Thanks to a Creative Commons license, this track contains elements of music by Juan Manuel Castrillo (“Horizontales,” from the album by that name on the netlabel Impulsive Habitat), J. Surak (“Improvisation for Prepared Autoharp,” from the album If You Smell Gas on the netlabel Zeromoon), and Maddame Cell (“Auto Tempo 1,” from the album Autotempo on the netlabel Xylem).

More on this 111th Disquiet Junto project (“Rework work from Impulsive Habitat, Xylem, Zeromoon (via actsofsilence.com)”) at:

http://disquiet.com/2014/02/13/disquiet0111-actsofcommons/

More on the Disquiet Junto at:

http://disquiet.com/?p=16588

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

The source audio for this track is available for free download from these netlabel websites:

http://impulsivehabitat.com/releases/ihab084.htm

http://museumofmicrocassetteart.bandcamp.com/album/moma086-if-you-smell-gas

http://xylemrecords.bandcamp.com/album/autotempo

The audio was sourced from reviews posted originally at the excellent website actsofsilence.com, which is run by David Nemeth.

Disquiet Junto Project 0111: Acts of Commons

Depth

3636.TERANA - PALASS BY ZOHRA BAI G.C.4.13191

I love the remixes. For this one I used all 20 seconds of Madamme Cell's and 1 second of Castrillo's track to create a beat. 
The other 29 seconds of Castrillo's I faded in to use as a swelling drone through out. 
With J. Surak's track I repeated the last 6 or 7 seconds to create a drone. I then opened it in a separate audacity window, added a time track and used the envelope filter to created a sliding pitch shift effect. I also in parts used the pitch change effect to get an even lower growl. 

The picture is a collage of Surak's and Madamme Cell's album covers that I then databent with audacity. 

More at:
http://subversiveintentions.wordpress.com

ps. if there are any Vermont Junto members I'm playing a show in Montpelier, it would be great to meet some of you:
https://www.facebook.com/events/405005466309755/

Thanks to a Creative Commons license, this track contains elements of music by Juan Manuel Castrillo (“Horizontales,” from the album by that name on the netlabel Impulsive Habitat), J. Surak (“Improvisation for Prepared Autoharp,” from the album If You Smell Gas on the netlabel Zeromoon), and Maddame Cell (“Auto Tempo 1,” from the album Autotempo on the netlabel Xylem).


More on this 111th Disquiet Junto project (“Rework work from Impulsive Habitat, Xylem, Zeromoon (via actsofsilence.com)”) at:


http://disquiet.com/2014/02/13/disquiet0111-actsofcommons/


More on the Disquiet Junto at:


http://disquiet.com/?p=16588


Join the Disquiet Junto at:


http://soundcloud.com/groups/disquiet-junto/


The source audio for this track is available for free download from these netlabel websites:


http://impulsivehabitat.com/releases/ihab084.htm


http://museumofmicrocassetteart.bandcamp.com/album/moma086-if-you-smell-gas


http://xylemrecords.bandcamp.com/album/autotempo


The audio was sourced from reviews posted originally at the excellent website actsofsilence.com, which is run by David Nemeth.

This Reminds Me Of The Dentist (disquiet0111-actsofcommons)

After downloading and cutting out the needed parts I stated working with the sources in Borderlands, iDensity and Samplr on my iPad...transferred them back into Ableton Live for adjustment of panning, reverb and volume. Finely I decided to add the rumble: reversed and down pitched Horizontales  as well as Auto Tempo 1 .... a little mastering - done... 

Disquiet Junto Project 0111: Acts of Commons

Create a new piece of music by using nothing but the following elements from these three pieces of music:

The last 30 seconds of Juan Manuel Castrillo’s “Horizontales,” from the album by that name on the netlabel Impulsive Habitat:

http://impulsivehabitat.com/releases/ihab084.htm

The first 10 seconds of J. Surak’s “Improvisation for Prepared Autoharp,” from the album If You Smell Gas on the netlabel Zeromoon:

http://museumofmicrocassetteart.bandcamp.com/album/moma086-if-you-smell-gas

The first 20 seconds of Maddame Cell’s “Auto Tempo 1,” from the album Autotempo on the netlabel Xylem:

http://xylemrecords.bandcamp.com/album/autotempo

Background: all of this music is available for free, non-commercial download and creative reuse thanks to a Creative Commons license. This project is part of a series of “netlabel remixes” intended to promote that sort of thoughtful, collaborative sharing. The audio was sourced from reviews posted originally at the excellent website actsofsilence.com, which is run by David Nemeth.

Deadline: Monday, February 17, 2014, at 11:59pm wherever you are.

Length: Your finished work should be between 2 minute and 5 minutes.

