clara

loscil 'vespera'

Fans of the Berlin based Nils Frahm are by now familiar with his beguiling live shows where more often than not fellow touring artists are encouraged to join Frahm on stage – the likes of Rachel Grimes, Rob Lowe of Balmorhea as well as label colleagues Peter Broderick and Ólafur Arnalds have all obliged with fascinating results. It will come as no surprise then that Nils Frahm, an accomplished composer and producer who signed to Erased Tapes in 2009, has extended his collaborative live musings to encompass the recording studio, working for the first time with noted cellist and fellow Berliner Anne Müller to produce 7fingers. 

With their first collective release Frahm and Müller have built a world where modern classical and electronica collide creating an ‘intoxicating and delicious’ collection of songs. Primarily a pianist Nils Frahm provides evidence with 7fingers that he can effortlessly turn electric throwing in loops, samples and glitches to accompany and showcase Müller on cello. Anne Müller, a renowned musician noted for her work with the Wolf-Ferrari-Ensemble, Phillip Boa and recent tours with Agnes Obel, proves an amp musical partner for Frahm. 

As the recognition continues to grow for Nils Frahm’s previous solo piano works Wintermusik and The Bells, 2011 sees a new side to this young talent as he embarks on a detour into strings, symphonies and glitch beats alongside the estimable Anne Müller.



PRESS:

‘The combined talents of wunderkind pianist Frahm and Anne Müller here produce a subtle, seductive chamber music sporadically interleaved with electronic glitches’ **** – Mojo

'Ludwig Van draped in velveteen electronic violence. A record of fractured beauty. A worthwhile venture' (7/10) - Drowned In Sound

‎'Imaginative and surprising collaboration. It teases out goose-bumps in way that alone gives rise to a hope this won’t be the last time we see the two working together' – BBC Music

‘An album that sees headphone electronica, modern classical, and soundtrack music all converge to beautiful, intelligent, often terrifying effect’ Track Of The Day – The Line Of Best Fit

‘One of the most emotionally-evoking neoclassic records of the year’  8/10 – The Silent Ballet

‘7 Fingers is an absolute necessity and will surely stand as one of the better releases of the year’ –  Fluid Radio

‘I can’t recommend it more… Intoxicating and delicious’ – Headphone Commute


Erased Tapes Collection III

Nils Frahm & Anne Müller – 7fingers

A Lucid Dream Kit

I've remixed "Awake" of Tycho (Ghostly).
It's included in Tycho's new album "Awake" jp edition.
http://www.artuniongroup.co.jp/plancha/top/releases/artpl-049/

Tycho - Awake (Ametsub remix)

If you download these mixes to listen to later, please pop back here and click the remixers you're into some love for their work before the 26th of May. The remixer with the most heart then wins a Keith McMillen controller and some Plaid swag, http://tinyurl.com/myannzy The original version of Tether can be heard and played with via Jono Brandel's web app, http://tether.plaid.co.uk and is included on our album, Reachy Prints, http://warp.net/records/plaid/new-album-reachy-prints

Tether [Ion Driver Remix]

Mastery

Firmament is a soaring orchestral journey crafted in the grand tradition of Hollywood scoring

Firmament

Another of the many tracks that didn't seem to fit "Nothing Is Real" in 2014. 

The Flashbulb - The Storm In March

New track from the forthcoming "Imbalance"ep

Bandcamp

Aphelion

4 song preview from  
KILN - "Dusker" 
(2007 on Ghostly International)



Flycatcher

from 'ΠΟΛΙΣ' [CD|LP|DIGITAL]
Denovali Records · den344
available on all formats at http://denovali.com/subheim

Subheim adds a new chapter to his catalog of shadowy raves with ΠΟΛΙΣ - the fourth long player, arriving in October 2020 on Denovali Records. Pronounced "Polis," the Greek word for "city," ΠΟΛΙΣ doesn't so much evoke the rapid cadences of life in a modern metropolis as it does the unspoken tension between longing to escape and being trapped in some kind of concrete stasis - living together with millions of souls in an expansive emptiness.
 
Subheim uses ΠΟΛΙΣ as a vehicle to depart from traditional songwriting structures, crafting each track as a piece of a larger sonic collage. Songs come out of nowhere, abruptly come to end before they even get a chance to start or introduce new motifs and surprise reprises long after we expect the next track to cue up. These stutter-start forms reflect the four years it took for the record to take shape: a series of failed musical experiments, indecision, balancing an unstoppable creative drive with the unavoidable emotional ebb and flow of life.
 
Though this is clearly Subheim working at a new level, listeners will recognize the sound of ΠΟΛΙΣ instantly as his, with both hints of the IDM/electronica of Approach era and the unmistaken human element that is present in all his work. The natural, off-grid time feel of the record is effortlessly augmented with field recordings and found sounds, this time around with the addition of more grit and power, and with heavier use of analog synthesizers.
 
Despite the album being born out of a feeling of alienation from one's surroundings, it's impossible to ignore the sense of hope that runs through this LP. In ΠΟΛΙΣ, we hear an arrival at a deeper understanding of oneself, an inner peace amidst the decay and a cautious optimism that comes from someone who just happens to feel most at home in darkness.

Subheim - ΠΟΛΙΣ

Subheim - Old Blade

Thanks for listening. 
Sorry I suck at checking messages. 
Booking: brent@madison-house.com
Licensing: mark@alphabasic.com

The Flashbulb - The Storm In March

bunn