't wanna 

because you're leading me on 
tying me on to your stressors 
sympathetic waves across the oceans where i met her 
i can't wait til you get home
i can't wait to go to sleep 
there's a part of me that dances when i know that it's for keeps 
if my hair wasn't long 
if the money was gone 
would you still want it 
something keeps me feeling like a way and i can't stop it 
there's a price i had to pay 
baby i know i'm forever 
there's a feeling and it's love 
and baby i don't know what love is

art by George Douglas Peterson

IDK WHAT LOVE IS (PROD. MIKE FROST)

// Daniel Avery
// New Album
// Song For Alpha 
// Out 06.04.18 
Pre Order now: http://smarturl.it/DA_SFA

// Slow Fade EP 
// Out Now: http://smarturl.it/DA_SF

Five years after his critically acclaimed debut Drone Logic, London-based producer Daniel Avery has announced the release of his highly anticipated second album Song For Alpha, set for release on 6th April 2018

In the years since his debut, Avery has helmed a DJ-Kicks mix CD, resided over a monthly radio show for NTS Live, curated an extensive remix compilation and collaborated on a series of side-projects including a recent release with Nine Inch Nails synth specialist Alessandro Cortini; he has toured relentlessly, cementing a reputation as one of the defining techno DJs of the decade. He has also worked studiously on what he wanted to say next as a producer. 

Song For Alpha is Avery’s exploration of the space in which home listening and club music intersect, in no small part inspired by his transient life spent between nightclubs, flights, the passenger seats of cars and hotel rooms. He confirms, “Drone Logic’s spiritual home was the dancefloor. This record’s is definitely the road. Those late nights and hazy mornings, finding inspiration beyond the fog.”
    
With newfound energy and time to develop, Avery’s sonic vocabulary has expanded. Here, the booming sound of the big room is brilliantly countered by the music of the small hours. Where celestial ambient lullabies ‘First Light’ and ‘Days From Now’ sit perfectly next to the mesmeric techno assault of ‘Diminuendo’ and ‘Sensation’; where both ‘Projector’ and ‘Clear’ evoke early rave records, only ones engulfed by waves of beautiful cyclonic distortion. Much like his recent excursions with Cortini, Song For Alpha sees Avery take his signature psychedelic-electronic sound to new dimensions, a sound that plays to the head as much as the body.

“I’ve become increasingly interested in those moments in a club when the outside world becomes little more than an inconsequential thought at the back of your head. Eyes closed as opposed to hands in the air. A light emerging from the darkness - this is the idea I repeatedly returned to in the studio. The more time you spend with it the deeper you fall. Close your eyes, press repeat.”

Slow Fade EP

Slow Fade

PRODUCED BY FOX WEDDING

"CORINTHIAX" EP OUT NOW
Itunes= https://itunes.apple.com/us/album/corinthiax-ep/1350605815

MERCH AND SHOW UPDATES AT HTTP://WICCAPHASE.COM 

http://twitter.com/wiccaphase
http://facebook.com/wiccaphasespringseternal
http://instagram.com/kournikovax

HIGH STRANGENESS

HOKUM WONDERLAND

Perth native turned Melbourne local Roza Terenzi is one of Australia’s exciting new electronic artists. Her debut for Voyage delivers three experimental, rhythmic workouts; forward thinking with a heavy lean on early rave nostalgia. The EP is rounded off with a fast-paced remix from Vancouver’s D. Tiffany.

LISTEN ON YOUTUBE

PREMIERE : Roza Terenzi - Weakest Link

New Music: Future Four 'Connection' feat. I:Cube Rework
Buy vinyl direct from Phantasy (with a free download) here: phantasy-sound.lnk.to/PH68
A Connection (Original Mix)
B Connection (I:Cube Rework)
This is PH68 @phantasysound

Initially paying tribute to the analogue absurdity, sonic diversity and sheer imagination of the early 90s dance music landscape, Future Four returns after a hiatus of several years, pushing into new eras, machines and ideals with 'Connection'. Initially a solo project of Andy Meecham, the brains behind Emperor Machine, Chicken Lips, and Bizarre Inc., 'Connection' is the first Future Four release to feature the contribution of Erol Alkan as a permanent member, and is a coupled with a remix from I:Cube.

A veritable powerhouse of synths, vintage drum machines and all manner of effects, 'Connection' unfolds with minimal tempo and maximum impact, as sequences of unexpected electronics gradually build from every direction, each landing with the razor sharp precision associated with their composers. Cascading synths overflow like fizzy drinks, propelling the track along an electronic patchwork of FM synthesis and psychedelia.