Information: Please when posting your track on SoundCloud, include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0111-actsofcommons” in the title of your track, and as a tag for your track.

Download: Due to the nature of the source material, your track should be set as downloadable, and with a license that allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, be sure to include this information:

Thanks to a Creative Commons license, this track contains elements of music by Juan Manuel Castrillo (“Horizontales,” from the album by that name on the netlabel Impulsive Habitat), J. Surak (“Improvisation for Prepared Autoharp,” from the album If You Smell Gas on the netlabel Zeromoon), and Maddame Cell (“Auto Tempo 1,” from the album Autotempo on the netlabel Xylem).

More on this 111th Disquiet Junto project (“Rework work from Impulsive Habitat, Xylem, Zeromoon (via actsofsilence.com)”) at:

http://disquiet.com/2014/02/13/disquiet0111-actsofcommons/

More on the Disquiet Junto at:

http://disquiet.com/?p=16588

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

The source audio for this track is available for free download from these netlabel websites:

http://impulsivehabitat.com/releases/ihab084.htm

http://museumofmicrocassetteart.bandcamp.com/album/moma086-if-you-smell-gas

http://xylemrecords.bandcamp.com/album/autotempo

The audio was sourced from reviews posted originally at the excellent website actsofsilence.com, which is run by David Nemeth.

“disquiet0111-actsofcommons” Rumble in the Jungle

**Production Notes**

Honestly, it took me some time to get into the source material - I just couldnt find some interesting frequencies with the right punch. After 2 hours I had some hits, kicks and noises extracted and layed down some basic drum tracks in Ableton.

Then... no idea... no melodies... nothing came to mind. Fiddled around for another hour, then I concentrated on the sample from "Horizontales" and did some pulsating melody with Ableton Push. Pads, Bass and the rest came pretty quickly.  Mixed in a hurry (it‘s very late here and I want to go to bed.)

There were no other instruments added. Hope you like it! 

* * *
 
**Disquiet Junto Project 0111: Acts of Commons**

Create a new piece of music by using nothing but the following elements from these three pieces of music:

The last 30 seconds of Juan Manuel Castrillo’s “Horizontales,” from the album by that name on the netlabel Impulsive Habitat:

http://impulsivehabitat.com/releases/ihab084.htm

The first 10 seconds of J. Surak’s “Improvisation for Prepared Autoharp,” from the album If You Smell Gas on the netlabel Zeromoon:

http://museumofmicrocassetteart.bandcamp.com/album/moma086-if-you-smell-gas

The first 20 seconds of Maddame Cell’s “Auto Tempo 1,” from the album Autotempo on the netlabel Xylem:

http://xylemrecords.bandcamp.com/album/autotempo


Background: all of this music is available for free, non-commercial download and creative reuse thanks to a Creative Commons license. This project is part of a series of “netlabel remixes” intended to promote that sort of thoughtful, collaborative sharing. The audio was sourced from reviews posted originally at the excellent website actsofsilence.com, which is run by David Nemeth.

(...)

Thanks to a Creative Commons license, this track contains elements of music by Juan Manuel Castrillo (“Horizontales,” from the album by that name on the netlabel Impulsive Habitat), J. Surak (“Improvisation for Prepared Autoharp,” from the album If You Smell Gas on the netlabel Zeromoon), and Maddame Cell (“Auto Tempo 1,” from the album Autotempo on the netlabel Xylem).

More on this 111th Disquiet Junto project (“Rework work from Impulsive Habitat, Xylem, Zeromoon (via actsofsilence.com)”) at:

http://disquiet.com/2014/02/13/disquiet0111-actsofcommons/

More on the Disquiet Junto at:

http://disquiet.com/?p=16588

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

The source audio for this track is available for free download from these netlabel websites:

http://impulsivehabitat.com/releases/ihab084.htm
http://museumofmicrocassetteart.bandcamp.com/album/moma086-if-you-smell-gas
http://xylemrecords.bandcamp.com/album/autotempo

The audio was sourced from reviews posted originally at the excellent website actsofsilence.com, which is run by David Nemeth.

Verticals [disquiet0111-actsofcommons]

My musical senses are in an industrial/noise mode recently.

I used Samplr on my iPad Air.  Made several different recordings.  Arranged the recordings in Sony Acid until I created something I liked.

For more about me and my music, visit http://www.markrushton.com

In addition to what I have here at Soundcloud, I now have all my commercially available recordings at YouTube for free streaming:  https://www.youtube.com/user/markrushtoncom

Thanks to a Creative Commons license, this track contains elements of music by Juan Manuel Castrillo (“Horizontales,” from the album by that name on the netlabel Impulsive Habitat), J. Surak (“Improvisation for Prepared Autoharp,” from the album If You Smell Gas on the netlabel Zeromoon), and Maddame Cell (“Auto Tempo 1,” from the album Autotempo on the netlabel Xylem).

