Brother Ali has no reservations in saying that he’s “trying to be one of the greatest of all time” (on the Molemen track “Life Sentence”). Inspired by golden era legends like KRS-One and Rakim, this undisputed Master of Ceremony began rapping as a means of survival. 

Growing up albino (colorless hair, skin and eyes, poor vision, and extreme sensitivity to the sun) in a world of cruel kids made it strikingly obvious to Ali that he needed a high-powered way to earn some respect and prestige among his peers. As a result, ever since elementary school he hasn’t slowed down with his lyrical grind. In his rare moments of silence these days, if you catch his eyes, you’ll notice that this Minneapolis denizen is rapping in his head. For Ali, hip-hop doesn’t stop when he exits the studio or stage.

Around the turn of the millennium, Rhymesayers Entertainment couldn’t overlook Ali’s talent and drive when he submitted his self-produced demo, Rites of Passage. This rare, cassette-only effort features collections of rhymes, poems, and stories that he wove into his live sets. Its release help make him a welcome member of the RSE family alongside Atmosphere, Musab, and Eyedea and Abilities.


Chris Karns + Felix Fast4ward = DSP
@chriskarnsmusic @felixfast4ward

Take Me Home out now via Headroom Records
https://fanlink.tv/BearcubsTakeMeHome

MGMT: 
sergio@chariotworks.com

Daily Bread is the sonic perception of Rhett Whatley. 

Booking:
Jay: jmoss@teamwass.com
Zach: zberkowitz@teamwass.com
Logan: lhandelsman@teamwass.com

Management: 
Keith LeWinter
keith@redlightmanagement.com

Brandon Ginsberg
brandon.ginsberg@redlightmanagement.com

・・・・・・
Twitter/Insta :
@rhettwhatley
@dailybreadmusic

some tracks are gone temporarily gone, I got strikes for some remixes and dont want to loose this account. sorry for the inconvenience <3

songs created in order to capture brief moments of time

collected works vol. 1: https://hawk.bandcamp.com/album/collected-works

Bennishoes is following