On the rework, I:Cube takes the unpredictable rhythm of 'Connection' and coaxes it’s versatile, multiple elements into a timeless slice of boogie house. Nurturing the outsider Casio feel of the track under a musical heat-lamp, the always forward-thinking Frenchman emerges with a cut that could easily soundtrack both sun deck and space station.

Follow Future Four
twitter.com/thefuturefour
www.facebook.com/thefuturefour
open.spotify.com/artist/20I99WCyu…NJT5aNr2ShI65Jgg

Connection

Connection (I:Cube Rework)

Download: https://www.xlr8r.com/mp3/2018/04/frangie-dont-text-me/

@frangiemusic

Frangie - EP

Download

Download: Frangie - Don’t Text Me

READ > http://inverted-audio.com/premiere-isorinne-wave-5

A particularly vibrant slab of organic richness, @isorinne ‘Wave Stuff‘ on @origin-peoples finds the Swedish producer at his most magnetic, as he dishes up a eight-branch hub for moody ambiences and delicately arranged keyboard harmonics, going from introspective to straight out entrancing.

Isorinne - Wave 5 [Origin Peoples]

READ > inverted-audio.com/premiere-memphis-untitled-b2

Putting on offer a compelling tetrad of lush tribal house jams on stealth Predator mode, 'Beneath A Different Sun' oozes sleek audio synthesis and burnt-out chlorophyll in equal measure.

Memphis – Untitled B2 [Mirror Zone]

Phoebe Bridgers + Noah & Abby Gundersen - Killer + The Sound, out now on Dead Oceans and Cooking Vinyl.

Buy / stream: https://bridgers-gundersen.ffm.to/killer-thesound

Phoebe Bridgers + Noah & Abby Gundersen - Killer + The Sound

Station One

Silk Road

"Sha Sha" from the album Quieter by Carla Bozulich

Album out 11 May 2018
Constellation
CST132 • 180gLP/DL
cstrecords.com/cst132

"Sha Sha"
Written by The Night Porter
Mixed by Steve Fisk
Ches Smith: drums, vibes
Jessica Catron: cello
Shahzad Ismaily: bass
Carla: voice

Quieter

Carla Bozulich/The Night Porter • "Sha Sha"

Kevin Krauter's "Keep Falling In Love" is the second single from his upcoming record 'Toss Up' out June 15, 2018 on Bayonet Records: http://hyperurl.co/TossUpPreorder

Spotify: http://hyperurl.co/KFILspotify
Apple Music: http://hyperurl.co/TossUpAppleMusic
Tour Dates: https://www.kevinkrauter.com/tour

Keep up with Kevin:
https://www.facebook.com/kevinkrauterxo
https://twitter.com/kevinkrauterxo
https://www.instagram.com/kevs__pics

Kevin Krauter "Keep Falling In Love" Official Single

Slovenly Recordings welcomes Poland’s prime purveyors of pierogi punk MORON’S MORONS to our putrid populace. This is their first release after 2017’s self-titled debut on the UK’s No Front Teeth Records. It’s called “Indecent Exposure” (no song title to match?), and it’s just the kind of hot mess we cream over: sloppy, unpolished shit rock, distorted to the max, and faster than lubed moose manure with barely intelligible vocals that we’re keen to judge based on song titles like “Vibrator Violator,” and the obvious FM radio smash hit of the bunch, “Devil Sucks My Cock and Swallows.” An artistic triumph in every sense that we aren’t likely to witness again, or at least until the release of the upcoming 7” by Puppy and the Hand Jobs!

"Indecent Exposure" EP

Indecent Exposure

MORON'S MORONS - Indecent Exposure EP- 02 Devil Sucks My Cock and Swallows

A mutant offspring of diverse stylings, unlikely convergences, unfixed constellations, ZEBRA, Alexis Georgopoulos’ - aka Arp - fifth full-length album, is a post-everything symbiosis of ancient to future psychotropics, emphasizing points of connectivity between far-flung traditions. ZEBRA is as naturalistic as it is alien, disrupting outdated boundaries between musical traditions, hierarchies and genre politics. 
 
Using forward-looking production techniques and an idiosyncratic instrumental palette — analog synthesizers, double bass, Fender Rhodes, electronic and acoustic drums, flute, vintage harmonizers and tape delay — Georgopoulos proposes a vast, shimmering prospect, floralizing an array of styles and smiles  — Fourth World tremors, vibey Cosmic Jazz, 80s Japanese production, floating kosmische drum atmospherics.
 