More on this 111th Disquiet Junto project (“Rework work from Impulsive Habitat, Xylem, Zeromoon (via actsofsilence.com)”) at:  http://disquiet.com/2014/02/13/disquiet0111-actsofcommons/

More on the Disquiet Junto at:  http://disquiet.com/?p=16588

Join the Disquiet Junto at: http://soundcloud.com/groups/disquiet-junto/

The source audio for this track is available for free download from these netlabel websites:

http://impulsivehabitat.com/releases/ihab084.htm

http://museumofmicrocassetteart.bandcamp.com/album/moma086-if-you-smell-gas

http://xylemrecords.bandcamp.com/album/autotempo

The audio was sourced from reviews posted originally at the excellent website actsofsilence.com, which is run by David Nemeth.

Industry (disquiet0111-actsofcommons)

The rhythmic structure comes from Maddam Cell's "Auto Tempo 1" with a 4 bar sampling and loop.  Some EQ added.

The main melodic lines come from two passes of J. Surak's "Improvisation for Prepared Autoharp", both played in reverse with one at half speed and the other at quarter speed creating different pitches of the same sound sample.  Those weave and intertwine throughout. Some reverb added.

The background swells come from Juan Manuel Castrillo's "Horizontales" and serve as a thickening agent, adding more texture.

All samples were directly recorded to the Samplr app for Ipad and manipulated within.  No other sound sources were used in this track and the only changes come from added effects (EQ, some reverb, and in the "Auto Tempo 1" sample - some fuzz distortion. 

:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
Thanks to a Creative Commons license, this track contains elements of music by Juan Manuel Castrillo (“Horizontales,” from the album by that name on the netlabel Impulsive Habitat), J. Surak (“Improvisation for Prepared Autoharp,” from the album If You Smell Gas on the netlabel Zeromoon), and Maddame Cell (“Auto Tempo 1,” from the album Autotempo on the netlabel Xylem).



More on this 111th Disquiet Junto project (“Rework work from Impulsive Habitat, Xylem, Zeromoon (via actsofsilence.com)”) at:



http://disquiet.com/2014/02/13/disquiet0111-actsofcommons/



More on the Disquiet Junto at:



http://disquiet.com/?p=16588



Join the Disquiet Junto at:



http://soundcloud.com/groups/disquiet-junto/



The source audio for this track is available for free download from these netlabel websites:



http://impulsivehabitat.com/releases/ihab084.htm



http://museumofmicrocassetteart.bandcamp.com/album/moma086-if-you-smell-gas



http://xylemrecords.bandcamp.com/album/autotempo



The audio was sourced from reviews posted originally at the excellent website actsofsilence.com, which is run by David Nemeth.



Manipulator, You - [disquiet0111 - actsofcommons]

Thanks to a Creative Commons license, this track contains elements of music by Juan Manuel Castrillo (“Horizontales,” from the album by that name on the netlabel Impulsive Habitat), J. Surak (“Improvisation for Prepared Autoharp,” from the album If You Smell Gas on the netlabel Zeromoon), and Maddame Cell (“Auto Tempo 1,” from the album Autotempo on the netlabel Xylem).
More on this 111th Disquiet Junto project (“Rework work from Impulsive Habitat, Xylem, Zeromoon (via actsofsilence.com)”) at:
http://disquiet.com/2014/02/13/disquiet0111-actsofcommons/
More on the Disquiet Junto at:
http://disquiet.com/?p=16588
Join the Disquiet Junto at:
http://soundcloud.com/groups/disquiet-junto/
The source audio for this track is available for free download from these netlabel websites:
http://impulsivehabitat.com/releases/ihab084.htm
http://museumofmicrocassetteart.bandcamp.com/album/moma086-if-you-smell-gas
http://xylemrecords.bandcamp.com/album/autotempo

The audio was sourced from reviews posted originally at the excellent website actsofsilence.com, which is run by David Nemeth.

The Crossing [disquiet0111-actsofcommons]

A pelican, living as a fresco on the facade of a house, far from its natural habitat. He dreams of getting away from the traffic, into nature.

This track has a meaning and a raison d'être of its own - but is intended as first part of an asynchronous trio as proposed by the Disquiet Junto Project 0591:



More on this 591st weekly Disquiet Junto project, The Loneliest Number (The Assignment: Record the first third of a trio), at: https://disquiet.com/0591/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/ 1

Project discussion takes place on llllllll.co 1: https://llllllll.co/t/disquiet-junto-project-0591-the-loneliest-number/

The Loneliest Pelican (Disquiet0591)

A groove in Dm @ 104 bpm played on a mahogany guild parlour guitar with a figure overdubbed. A foundation on which to ground your energy for the long struggle ahead.

More on the 697th weekly Disquiet Junto project, First Third — The Assignment: Record the first third of a trio — at https://disquiet.com/0697/

Disquiet0697 - First Third

Solo ronroco, 2 microphones, a great sounding room, some convolution reverb added.

This is  a simple idea I've been practising today, recorded Thursday 8th may 2025 at noon, first and only take.
----------
later released with an alternate version, multitracked:
https://daniel-diaz-ronroco-lullaby.sbmt.to/
----------
For this collaborative project:

https://llllllll.co/t/disquiet-junto-project-0697-first-third/

Ronroco Lullaby (disquiet0697)

improvisation with ableton, many sources processed using soundthread for composer's desktop project

Live Set 06/26/2025 @resident_electronicmonthly

This was my contribution for Disquiet Junto Project 0707: Chain of Practice. The Assignment: Make music from how you make music. This project is the third of three that are being done by the Disquiet Junto in collaboration with the 2025 Musikfestival Bern, which will be held in Switzerland from September 3 through 7.

Here’s a copy of my post on the Disquiet Junto 0707 discussion thread on Lines:

Recorded myself speaking the following sentence using a Tascam DR-100mkIII: “I try to create music by mindfully listening to what’s happening around me, as well as to what the subconscious parts of my mind are trying to say”. 

I took the recording and heavily processed it, mainly using Morphagene on the modular and the Fieldtone Weaver effects pedal. Assembled the tracks, as well as the original recording, into Ableton Live. From there – I sliced, sampled, mangled, and added effects till I ended with something I was mostly satisfied with. The repetitive guitar-like sequence was created using a sliced sample transformed in Ableton’s Simpler instrument with some spectral effects. 

Hopefully, this piece reflects that idea stated in the opening sentence. This was challenging and fun. Thank you, I’m glad I was able to participate in these Musikfestival Bern projects again this year.

More on the 707th weekly Disquiet Junto project, Chain of Practice — The Assignment: Make music from how you make music — at https://disquiet.com/0707/

Never Landing [disquiet0707]

More on the 708th weekly Disquiet Junto project, Vocal Chords — The Assignment: Do something with layers of the sound of your voice. — at https://disquiet.com/0708/

Disquiet0708 - Loulou

In spring sunlight
the rows of tea bushes
ripple like waves
 

Tōge Morita (1924-2013) was a Japanese teacher and poet from Osaka. In the early 50s, he started publishing his poems in the Katsuragi 葛城 magazine, later becoming its editor-in-chief and, in 1990, its editor.

Haiku by Tōge Morita: https://www.lucacenisi.net/2023/04/16/cinque-haiku-di-toge-morita/

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

more halF unusuaL

halF cuppA [naviarhaiku604]

While the far-flung Asarian homeworld is the first inhabited system that we've discovered, this is not our first time encountering the intelligent cloud beings of Asar. We've learned that Asarian explorers visited our earth thousands of years ago, touching down somewhere in the Nile river valley. When the gas giants finally departed, the Pharaoh whose hospitality they had enjoyed bestowed two gifts on her alien visitors. The first was a scroll with plans they could use to build their own pyramids back home. But the most remarkable gift was a papyrus describing a peculiar set of frequencies that, when resonated in certain sequences, could reveal spiritual and mathematical truths. We believe the audio captured by our surface drone may be a sacred performance of this ancient harmonic "spell".

This one was a lot of fun to put together! It gave me a great excuse to experiment with microtonal composition, and learn how to configure custom tunings in Logic. I chose the Maqam scale, a traditional scale in Arabic music believed to have originated in ancient Egypt. The scale consists of two "half-flats": in this case, A, B half-flat, C, D, E half-flat, F, G, and A. The main melodic line is typical for the scale, arcing from root to  octave and then descending again. The percussion was inspired by reading about Wahda w-Nuss rhythms. 

More on the 718th weekly Disquiet Junto project, Planet Jam It — The Assignment: Record the sound of an advanced alien civilization — at https://disquiet.com/0718/.

The Asar Sequence (disquiet0718)

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

I am a human animal & through my creative practices seek to connect to the flow of life to let my innate intuition guide me before my logical mind controls me. To undo or at least side-step some of my cultural conditioning so the spirits of the place I am in can express through me. This  forest I am in, the rock I sit on beside this stream, the footpath below my feet, this vast planet we all live upon. The natural world so often unconsidered, ignored, I aim to give it some voice.

The Crossing [disquiet0111-actsofcommons]

Benn DeMole

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