Emphasizing 'points of connectivity' in a time when reactive and fractious isolationism threaten in divisive ways, ZEBRA is the sound of interaction. ZEBRA seeks something beyond definition of singularity perspective and division. It is constructive instead of flippant: ecstatic instead of wallowing; clear-eyed instead of opiated, romantic instead of cynical. 
 
Like the zebra, Georgopoulos’ latest album revels in contrast / duality - Naturalistic + alien. Urban + rural. Calm + unsettling. Lucid + mysterious. Bold simplicity + fiendish complexity. The result is a portal to a more curious world that compels repeat visits.

ZEBRA

Arp - Fluorescences

Eartheater — IRISIRI 
Format: LP/CD/Digital
Cat.No: PAN 86
Release Date: 08 June 2018
Purchase: http://p-a-n.org/product/eartheater-irisiri-pan-86/
BC: https://alexdrewchin.bandcamp.com/album/irisiri

Eartheater (aka Queens based artist Alexandra Drewchin) distills foley-filled digital production, a three-octave vocal range, and classical composition into works suspended between obsessively detailed sonic tapestries and almost recklessly romantic and gestural electronica. A body of viscerally emotive live performance stands alongside her recorded output, realized by her fearless physical investment and gut-wrenching vocal sincerity.

IRISIRI, Eartheater's third full-length record, lays out a shifting network of abstract song craft, laced with sudden structural upheavals and collisions of mutated tropes from numerous sonic vocabularies. Modular synth staccato plucks hammer out in arrhythmic spirals over a carefully muzzled grid of pumping kicks - unleashed in unpredictable disruptions.  Technoid stabs mingle with crushed black metal. An icy OS reads poetry against a bed of granular synth swells.  Drewchin's sirening whistle-tone vocals drape over relentless harp arpeggios. Eartheater confounds expectations of structure and resolution before deciding to thread in a sugary melody that snaps us back into some conception, however hazy, of pop songwriting. Guest spots on  IRISIRI charge Drewchin's ideas with concordant energies, from the stark imagist poetry of Odwalla1221 on Inhale Baby, to the sheer lacerating force of Moor Mother's unflinching verse on MMXXX.

Drewchin's lyrics, strewn with flourishes of wordplay and symbolism, explore themes of her autodidactic experience - playing with the tutelage of the ‘pupil’ within the ‘iris' mirrored in the palindrome  IRISIRI. One motif appears as a song name,  C.L.I.T., which Drewchin breaks down into "Curiosity Liberates Infinite Truth." The acronym stands as a microcosm of the Eartheater project in its holistic combination of idiosyncratic spirituality and cheekiness, presented with an earnest confidence that some could consider confrontational. In spite of this lexicon’s maximal effect, it comes from a very personal place as she states, “curiosity has had to be the currency of my education". On OS In Vitro, she reminds us that "These tits are just a side-effect," and "You can't compute her," as if to acknowledge the clouding effect of sexuality and technology in the face of a higher self-significance. In the record’s accompanying video piece, Claustra,  she slides between "the owning of my loneliness" and "the end of the loaning of my onliness”, encapsulating images of self-purifying 
isolation and the rejection of artistic exploitation with the flip of two syllables. The transmuting landscape of IRISIRI is riddled with evocative poetry and evidence of Drewchin’s development as an artist since her debut in 2015.

Drewchin performs and collaborates with art duo and close friends FLUCT. In February 2017, she starred in Raul de Nieves and Colin Self’s opera The Fool at the Kitchen. In April 2017, featured on two tracks from Show Me The Body’s  Corpus I mixtape alongside  Denzel Curry  and Moor Mother. She’s currently composing work for the contemporary chamber orchestra,  Alarm Will Sound, that will debut in May 2018. Her new live set sees her accompanied by the concert harpist Marilu Donivan.

The release is mastered by Rashad Becker at D&M, featuring photography by Elise Gallant.

@alex-drewchin
http://www.eartheater.solar/
http://www.p-a-n.org/

IRISIRI

Eartheater — Trespasses (PAN 86)

do it right

Liar - Benzolovers

Tame Impala's new album LONERISM releasing October 8 on Modular Records.


Katie Henderson / INgrooves Fontana / katie.henderson@ingroovesfontana.com / 818-212-2601

do it right

Ben Khan